Perspectives On Music
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Author | : Wayne D. Bowman |
Publisher | : Oxford University Press on Demand |
Total Pages | : 488 |
Release | : 1998 |
Genre | : Music |
ISBN | : 9780195112962 |
An introduction to diverse philosophical perspectives on the nature and value of music, ranging from the ancient Greeks to idealism to phenomenology to contemporary socio-cultural critiques. Designed to introduce the serious music student with no philosophical background to the vitality of music philosophical discourse, it explores a broad range of music philosophical terrain, showing the philsophers' reasons for holding what can seem to the non-philosopher like extraordinarily bizarre notions, while at the same time pointing out the philosophical shortcomings of what musicians often take for common-sense musical truths.
Author | : Luísa Correia Castilho |
Publisher | : Springer Nature |
Total Pages | : 388 |
Release | : 2021-09-30 |
Genre | : Technology & Engineering |
ISBN | : 3030784517 |
This book gathers a set of works highlighting significant advances in the areas of music and sound. They report on innovative music technologies, acoustics, findings in musicology, new perspectives and techniques for composition, sound design and sound synthesis, and methods for music education and therapy. Further, they cover interesting topics at the intersection between music and computing, design and social sciences. Chapters are based on extended and revised versions of the best papers presented during the 6th and 7th editions of EIMAD–Meeting of Research in Music, Arts and Design, held in 2020 and 2021, respectively, at the School of Applied Arts in Castelo Branco, Portugal. All in all, this book provides music researchers, educators and professionals with authoritative information about new trends and techniques, and a source of inspiration for future research, practical developments, and for establishing collaboration between experts from different fields.
Author | : Donald Carl Meyer |
Publisher | : Pearson |
Total Pages | : 0 |
Release | : 2003 |
Genre | : Music appreciation |
ISBN | : 9780130304407 |
For courses in Music Appreciation taken by non-majors. Using unique, interactive Listening Activities and focusing equally on American and European, popular and classical music styles, this text helps students learn how to listen to music any kind of music more actively, and to articulate their observations clearly and persuasively. An absence of musical notation, an accessible writing style, an abundance of stimulating visuals, and in-depth coverage of each style easily draw those with no musical background into the rich and varied world of music they are likely to encounter both in and out of concert halls.
Author | : R. Purcell |
Publisher | : Springer |
Total Pages | : 216 |
Release | : 2016-04-08 |
Genre | : Music |
ISBN | : 1137497602 |
This collection presents a contemporary evaluation of the changing structures of music delivery and enjoyment. Exploring the confluence of music consumption, burgeoning technology, and contemporary culture; this volume focuses on issues of musical communities and the politics of media.
Author | : Robert Burke |
Publisher | : Lexington Books |
Total Pages | : 245 |
Release | : 2017-01-23 |
Genre | : Music |
ISBN | : 1498544827 |
The increasing interest in artistic research, especially in music, is throwing open doors to exciting ideas about how we generate new musical knowledge and understanding. This book examines the wide array of factors at play in innovative practice and how by treating it as research we can make new ideas more widely accessible. Three key ideas propel the book. First, it argues that artistic research comes from inside the practice and exists in a space that accommodates both objective and subjective observation and analyses because the researcher is the practitioner. It is a space for dialogue between apparently opposing binaries: the composer and the performer, the past and the present, the fixed and the fluid, the intellectual and the intuitive, the abstract and the embodied, the prepared and the spontaneous, the enduring and the transitory, and so on. It is not so much constructed in a logical, sequential manner in the way of the scientific method of doing research but more as a “braided” space, woven from many disparate elements. Second, the book articulates the notion that artistic research in music has its own verification procedures that need to be brought into the academy, especially in terms of the moderation of non-traditional research outputs, including the description of the criteria for allocation of research points for the purposes of data collection, as well as real world relevance and industry engagement. Third, by way of numerous examples of original and creative music making, it demonstrates in practical terms how exploration and experimentation functions as legitimate academic research. Many of the case studies deliberately cross boundaries that were previously assumed to be rigid and definite in order to blaze new musical trails, creating new collaborations and synergies.
Author | : Charles Garrett |
Publisher | : University of Michigan Press |
Total Pages | : 367 |
Release | : 2021-08-16 |
Genre | : Music |
ISBN | : 0472901303 |
Sounding Together: Collaborative Perspectives on U.S. Music in the Twenty-21st Century is a multi-authored, collaboratively conceived book of essays that tackles key challenges facing scholars studying music of the United States in the early twenty-first century. This book encourages scholars in music circles and beyond to explore the intersections between social responsibility, community engagement, and academic practices through the simple act of working together. The book’s essays—written by a diverse and cross-generational group of scholars, performers, and practitioners—demonstrate how collaboration can harness complementary skills and nourish comparative boundary-crossing through interdisciplinary research. The chapters of the volume address issues of race, nationalism, mobility, cultural domination, and identity; as well as the crisis of the Trump era and the political power of music. Each contribution to the volume is written collaboratively by two scholars, bringing together contributors who represent a mix of career stages and positions. Through the practice of and reflection on collaboration, Sounding Together breaks out of long-established paradigms of solitude in humanities scholarship and works toward social justice in the study of music.
Author | : Downing A. Thomas |
Publisher | : Cambridge University Press |
Total Pages | : 211 |
Release | : 1995-06-15 |
Genre | : History |
ISBN | : 0521473071 |
This study analyses reflections on music and considers ways in which it facilitates links between language and meaning.
Author | : Stephen Downes |
Publisher | : Routledge |
Total Pages | : 324 |
Release | : 2014-06-27 |
Genre | : Music |
ISBN | : 1136486917 |
Aesthetics of Music: Musicological Approaches is an anthology of fourteen essays, each addressing a single key concept or pair of terms in the aesthetics of music, collectively serving as an authoritative work on musical aesthetics that remains as close to 'the music' as possible. Each essay includes musical examples from works in the 18th, 19th, and into the 20th century. Topics have been selected from amongst widely recognised central issues in musical aesthetics, as well as those that have been somewhat neglected, to create a collection that covers a distinctive range of ideas. All essays cover historical origins, sources, and developments of the chosen idea, survey important musicological approaches, and offer new critical angles or musical case studies in interpretation.
Author | : Floris Schuiling |
Publisher | : Routledge |
Total Pages | : 314 |
Release | : 2022-05-16 |
Genre | : Music |
ISBN | : 1000581209 |
Material Cultures of Music Notation brings together a collection of essays that explore a fundamental question in the current landscape of musicology: how can writing and reading music be understood as concrete, material practices in a wider cultural context? Drawing on interdisciplinary approaches from musicology, media studies, performance studies, and more, the chapters in this volume offer a wide array of new perspectives that foreground the materiality of music notation. From digital scores to the transmission of manuscripts in the Middle Ages, the volume deliberately disrupts boundaries of discipline, historical period, genre, and tradition, by approaching notation's materiality through four key interrelated themes: knowledge, the body, social relations, and technology. Together, the chapters capture vital new work in an essential emerging area of scholarship.
Author | : John Rahn |
Publisher | : W. W. Norton & Company |
Total Pages | : 404 |
Release | : 1994 |
Genre | : Music |
ISBN | : 9780393965087 |
The 30 lively and diverse essays brought together in this volume--all drawn from the journal PERSPECTIVE OF NEW MUSIC--suggest possible answers to the age-old question: Why does music affect us so strongly? The writers include many of the most prominent names in both modern music and aesthetic theory, including Pierre Boulez, John Cage, Iannis Xenakis, Eric Gans, Michel Foucault, and Delmore Schwartz.