Period Style for the Theatre
Author | : Douglas A. Russell |
Publisher | : Allyn & Bacon |
Total Pages | : 422 |
Release | : 1987 |
Genre | : Performing Arts |
ISBN | : |
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Author | : Douglas A. Russell |
Publisher | : Allyn & Bacon |
Total Pages | : 422 |
Release | : 1987 |
Genre | : Performing Arts |
ISBN | : |
Author | : Michael R. Booth |
Publisher | : Cambridge University Press |
Total Pages | : 244 |
Release | : 1991-07-26 |
Genre | : Drama |
ISBN | : 9780521348379 |
A comprehensive survey of the theatre practice and dramatic literature of the Victorian period.
Author | : Elaine A. Novak |
Publisher | : Penguin |
Total Pages | : 279 |
Release | : 2011-05-30 |
Genre | : Performing Arts |
ISBN | : 144032008X |
From auditions and rehearsals to publicity, this guide leads even inexperienced directors, producers, choreographers and actors through the complicated and sometimes fearsome task of staking Shakespeare. Comprehensive information is presented in a browsable format including historical background of the Elizabeth period, descriptions of major plays, a glossary of terms, suggestions for modern interpretations, step-by-step instruction for choreographing fight scenes, and a full treatment of Romeo & Juliet
Author | : Francis Reid |
Publisher | : Routledge |
Total Pages | : 155 |
Release | : 2013-10-08 |
Genre | : Performing Arts |
ISBN | : 1135858691 |
Now in its second edition, Designing for the Theatre has established itself as the authoritative introduction to the processes of design for the theatre. Covering the contribution which can be made by costume, sets, props and lighting to a stage production, the author explains the purpose and process involved in their design. Included in this second edition are new photographs and drawings illustrating some of the most exciting and diverse current trends in stage design.
Author | : Gerald Martin Bordman |
Publisher | : Oxford University Press, USA |
Total Pages | : 840 |
Release | : 1992 |
Genre | : Music |
ISBN | : |
Gerald Bordman's American Musical Theatre has become a landmark book since its publication in 1978. It chronicles American musicals, show by show and season by season, and offers a running commentary and assessment as well as providing the basic facts about each production. This updated edition includes the new shows that have opened on Broadway since the original publication. Also included are over a hundred musicals that were turn-of-the-century, cheap-priced touring shows which never played Broadway, but were the training ground for many theatre greats.
Author | : Baz Kershaw |
Publisher | : Edinburgh University Press |
Total Pages | : 256 |
Release | : 2011-04-18 |
Genre | : Performing Arts |
ISBN | : 0748646086 |
How have theatre and performance research methods and methodologies engaged the expanding diversity of performing arts practices? How can students best combine performance/theatre research approaches in their projects? This book's 29 contributors provide hands-on answers to such questions. Challenging and debating received research wisdom and exploring innovative procedures for rigorous enquiry via archives, technology, practice-as-research, scenography, performer training, applied theatre/performance, body in performance and more, they create a focussed compendium of future research options.
Author | : Jim Davis |
Publisher | : Routledge |
Total Pages | : 539 |
Release | : 2016-12-05 |
Genre | : Performing Arts |
ISBN | : 1351938304 |
This volume contains key articles and chapters which represent both seminal and innovative scholarship on European theatre performance practice from 1750 to 1900. The selected topics focus on acting and performance, staging (including set design and lighting), and audiences, and are approached with a broad perspective as well as with in-depth, focussed analysis. The volume captures the rich, dynamic and variegated nature of European theatre throughout the late-eighteenth and nineteenth centuries and provides a carefully selected body of significant texts on this important period of theatre history.
Author | : J. R. Green |
Publisher | : Routledge |
Total Pages | : 262 |
Release | : 2013-04-15 |
Genre | : History |
ISBN | : 1134968809 |
In Theatre in Ancient Greek Society the author examines the social setting and function of ancient Greek theatre through the thousand years of its performance history. Instead of using written sources, which were intended only for a small, educated section of the population, he draws most of his evidence from a wide range of archaeological material - from cheap, mass-produced vases and figurines to elegant silverware produced for the dining tables of the wealthy. This is the first study examining the function and impact of the theatre in ancient Greek society by employing an archaeological approach.
Author | : Don B. Wilmeth |
Publisher | : Cambridge University Press |
Total Pages | : 448 |
Release | : 1996-06-13 |
Genre | : Drama |
ISBN | : 9780521564441 |
"This new and updated Guide, with over 2,700 cross-referenced entries, covers all aspects of the American theatre from its earliest history to the present. Entries include people, venues and companies scattered through the U.S., plays and musicals, and theatrical phenomena. Additionally, there are some 100 topical entries covering theatre in major U.S. cities and such disparate subjects as Asian American theatre, Chicano theatre, censorship, Filipino American theatre, one-person performances, performance art, and puppetry. Highly illustrated, the Guide is supplemented with a historical survey as introduction, a bibliography of major sources published since the first edition, and a biographical index covering over 3,200 individuals mentioned in the text."--BOOK JACKET.
Author | : Ayanna Thompson |
Publisher | : Routledge |
Total Pages | : 438 |
Release | : 2006-09-12 |
Genre | : Literary Criticism |
ISBN | : 1135867038 |
The systematic practice of non-traditional or "colorblind" casting began with Joseph Papp's New York Shakespeare Festival in the 1950s. Although colorblind casting has been practiced for half a century now, it still inspires vehement controversy and debate. This collection of fourteen original essays explores both the production history of colorblind casting in cultural terms and the theoretical implications of this practice for reading Shakespeare in a contemporary context.