Perfumed Sleeve
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Author | : Laura Joh Rowland |
Publisher | : Minotaur Books |
Total Pages | : 392 |
Release | : 2007-04-01 |
Genre | : Fiction |
ISBN | : 1429908491 |
The Perfumed Sleeve is the ninth book in Laura Joh Rowland's mystery series set in feudal Japan featuring Sano Ichiro. November 1694. The streets of Edo are erupting in violence as two factions struggle for control over the ruling Tokugawa regime. One is led by the shogun's cousin, Lord Matsudaira, and the other by the shogun's second-in-command, Chamberlain Yanagisawa. Each side pressures Sano Ichiro, the shogun's most honorable investigator, to join its ranks. When one of the shogun's most trusted advisers is found dead, Sano is forced to honor a posthumous request for a murder investigation. Senior Elder Makino believed that his death would be the result of assassination rather than natural causes. Although he and Sano were bitter enemies, Makino knew that the incorruptible Sano would be duty-bound to oblige his final wish. Under the watchful eyes and thinly veiled threats of both Lord Matsudaira and Chamberlain Yanagisawa, Sano moves with caution. Each is eager to implicate the other in Makino's death. Sano must discover whether the death was indeed murder, and if so, whether it was motivated by politics, love, or sex. The discovery of secret alliances, both romantic and military, further complicates matters. Sano's investigation has barely begun when violent death claims another of the shogun's favorites. With his wife, Reiko, working undercover, Sano and his chief retainer, Hirata, must not only investigate multiple deaths, but stem the tide of an impending civil war.
Author | : Rajyashree Pandey |
Publisher | : University of Hawaii Press |
Total Pages | : 225 |
Release | : 2016-01-31 |
Genre | : History |
ISBN | : 0824853555 |
Perfumed Sleeves and Tangled Hair explores the possibilities and limits of terms such as "body," "woman," "gender," and "agency"—categories that emerged within the context of western philosophical, religious, and feminist debates—to analyze texts that come out of altogether different temporal and cultural contexts. Through close textual readings of a wide range of classical and medieval narratives, from well-known works such as the Tale of Genji to popular Buddhist tales, Rajyashree Pandey offers new ways of understanding such terms within the context of medieval Buddhist knowledge. Pandey suggests that "woman" in medieval Japanese narratives does not constitute a self-evident and distinct category, and that there is little in these works to indicate that the sexed body was the single most important and overarching site of difference between men and women. She argues that the body in classical and medieval texts is not understood as something constituted through flesh, blood, and bones, or as divorced from the mind, and that in the Tale of Genji it becomes intelligible not as an anatomical entity but rather as something apprehended through robes and hair. Pandey provocatively claims that "woman" is a fluid and malleable category, one that often functions as a topos or figural site for staging debates not about real life women, but rather about delusion, attachment, and enlightenment, issues of the utmost importance to the Buddhist medieval world. Pandey's book challenges many of the assumptions that have become commonplace in academic writings on women and Buddhism in medieval Japan. She questions the validity of speaking of Buddhism's misogyny, women's oppression, passivity, or proto-feminism, and points to the anachronistic readings that result when fundamentally modern questions and concerns are transposed unreflexively onto medieval Japanese texts. Taking a broad, interdisciplinary approach, and engaging widely with literature, religious studies, and feminism, while paying close attention to medieval texts and genres, Pandey boldly throws down the gauntlet, challenging some of the sacred cows of contemporary scholarship on medieval Japanese women and Buddhism.
Author | : Luisa Bienati |
Publisher | : University of Michigan Press |
Total Pages | : 177 |
Release | : 2020-08-06 |
Genre | : Social Science |
ISBN | : 0472901613 |
In 1995, on the thirtieth anniversary of Tanizaki Jun’ichirō’s death, Adriana Boscaro organized an international conference in Venice that had an unusally lasting effect on the study of this major Japanese novelist. Thanks to Boscaro’s energetic commitment, Venice became a center for Tanizaki studies that produced two volumes of conference proceedings now considered foundational for all scholarly works on Tanizaki. In the years before and after the Venice Conference, Boscaro and her students published an abundance of works on Tanizaki and translations of his writings, contributing to his literary success in Italy and internationally. The Grand Old Man and the Great Tradition honors Boscaro’s work by collecting nine essays on Tanizaki’s position in relation to the “great tradition” of Japanese classical literature. To open the collection, Edward Seidensticker contributes a provocative essay on literary styles and the task of translating Genji into a modern language. Gaye Rowley and Ibuki Kazuko also consider Tanizaki’s Genji translations, from a completely different point of view, documenting the author’s three separate translation efforts. Aileen Gatten turns to the influence of Heian narrative methods on Tanizaki’s fiction, arguing that his classicism, far from being superficial, “reflects a deep sensitivity to Heian narrative.” Tzevetana Kristeva holds a different perspective on Tanizaki’s classicism, singling out specific aspects of Tanizaki’s eroticism as the basis of comparison. The next two essays emphasize Tanizaki’s experimental engagement with the classical literary genres—Amy V. Heinrich treats the understudied poetry, and Bonaventura Ruperti considers a 1933 essay on performance arts. Taking up cinema, Roberta Novelli focuses on the novel Manji, exploring how it was recast for the screen by Masumura Yasuzō. The volume concludes with two contributions interpreting Tanizaki’s works in the light of Western and Meiji literary traditions: Paul McCarthy considers Nabokovas a point of comparison, and Jacqueline Pigeot conducts a groundbreaking comparison with a novel by Natsume Sōseki.
Author | : Sadako Ohki |
Publisher | : Yale University Art Gallery |
Total Pages | : 285 |
Release | : 2020-04-07 |
Genre | : Art |
ISBN | : 0300247117 |
A detailed look at a genre that combines virtuoso printmaking techniques, sophisticated imagery, and engaging, playful poetry This beautiful volume celebrates the tradition of the Japanese surimono print. Produced from around 1800 until 1840, during the Edo period, surimono (“printed things” in Japanese) combine intricate artwork and playful poetry, and their small print runs and exclusive audiences allowed for lavish yet subtle surface treatments, such as embossing and gilding. Enjoyed for their learned allusions to literature and contemporary culture, surimono continue to delight and perplex scholars with their visual puns and wordplay. Imagery ranges from delicate, domestic still lifes to spirited vignettes of the natural world, while the poems are often lighthearted takes on the classical Japanese waka form. With its rich text and scholarly apparatus—including names and titles in kanji characters as well as transliterations and translations of the poems on the catalogued prints—The Private World of Surimono serves as a critical resource for scholars of Japanese art and history and offers general readers insight into this rare and innovative print form.
Author | : Laurel Rasplica Rodd |
Publisher | : Cheng & Tsui |
Total Pages | : 452 |
Release | : 1996 |
Genre | : Foreign Language Study |
ISBN | : 9780887272493 |
This book is the first complete translation of the tenth-century work Kokinshu, one of the most important anthologies of the Japanese classical tradition.
Author | : Seiwoong Oh |
Publisher | : Infobase Learning |
Total Pages | : 1292 |
Release | : 2015-04-22 |
Genre | : American literature |
ISBN | : 1438140584 |
Presents a reference on Asian-American literature providing profiles of Asian-American writers and their works.
Author | : Hideyuki Kikuchi |
Publisher | : Dark Horse Comics |
Total Pages | : 312 |
Release | : 2011-04-12 |
Genre | : Comics & Graphic Novels |
ISBN | : 1621155021 |
In this chilling adventure, Vampire Hunter D has been dispatched to vanquish the ancient vampiric Noble Count Braujou, guardian of an ancient buried treasure. But when a mysterious object crashes into the earth, destroying half of the northern Frontier, D faces an even more terrifying opponent-the renegade vampire Valcua, the Ultimate Noble! Having been exiled to outer space, Valcua took his entire kingdom of strange and deadly creatures with him, and swore that when the time was right they would return to have their revenge. Unfortunately for D, that time is now . . .
Author | : |
Publisher | : Stanford University Press |
Total Pages | : 1002 |
Release | : 1994-06-01 |
Genre | : Social Science |
ISBN | : 0804766460 |
The Tale of Genji and The Tale of the Heike are the two major works of classical Japanese prose. The complete versions of both works are too long to be taught in one term, and this abridgement answers the need for a one-volume edition of both works suitable for use in survey courses in classical Japanese literature or world literature in translation and by the general reader daunted by the complete works. The translator has selected representative portions of the two texts with a view to shaping the abridgments into coherent, aesthetically acceptable wholes. Often called the world's earliest novel, The Tale of Genji, by Murasaki Shikibu, is a poetic evocation of aristocratic life in eleventh-century Japan, a period of brilliant cultural efflorescence. This new translation focuses on important events in the life of its main character, Genji. It traces the full length of Genji's relationship with Murasaki, the deepest and most enduring of his emotional attachments, and contains all or parts of 10 of the 41 chapters in which Genji figures, including the "Broom Tree" chapter, which provides a reprise of the themes of the book. In romanticized but essentially truthful fashion, The Tale of the Heike describes the late twelfth-century political intrigues and battlefield clashes that led to the eclipse of the Kyoto court and the establishment of a military government by the rival Minamotho (Genji) clan. Its underlying theme, the evanescence of worldly things, echoes some of the concerns of the Genji, but its language preserves many traces of oral composition, and its vigor and expansivelness contrast sharply with the pensive, elegant tone of the Genji. The selections of the Heike, about 40 percent of the owrk, are taken from the translator's complete edition, which received great acclaim: "this verison of the Heike is superb and indeed reveals to English-language readers for the first time the full scope, grandeur, and literary richness of the work."—Journal of Asian Studies For both the Genji and the Heike abridgments, the translator has provided introductions, headnote summaries, adn other supplementary maerials designed to help readers follow the sometimes confused story lines and keep the characters straight. The book also includes an appendix, a glossary, a bibliography, and two maps.
Author | : Hideyuki Kikuchi |
Publisher | : Dark Horse Comics |
Total Pages | : 740 |
Release | : 2024-08-13 |
Genre | : Fiction |
ISBN | : 1506739679 |
A new omnibus collecting volumes sixteen, seventeen, and eighteen of the Vampire Hunter D horror novel series! The hunt continues in the bizarre far future of 12,090 A.D, where the immortal vampire lords who were the only winners of mankind’s nuclear war still oppress the human survivors who have pushed the blood-drinking fiends back to the lawless Frontier. Yet humanity too remains as quick as ever to prey upon itself, and where the law can’t bring safety or justice, the crescent blade of D will—assuming you meet the half-vampire wanderer’s price! Vampire Hunter D Omnibus Book Six collects in full two different novels. Tyrant’s Stars brings a legacy of evil hurtling down when a meteorite that destroys half a sector in the northern Frontier is revealed as none other than the return of Valcua, the undead Ultimate Noble, exiled from our planet millenia ago…and now back to wreak vengeance on the living descendants of those who banished him. Then, in Fortress of the Elder God, there is terror enough on Earth already, as D ventures forth against an ancient abomination that an army of 30,000 vampires once failed to destroy! The Vampire Hunter D Omnibus Book Six collects volumes 16, 17, and 18 in author Hideyuki Kikuchi’s adventure horror series: Tyrant’s Stars Parts One and Two, Tyrant’s Stars Parts Three and Four, and Fortress of the Elder God. Illustrated by Final Fantasy artist Yoshitaka Amano, the legend of D endures!
Author | : Helen Craig McCullough |
Publisher | : Stanford University Press |
Total Pages | : 408 |
Release | : 1985 |
Genre | : Literary Criticism |
ISBN | : 9780804712583 |
A Stanford University Press classic.