Perfume On The Page In Nineteenth Century France
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| Author | : Cheryl L. Krueger |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2023 |
| Genre | : French literature |
| ISBN | : 9781487546588 |
"Despite long-standing assertions that languages, including French and English, cannot sufficiently communicate the experience of smell, much of France's nineteenth-century literature has gained praise for its memorable evocation of odors. As French perfume was industrialized, democratized, cosmeticized, and feminized in the nineteenth century, stories of fragrant scent trails aligned perfume with toxic behaviour and viewed a woman's scent as something alluring, but also something to be controlled. Drawing on a wealth of resources, Perfume on the Page in Nineteenth-Century France explores how fiction and related writing on olfaction meet, permeate, and illuminate one another. The book examines medical tracts, letters, manuscripts, posters, print advertisements, magazine articles, perfume manuals, etiquette books, interviews, and encounters with fragrant materials themselves. Cheryl Krueger explores how the olfactory language of a novel or poem conveys the distinctiveness of a text, its unique relationship to language, its style, and its ways of engaging the reader: its signature scent. Shedding light on the French perfume culture that we know today, Perfume on the Page in Nineteenth-Century France follows the scent trails that ultimately challenge us to read perfume and literature in new ways."--
| Author | : Cheryl Krueger |
| Publisher | : University of Toronto Press |
| Total Pages | : 324 |
| Release | : 2023-06-26 |
| Genre | : Literary Criticism |
| ISBN | : 1487546572 |
Despite long-standing assertions that languages, including French and English, cannot sufficiently communicate the experience of smell, much of France’s nineteenth-century literature has gained praise for its memorable evocation of odours. As French perfume was industrialized, democratized, cosmeticized, and feminized in the nineteenth century, stories of fragrant scent trails aligned perfume with toxic behaviour and viewed a woman’s scent as something alluring, but also something to be controlled. Drawing on a wealth of resources, Perfume on the Page in Nineteenth-Century France explores how fiction and related writing on olfaction meet, permeate, and illuminate one another. The book examines medical tracts, letters, manuscripts, posters, print advertisements, magazine articles, perfume manuals, etiquette books, interviews, and encounters with fragrant materials themselves. Cheryl Krueger explores how the olfactory language of a novel or poem conveys the distinctiveness of a text, its unique relationship to language, its style, and its ways of engaging the reader: its signature scent. Shedding light on the French perfume culture that we know today, Perfume on the Page in Nineteenth-Century France follows the scent trails that ultimately challenge us to read perfume and literature in new ways.
| Author | : Cheryl Krueger |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2023-05-15 |
| Genre | : |
| ISBN | : 9781487546564 |
Perfume on the Page in Nineteenth-Century France explores literature, medicine, fashion, and social practices during the rise of modern French perfume culture.
| Author | : David S. Barnes |
| Publisher | : JHU Press |
| Total Pages | : 500 |
| Release | : 2006-06-06 |
| Genre | : Medical |
| ISBN | : 0801888735 |
The scientific and social history surrounding the 1880 incident of a foul odor in Paris and the development of public health culture that followed. Late in the summer of 1880, a wave of odors enveloped large portions of Paris. As the stench lingered, outraged residents feared that the foul air would breed an epidemic. Fifteen years later—when the City of Light was in the grips of another Great Stink—the public conversation about health and disease had changed dramatically. Parisians held their noses and protested, but this time few feared that the odors would spread disease. Historian David S. Barnes examines the birth of a new microbe-centered science of public health during the 1880s and 1890s, when the germ theory of disease burst into public consciousness. Tracing a series of developments in French science, medicine, politics, and culture, Barnes reveals how the science and practice of public health changed during the heyday of the Bacteriological Revolution. Despite its many innovations, however, the new science of germs did not entirely sweep away the older “sanitarian” view of public health. The longstanding conviction that disease could be traced to filthy people, places, and substances remained strong, even as it was translated into the language of bacteriology. Ultimately, the attitudes of physicians and the French public were shaped by political struggles between republicans and the clergy, by aggressive efforts to educate and “civilize” the peasantry, and by long-term shifts in the public’s ability to tolerate the odor of bodily substances. “A well-developed study in medically related social history, it tells an intriguing tale and prompts us to ask how our own cultural contexts affect our views and actions regarding environmental and infectious scourges here and now.” —New England Journal of Medicine “Both a captivating story and a sophisticated historical study. Kudos to Barnes for this valuable and insightful book that both physicians and historians will enjoy.” —Journal of the American Medical Association
| Author | : Jonas Rosenbrück |
| Publisher | : State University of New York Press |
| Total Pages | : 359 |
| Release | : 2024-10-01 |
| Genre | : Literary Criticism |
| ISBN | : 1438499728 |
The sense of smell has long been the most neglected of the human senses in literature. Common Scents sets out to undo this forgetting of olfactory sense-making by tracing the appearance of odors in modern German and French poetry. Jonas Rosenbrück argues that smell's persistence undermines modernity's self-image as an ocular age and shows how scents index a veritable "revolution of the senses." Such a revolution, as a redistribution of the senses, would make the common and shared character of our existence in scented atmospheres perceptible. Bringing contemporary ecocritical interest in atmospheres, air, and the senses into dialogue with literary criticism, theories of modernity, and political philosophy, Common Scents provides novel interpretations of figures such as Friedrich Hölderlin, Charles Baudelaire, Friedrich Nietzsche, and Bertolt Brecht. These readings demonstrate how all terrestrial life is interlinked in the aerial commons that escapes the privatizing grasp of what Karl Marx called the "sense of having." Reformulating Bruno Latour, Rosenbrück argues that we have never been deodorized. In attending to this fact, Common Scents reconfigures subjectivity, corporeality, and politics.
| Author | : Richard Howard Stamelman |
| Publisher | : Rizzoli International Publications |
| Total Pages | : 392 |
| Release | : 2006 |
| Genre | : Antiques & Collectibles |
| ISBN | : |
| Author | : Jennifer Rushworth |
| Publisher | : Boydell & Brewer |
| Total Pages | : 335 |
| Release | : 2017 |
| Genre | : Literary Collections |
| ISBN | : 1843844567 |
A consideration of Petrarch's influence on, and appearance in, French texts - and in particular, his appropriation by the Avignonese. Was Petrarch French? This book explores the various answers to that bold question offered by French readers and translators of Petrarch working in a period of less well-known but equally rich Petrarchism: the nineteenth century. It considers both translations and rewritings: the former comprise not only Petrarch's celebrated Italian poetry but also his often neglected Latin works; the latter explore Petrarch's influence on and presence in French novels aswell as poetry of the period, both in and out of the canon. Nineteenth-century French Petrarchism has its roots in the later part of the previous century, with formative contributions from Voltaire, Rousseau, and, in particular, the abbé de Sade. To these literary catalysts must be added the unification of Avignon with France at the Revolution, as well as anniversary commemorations of Petrarch's birth and death celebrated in Avignon and Fontaine-de-Vaucluse across the period (1804-1874-1904). Situated at the crossroads of reception history, medievalism, and translation studies, this investigation uncovers tensions between the competing construction of a national, French Petrarch and a local, Avignonese or Provençal poet. Taking Petrarch as its litmus test, this book also asks probing questions about the bases of nationality, identity, and belonging. Jennifer Rushworth is a Junior Research Fellowat St John's College, Oxford.
| Author | : Anne E. Linton |
| Publisher | : Cambridge University Press |
| Total Pages | : 265 |
| Release | : 2022-03-24 |
| Genre | : Literary Criticism |
| ISBN | : 1316511820 |
A landmark study in the history of sexuality which redefines thinking about sex and gender in nineteenth-century France and beyond.
| Author | : Douglas Brenner |
| Publisher | : Algonquin Books |
| Total Pages | : 336 |
| Release | : 2009-01-01 |
| Genre | : Gardening |
| ISBN | : 9781565125186 |
A treasury of eclectic information about different varieties of roses looks at the stories behind their colorful names, probing elements of folklore, poetry, art, literature, science, myth, and other sources to reveal the history of naming and cultivating roses, from ancient times to the present day.
| Author | : Geoffrey Jones |
| Publisher | : OUP Oxford |
| Total Pages | : 432 |
| Release | : 2010-02-25 |
| Genre | : Business & Economics |
| ISBN | : 0191609617 |
The global beauty business permeates our lives, influencing how we perceive ourselves and what it is to be beautiful. The brands and firms which have shaped this industry, such as Avon, Coty, Estée Lauder, L'Oréal, and Shiseido, have imagined beauty for us. This book provides the first authoritative history of the global beauty industry from its emergence in the nineteenth century to the present day, exploring how today's global giants grew. It shows how successive generations of entrepreneurs built brands which shaped perceptions of beauty, and the business organizations needed to market them. They democratized access to beauty products, once the privilege of elites, but they also defined the gender and ethnic borders of beauty, and its association with a handful of cities, notably Paris and later New York. The result was a homogenization of beauty ideals throughout the world. Today globalization is changing the beauty industry again; its impact can be seen in a range of competing strategies. Global brands have swept into China, Russia, and India, but at the same time, these brands are having to respond to a far greater diversity of cultures and lifestyles as new markets are opened up worldwide. In the twenty first century, beauty is again being re-imagined anew.
