Perez Galdos La De Bringas
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Author | : Benito Pérez Galdós |
Publisher | : Everymans Library |
Total Pages | : 218 |
Release | : 1996 |
Genre | : Spain |
ISBN | : 9780460876360 |
Written by Benito Perez Galdos, one of Spain's best kept literary secrets and arguably the greatest Spanish author since Cervantes, THAT BRINGAS WOMAN(1884)is part of Galdos's panoramic series of novels about Madrid social life and is alsoindirectly, a novel about the revolotion in Spain.Focusing upon the Bringas household in a manner reminiscent of, and probably influenced by, Zola, it offers a shrewd and none too flattering analysis of feminine psychology and an intimateportrait of marriage.However, unlike Flaubert, Tolstoy and Alas, the other great novelists of adultery of his day, Galdos's view of the subject and its, consequences is both hard headed and humorous rather th
Author | : Jo Labanyi |
Publisher | : Routledge |
Total Pages | : 272 |
Release | : 2014-01-14 |
Genre | : Literary Criticism |
ISBN | : 1317896505 |
Benito Perez Galdos has been described as 'the greatest Spanish novelist since Cervantes.' His work constitutes a major contribution to the nineteenth-century novel, rivalling that of Dickens of Balzac and making him an essential candidate for any course on the fiction of the period. Jo Labanyi's study is supported by a wide-rangting introduction, a section of contemporary comment, headnotes to each piece and helpful appendix material.
Author | : Peter Bly |
Publisher | : Foyles |
Total Pages | : 114 |
Release | : 1981 |
Genre | : History |
ISBN | : |
Author | : Benito Pérez Galdós |
Publisher | : Pickle Partners Publishing |
Total Pages | : 360 |
Release | : 2018-02-27 |
Genre | : History |
ISBN | : 1789120039 |
Although Spain is a country which has always had a great attraction for English-speaking people, Spanish novelists are very little known to them. Yet Pérez Galdós is not only the most popular of writers in Spain, whose books are a household word among his countrymen, but he is a major European novelist who ranks with Balzac Dostoevsky and Dickens. In THE SPENDTHRIFTS (LA DE BRINGAS) the scene is laid in the Royal Palace at Madrid, where Bringas and his wife hold minor posts at the court of Queen Isabella. Rosalía Bringas is a woman whose passion for dress leads her steadily deeper into debt and who is obliged to resort to more and more ludicrous and precarious devices to conceal her extravagance from a model bureaucrat of a husband. Her friend the Marquesa de Tellería is in a similar plight, while Doña Cándida, a superb parasite and bore, has already reached the end of the same downward path. The rottenness of the whole regime becomes apparent and when, at the close of a sweltering summer, the Army, the Navy and the entire country rise with one accord and the Queen flees to France, the curtain falls on this phantasmagoric society, so brilliant when viewed from the outside but built on poverty and debt and emptiness. Thus THE SPENDTHRIFTS is both an allegory of the ending classes of Spain and a sermon on the classic Spanish theme, made familiar to us in DON QUIXOTE, of illusions and reality.
Author | : Javier Muñoz-Basols |
Publisher | : Taylor & Francis |
Total Pages | : 744 |
Release | : 2017-03-16 |
Genre | : Foreign Language Study |
ISBN | : 1317487311 |
This book provides a comprehensive, state-of-the-art account of the field, reaffirming Iberian Studies as a dynamic and evolving discipline offering promising areas of future research. It is an essential tool for research in Iberian Studies.
Author | : Benito Pérez Galdós |
Publisher | : |
Total Pages | : 297 |
Release | : 1906 |
Genre | : |
ISBN | : |
Author | : Benito Pérez Galdós |
Publisher | : |
Total Pages | : 296 |
Release | : 1952 |
Genre | : Compulsive shopping |
ISBN | : |
This novel is set in 1860s Spain. This is the story of a snobbish, mean-spirited, petite, bourgeois woman, married to an incredible cheapskate fifteen years her senior. Dona Rosalia Bringas has expensive tastes and buys extravagant dresses on credit. Her indebtedness is furthered by unscrupulous friends who use her shamelessly for their own purposes. The novel is an allegory on the corruption of the Spanish ruling classes.
Author | : Hazel Gold |
Publisher | : Duke University Press |
Total Pages | : 260 |
Release | : 1993 |
Genre | : Literary Criticism |
ISBN | : 9780822313670 |
In virtually every aspect of human behavior, ritual, language, and art, perceptions are organized through the act of framing. In the writing of Benito Perez Galdós, Spain's most prolific and innovative nineteenth-century novelist, Hazel Gold finds this principle insistently at work. By exploring Galdós's methods of structuring and evaluating literary and historical experience, Gold illuminates the novelist's art and uncovers the far-reaching narratological, social, and epistemological implications of his framing strategies. A close look at Galdós's novels reveals the artist at pains to contain and interpret what he perceived to be the distinctive and often disheartening experience of bourgeois liberalism of his day. At the same time, he can be seen here undermining or negating the accepted conventions of realist fiction. Looking beyond text to context, Gold examines the ways in which Galdós's work itself has been framed by readers and critics in accordance with changing allegiances to contemporary literary theory and the canon. The highly ambiguous status of the frame in Galdós's fictions confirms the author's own signal position as a writer poised at the limits between realism and modernity. Gold's work will command the interest of students of Spanish and comparative literature, narrative theory, and the novel, as well as all those for whom realism and representation are at issue.
Author | : Leigh Mercer |
Publisher | : Rowman & Littlefield |
Total Pages | : 215 |
Release | : 2013 |
Genre | : Literary Criticism |
ISBN | : 1611483883 |
Through the study of more than twenty novels produced in Spain from the 1840s to the 1920s, this book explores the literary means by which the social options available to modern Spanish bourgeois citizens were discursively constructed, occasionally before and often concomitantly to their production in reality. As a result, this study is concerned with the interplay of realism and reality in modern Spain. From the earliest folletines of the 1840s to the Modernist novels of the 1920s, the majority of novels written in this eighty-year period are what one might term novelas de costumbres contempor neas, or novels of contemporary customs, and therefore primarily concerned with faithfully copying and moreover influencing real social norms in the public sphere. In these pages, I argue that the spatial and behavioral discourses in the novels of contemporary customs offer a telling history of the evolving formulation of the Spanish bourgeoisie. The linking of novels and urbanism is hardly arbitrary in the context of nineteenth-century Spain. Urbanism, particularly in the nineteenth century, was as much a verbal construction as the novel, as proven by the lengthy treatises of such prominent Spanish bureaucrats, engineers, architects, and urban planners as Ram n de Mesonero Romanos, Ildefons Cerd and Carlos Mar a de Castro. For Spanish intellectuals of this era, city planning and the novel functioned as parallel, enmeshed discourses in which to work out what it meant to be middle class and the roles this class ought to play in contemporary society. In this way, they can be considered associated fields of discourse, in the sense described by Michel Foucault in The Archaeology of Knowledge. Foucault's treatise was a call for scholars to reexamine historical fields and question the historical grouping of knowledge(s) into certain discursive unities, and consider whether these might be broken up and new ones conceived. In this vein, this book undertakes a broader and more integrative view of the Spanish nineteenth century, calling into question the boundaries of fields such as etiquette and urban planning, or literature and touristic discourse.
Author | : Fernando Cabo Aseguinolaza |
Publisher | : John Benjamins Publishing |
Total Pages | : 766 |
Release | : 2010-05-26 |
Genre | : Literary Criticism |
ISBN | : 9027288399 |
A Comparative History of Literatures in the Iberian Peninsula is the second comparative history of a new subseries with a regional focus, published by the Coordinating Committee of the International Comparative Literature Association. As its predecessor for East-Central Europe, this two-volume history distances itself from traditional histories built around periods and movements, and explores, from a comparative viewpoint, a space considered to be a powerful symbol of inter-literary relations. Both the geographical pertinence and its symbolic condition are obviously discussed, when not even contested. Written by an international team of researchers who are specialists in the field, this history is the first attempt at applying a comparative approach to the plurilingual and multicultural literatures in the Iberian Peninsula. The aim of comprehensiveness is abandoned in favor of a diverse and extensive array of key issues for a comparative agenda. A Comparative History of Literatures in the Iberian Peninsula undermines the primacy claimed for national and linguistic boundaries, and provides a geo-cultural account of literary inter-systems which cannot otherwise be explained.