Docket

Docket
Author: Illinois. Supreme Court
Publisher:
Total Pages: 464
Release: 2009
Genre: Court calendars
ISBN:

Illinois Reports

Illinois Reports
Author: Illinois. Supreme Court
Publisher:
Total Pages: 664
Release: 2009
Genre: Law reports, digests, etc
ISBN:

The Elements of Grammar

The Elements of Grammar
Author: Margaret D. Shertzer
Publisher: Longman
Total Pages: 0
Release: 1996
Genre: English language
ISBN: 9780028614496

A handy compendium of grammar in the same format as the perennial bestseller.

The Brief English Handbook

The Brief English Handbook
Author: Edward A. Dornan
Publisher: Addison-Wesley Longman
Total Pages: 516
Release: 1990
Genre: Language Arts & Disciplines
ISBN: 9780673520029

Completely updated and featuring a new section on study skills, "The Brief English Handbook" offers the convenience and coverage of other handbooks at half the cost. Known for its straightforward advice, accessible writing style, and clear organization, this easy-to-use handbook emphasizes critical thinking and features complete coverage of composition basics. Spiral-bound and affordably priced, "The Brief English Handbook-"despite its streamlined size-gives thorough attention to grammar, mechanics, punctuation, critical thinking, research, and the writing process. Numerous examples and samples provide models of writing, including excellent coverage of workplace writing. Will help anyone write better," " Grammar, mechanics, punctuation, critical thinking, research, and the writing process. Any one interested in a grammar and research reference.

Block by Block

Block by Block
Author: Amanda I. Seligman
Publisher: University of Chicago Press
Total Pages: 316
Release: 2005-05-10
Genre: History
ISBN: 0226746658

In the decades following World War II, cities across the United States saw an influx of African American families into otherwise homogeneously white areas. This racial transformation of urban neighborhoods led many whites to migrate to the suburbs, producing the phenomenon commonly known as white flight. In Block by Block, Amanda I. Seligman draws on the surprisingly understudied West Side communities of Chicago to shed new light on this story of postwar urban America. Seligman's study reveals that the responses of white West Siders to racial changes occurring in their neighborhoods were both multifaceted and extensive. She shows that, despite rehabilitation efforts, deterioration in these areas began long before the color of their inhabitants changed from white to black. And ultimately, the riots that erupted on Chicago's West Side and across the country in the mid-1960s stemmed not only from the tribulations specific to blacks in urban centers but also from the legacy of accumulated neglect after decades of white occupancy. Seligman's careful and evenhanded account will be essential to understanding that the "flight" of whites to the suburbs was the eventual result of a series of responses to transformations in Chicago's physical and social landscape, occurring one block at a time.

Reflections on Affirmative Action in Construction

Reflections on Affirmative Action in Construction
Author: Paul King
Publisher: AuthorHouse
Total Pages: 294
Release: 2009
Genre: Business & Economics
ISBN: 1438995652

Reflections is a collection of my writings through the years in defense of and support for Affirmative Action in the construction industry. It documents a struggle for economic justice that began on July 23, 1969 when Chicago community groups assembled to demand equal participation in local federal construction projects. As these programs became successful, resistance rose at a rapid clip. Who would have thought that our quest for economic justice would eventually reach the Supreme Court as a battle against "reverse discrimination?" Who would have believed that the "affirmative action" programs that integrated an exclusive white workforce, and provided new opportunities for Black firms would be challenged so vigorously that the term would not even be used by the 2008 presidential candidates? We share our experiences for others seeking change by providing examples of how Black businesses can address community problems, including educating elected officials and holding them accountable. It was though my membership in Parren Mitchell's (Maryland's first Black congressman-1971), Black Business Braintrust, that the first national legislation requiring mandatory Minority Business Enterprise [MBE] utilization was forged. This book emphasizes four main areas of concern: Affirmative Action as a tool to break the pattern of exclusion by construction trade unions and apprenticeship programs. To demonstrate that local organizations with dedicated leaders can combat discrimination and create positive change that reverberates nationally. To expand the Black tradesmen workforce as a vehicle for increasing Black subcontractor numbers and developing substantial Black general contractors. The development of viable black construction firms: UBM, Inc., which I co-founded in 1974, was by 2004, the largest Black general contractor in the state of Illinois. My firm accomplished everything I sought to prove as a black business by creating the capacity to apply positive solutions to problems besieging our community.

Hollywood Highbrow

Hollywood Highbrow
Author: Shyon Baumann
Publisher: Princeton University Press
Total Pages: 242
Release: 2018-06-05
Genre: Performing Arts
ISBN: 0691187282

Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.