People I Made Music With
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Author | : David Tidboald |
Publisher | : Penguin Random House South Africa |
Total Pages | : 176 |
Release | : 2011-09-13 |
Genre | : Biography & Autobiography |
ISBN | : 1415204187 |
Born in England in 1926 in the historic naval port of Plymouth, David Tidboald now enjoys his retirement in Simon’s Town, South Africa’s equivalent. Improbably enough, it was while doing national service in the Royal Navy that he was sent, at the end of World War II, to Berlin and was there presented with opportunities that led to his career in music. In 1960, he was appointed to the fi rst of the three orchestras in South Africa of which he was resident conductor, two of which he was instrumental in forming from scratch. While occupying these positions, as well as during the freelance years that preceded them, he worked with many of the greatest musicians, singers and dancers of the age. From Alicia Markova and Margot Fonteyn to Birgit Nilsson and Anna Russell, as conductor and also, in the earlier years, as pianist. This book tells of these fascinating people and also affords glimpses of a life of enviable variety.
Author | : Derek Sivers |
Publisher | : Hit Media |
Total Pages | : 146 |
Release | : 2022-05 |
Genre | : Advertising |
ISBN | : 9781988575148 |
a philosophy of getting your work to the world by being creative, considerate, resourceful, and connected
Author | : Brock Helander |
Publisher | : Schirmer Trade Books |
Total Pages | : 486 |
Release | : 1999 |
Genre | : Music |
ISBN | : |
The ultimate shopper's and buyer's guide, this comprehensive resource provides complete personnel of each group, the significant role of each group member, a narrative history of the group, analysis of key recordings, discography, and archival photos throughout the text. 40 illustrations.
Author | : Ian MacDonald |
Publisher | : Random House |
Total Pages | : 274 |
Release | : 2003 |
Genre | : Music and youth |
ISBN | : 1844130932 |
Thin films of conducting materials, such as metals, alloys and semiconductors are currently in use in many areas of science and technology, particularly in modern integrated circuit microelectronics, which require high quality thin films for the manufacture of connection layers, resistors and ohmic contacts. These conducting films are also important for fundamental investigations in physics, radio-physics and physical chemistry.
Author | : |
Publisher | : |
Total Pages | : 666 |
Release | : 1916 |
Genre | : Music |
ISBN | : |
Author | : Danielle Fosler-Lussier |
Publisher | : University of Michigan Press |
Total Pages | : 323 |
Release | : 2020-06-10 |
Genre | : Music |
ISBN | : 0472126784 |
A dynamic multimedia introduction to the global connections among peoples and their music
Author | : Moses Avalon |
Publisher | : Hal Leonard Corporation |
Total Pages | : 356 |
Release | : 2006 |
Genre | : Music |
ISBN | : 9780879308742 |
Provides an exposâe on the record industry, discussing how musicians and producers can protect their rights, and includes information on how producers dip into budgets, artists steal songs, and lawyers write contracts in code.
Author | : Nancy K. Baym |
Publisher | : NYU Press |
Total Pages | : 263 |
Release | : 2018-07-10 |
Genre | : Business & Economics |
ISBN | : 1479821586 |
"Playing to the Crowd explores and explains how the rise of digital communication platforms has transformed artist-fan relationships into something more intimate. Through in-depth interviews with musicians such as the Cure, UB40, and Throwing Muses, Nancy K. Baym reveals how new media has facilitated connections through the active participation of both the artists and their devoted digital fan base. Before the rise of online sharing and user-generated content, audiences were mostly seen as undifferentiated masses, often mediated through record labels and the press. Today, musicians and fans have built more active relationships through social media, fan sites, and artist sites, giving them a new sense of intimacy, while offering artists unparalleled access to and information about their audiences. But this comes at a price. For audiences, meeting their heroes can kill the mystique. And for artists, maintaining active relationships with so many people can be labor intensive and emotionally draining. Drawing on her own rich history as a deeply connected music fan, Baym offers an entirely new approach to media culture, arguing that the work musicians put into maintaining these intimate relationships reflects the demands of the gig economy, one which requires resources and strategies that we all music come to recognize"--Publisher's description.
Author | : Nicholas Cook |
Publisher | : Routledge |
Total Pages | : 378 |
Release | : 2017-07-05 |
Genre | : History |
ISBN | : 135155705X |
This selection of sixteen of Nicholas Cook's essays covers the period from 1987 to 2004 and brings out the development of the author's ideas over these years. In particular the two keywords of the title -Meaning and Performance- represent critical directions that expand to the point that, by the end of the book, they become coextensive: music is seen as social action and meaning as created by that action. Within this overall direction, a wide variety of topics is explored, ranging from Beethoven to Schenker, from Chinese qin music to jazz and rock, from perceptual psychology to sketch studies and analysis of record sleeves. A substantial introduction draws out the links (and differences) between the essays, sometimes critiquing them and always setting them into the developing context of the author's work as a whole.
Author | : Simon Frith |
Publisher | : Psychology Press |
Total Pages | : 424 |
Release | : 2004 |
Genre | : Music |
ISBN | : 9780415299053 |
Popular music studies is a rapidly expanding field with changing emphases and agendas. The music industry has changed in recent years, as has governmental involvement in popular music schemes as part of the culture industry. The distinction between the major record labels and the outsider independents has become blurred over time. Popular music, as part of this umbrella of the culture industry, has been progressively globalized and globalizing. The tensions within popular music are now no longer between national cultural identity and popular music, but between the local and the global. This four volume collection examines the changing status of popular music against this background. Simon Frith examines the heritage of popular music, and how technology has changed not only the production but the reception of this brand of sound. The collection examines how the traditional genres of rock, pop and soul have broken down and what has replaced them, as well as showing how this proliferation of musical styles has also splintered the audience of popular music.