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Author | : Vice-President Eleanor G Sims |
Publisher | : Yale University Press |
Total Pages | : 386 |
Release | : 2002-01-01 |
Genre | : Art |
ISBN | : 0300090382 |
This book is the first survey of the figural arts of the Iranian world from prehistoric times to the early twentieth century ever to consider themes, rather than styles. Analyzing primarily painting - in manuscripts and albums, on walls and on lacquered, painted pen boxes and caskets - but also the related arts of sculpture, ceramics, and metalwork, the author finds that the underlying themes depicted on them through the ages are remarkably consistent. Eleanor Sims demonstrates that all these arts display similar concerns: kingship and legitimacy; the righteous exercise of princely power and the defense of national territory; and the performance of rituals and the religious duties called for by the paramount cult of the day. She describes a variety of superb works of art inside and outside these categories, noting not only how they illustrate archetypal themes but also what it is about them that is unique. She also discusses the ways that Iranian art both influenced and was influenced by invaders and neighboring lands. Boris I. Marshak discusses pre-Islamic and also Central Asian art, in particular the earliest Iranian wall paintings and their pictorial parallels in rock carvings and metalwork, and the richly painted temples and houses of Panjikent. Ernst J. Grube considers religious imagery, and provides an informative bibliography.
Author | : Celina Jeffery |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 270 |
Release | : 2009-03-26 |
Genre | : Art |
ISBN | : 1443807311 |
With many illustrations and diagrams, Images of Thought provides easy to follow ways in which to read Indian, Persian and European paintings in terms of composition, proportion, colour symbolism and references to myth. Yet it also provides the intellectual contexts of Islamic cultures which inform our perceptions of how this visual language works. The author uses salient aspects of critical theory, anthropology and theology to sensitise viewers to the diversity and difference of cultural readings but never loses sight of the primacy of the visual and formal characteristics, gestures, geometrical structures and their cooperation with myths and theologemes. The book provides access to one of the world’s major visual traditions whose characteristics continue to inform and elucidate Indian and Islamic contemporary thought today. Images of Thought is a major, scholarly and provocative contribution not only to our understanding of cultural individuality but it offers important examples of how to engage in transcultural understanding and ways of seeing.
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Publisher | : |
Total Pages | : 112 |
Release | : 1997-11 |
Genre | : |
ISBN | : |
Author | : Tawfiq Daʿadli |
Publisher | : BRILL |
Total Pages | : 189 |
Release | : 2019-04-09 |
Genre | : Religion |
ISBN | : 9004398414 |
The way painters encoded their messages in the Late Herat School of Painting and the different layers of meaning in those paintings form the core of Esoteric Images by Tawfiq Daʿadli.
Author | : Charles Phillips |
Publisher | : The Rosen Publishing Group, Inc |
Total Pages | : 145 |
Release | : 2011-12-15 |
Genre | : Juvenile Nonfiction |
ISBN | : 1448859905 |
An introduction to myths of ancient India features commentary on tales about the divinities, the ten incarnations of Vishnu, and female figures prevalent in the legends.
Author | : |
Publisher | : |
Total Pages | : 176 |
Release | : 2004-01-20 |
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ISBN | : |
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Author | : Robert Irwin |
Publisher | : Cambridge University Press |
Total Pages | : 1104 |
Release | : 2010-11-04 |
Genre | : History |
ISBN | : 1316184315 |
Robert Irwin's authoritative introduction to the fourth volume of The New Cambridge History of Islam offers a panoramic vision of Islamic culture from its origins to around 1800. The introductory chapter, which highlights key developments and introduces some of Islam's most famous protagonists, paves the way for an extraordinarily varied collection of essays. The themes treated include religion and law, conversion, Islam's relationship with the natural world, governance and politics, caliphs and kings, philosophy, science, medicine, language, art, architecture, literature, music and even cookery. What emerges from this rich collection, written by an international team of experts, is the diversity and dynamism of the societies which created this flourishing civilization. Volume four of The New Cambridge History of Islam serves as a thematic companion to the three preceding, politically oriented volumes, and in coverage extends across the pre-modern Islamic world.
Author | : Antje Flüchter |
Publisher | : Springer |
Total Pages | : 276 |
Release | : 2014-11-04 |
Genre | : Social Science |
ISBN | : 3319097407 |
The purpose of this volume is to identify and analyze the mechanisms and processes through which concepts and institutions of transcultural phenomena gain and are given momentum. Applied to a range of cases, including examples drawn from ancient Greece and modern India, the early modern Portuguese presence in China and politics of elite-mass dynamics in the People’s Republic of China, the book provides a template for the study of transcultural dynamics over time. Besides the epochal range, the papers in this volume illustrate the thematic diversity assembled under the umbrella of the Heidelberg Cluster of Excellence “Asia and Europe in a Global Context.” Drawing from both the humanities and social sciences, stretching across several world areas and centuries, the book is an interdisciplinary work, aptly reflected in the collaboration of its editors: a historian and political scientist.
Author | : Leslee Michelsen |
Publisher | : A&C Black |
Total Pages | : 192 |
Release | : 2013-09-05 |
Genre | : Art |
ISBN | : 9992195983 |
Ferozkoh: Tradition and Continuity in Afghan Art represents a partnership between the Museum of Islamic Art, Doha and the students and teachers of the Institute for Afghan Arts and Architecture in Kabul. The unifying theme of the exhibition is the preservation of the traditional arts of the Islamic world - in both themes and materials - in the modern world, and the role of education in its transmission and translation. Half of the objects featured in the exhibition are historical objectsmasterpieces from the Museum of Islamic Art's collection, from four great dynasties with connections to Afghanistan: the Ghaznavids, Timurids, Mughals and Safavids.The other half of the exhibition presents works created specifically for the exhibition by Turquoise Mountain students in response to, and in conversation with, the historical objects. Featuring exquisite photography and unique research, this catalogue is a visually stunning representation of the exhibition and a valuable record of an extraordinary endeavour.
Author | : Pedram Khosronejad |
Publisher | : Bloomsbury Publishing |
Total Pages | : 304 |
Release | : 2011-11-30 |
Genre | : Art |
ISBN | : 0857720651 |
Shi'i Islam has been the official religion of Iran from the Safavids (1501-1732) to the present day. The Shi'i world experience has provided a rich artistic tradition, encompassing painting, sculpture and the production of artefacts and performance, which has helped to embed Shi'i identity in Iran as part of its national narrative. In what areas of material culture has Iranian Shi'ism manifested itself through objects or buildings that are unique within the overall culture of Islam? To what extent is the art and architecture of Iran from the Safavid period onwards identifiably Shi'i? What does this say about the relationship of nation, state and faith in Iran? Here, leading experts trace the material heritage of Iranian Shi'ism within each of its political, religious and cultural dimensions.