Pedro and the Captain
Author | : Mario Benedetti |
Publisher | : |
Total Pages | : 124 |
Release | : 2009 |
Genre | : Drama |
ISBN | : |
A four act play with only two characters, Pedro, incarcerated, and the Captain, who is his torturer.
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Author | : Mario Benedetti |
Publisher | : |
Total Pages | : 124 |
Release | : 2009 |
Genre | : Drama |
ISBN | : |
A four act play with only two characters, Pedro, incarcerated, and the Captain, who is his torturer.
Author | : F.M. Kamm |
Publisher | : Oxford University Press |
Total Pages | : 520 |
Release | : 2008-09-18 |
Genre | : Philosophy |
ISBN | : 0199707359 |
"Reading F.M. Kamm's latest book is like watching a brilliant astronomer map an uncharted galaxy--the meticulousness and the display of mental stamina must inspire awe. There is a kind of beauty in the performance alone. Intricate Ethics is a major event in normative ethical theory by a living master of the subject.... In the end, professional moral philosophers cannot reasonably ignore Intricate Ethics.... Kamm continues to prove herself the most imaginative, detail-oriented deontologist writing in English today... Professor Kamm is in a class by herself."--Jeffrey Brand-Ballard, Notre Dame Philosophical Reviews "The operative word in this masterful work is 'intricate.' Watching Kamm's mind dissect and reconstruct different cases is like watching a juggler, riding a unicycle, carrying on a conversation, while getting dressed. It is a glorious celebration of what moral philosophy does best, and what one of its most gifted practitioners can do to enlighten our understanding of the most pressing ethical issues of our time. But it is also a rich playground for empirically minded philosophers and psychologists who want to play with the clever class of dilemmas that Kamm has created, dilemmas that will both amuse and torture generations of people."--Marc Hauser is a Harvard College Professor and author of "Moral Minds" "Frances Kamm once again proves herself to be an astonishingly subtle and creative defender of a deontological outlook. Anyone at all interested in normative ethics will find something of value in Intricate Ethics. There are striking and original views on a wide range of topics. And no one--absolutely no one--compares to Kamm when it comes to constructing relevant test cases and carefully assessing our intuitive reactions to them. This is a master at work, at the height of her powers."--Shelly Kagan, Clark Professor of Philosophy, Yale University "Intricate Ethics fully justifies its title. It is as deep, subtle, imaginative, and analytically rigorous as any work in moral philosophy written in a great many years. It is dense with highly original and fertile ideas supported by powerful and ingenious arguments. This book amply confirms Frances Kamm's standing as one of the greatest living philosophers.--Jeff McMahan, Rutgers University "Kamm's virtuosity in hypothesizing cases in defense or refutation of moral principles remains unsurpassed. Intricate Ethics is also a testament to the fruitfulness of this rarefied method of ethics. One might have thought that, having already devoted several hundred path-breaking pages to the topic of nonconsequentialism in her earlier two-volume Morality, Mortality, it would have been impossible to break much new ground in this sequel. Yet what Kamm has to say here on the topics of harming and saving from harm is as novel, arresting, and insightful as ever."--Michael Otsuka, Professor of Philosophy, University College London "Kamm ...is the most sophisticated of the contemporary exponents of "intuitionist" or "nonconsequentialist" ethics...No one else makes such extraordinarily meticulous and penetrating attempts to extract the principles behind our ordinary moral intuitions...I highly recommend it as an inclusive and subtle attempt to work out nonconsequentialism on an intuitionist basis. As a bonus, Intricate Ethics also offers searching analyses of the work of Peter Unger, Peter Singer, Bernard Gert, T.M. Scanlon, Daniel Kahneman and Amos Tversky."--Ingmar Persson, Times Literary Supplement
Author | : Pam Conrad |
Publisher | : |
Total Pages | : 32 |
Release | : 2003 |
Genre | : Language arts (Primary) |
ISBN | : |
Book summary and author information, vocabulary builders, comprehension discussion questions, graphic organizers and writing activities, effective management ideas, reproducibles for the book Pedro's journal by Pam Conrad.
Author | : John Felstiner |
Publisher | : Yale University Press |
Total Pages | : 435 |
Release | : 2009-04-01 |
Genre | : Literary Criticism |
ISBN | : 0300155530 |
In forty brief and lucid chapters, Felstiner presents those voices that have most strongly spoken to and for the natural world. Poets- from the Romantics through Whitman and Dickinson to Elizabeth Bishop and Gary Snyder- have helped us envision such details as ocean winds eroding and rebuilding dunes in the same breath, wild deer freezing in our presence, and a person carving initials on a still-living stranded whale.
Author | : Eugenio Claudio Di Stefano |
Publisher | : University of Texas Press |
Total Pages | : 200 |
Release | : 2018-08-03 |
Genre | : Literary Criticism |
ISBN | : 1477316213 |
In the postdictatorial era, Latin American cultural production and criticism have been defined by a series of assumptions about politics and art—especially the claim that political freedom can be achieved by promoting a more direct experience between the textual subject (often a victim) and the reader by eliminating the division between art and life. The Vanishing Frame argues against this conception of freedom, demonstrating how it is based on a politics of human rights complicit with economic injustices. Presenting a provocative counternarrative, Eugenio Claudio Di Stefano examines literary, visual, and interdisciplinary artists who insist on the autonomy of the work of art in order to think beyond the politics of human rights and neoliberalism in Latin American theory and culture. Di Stefano demonstrates that while artists such as Diamela Eltit, Ariel Dorfman, and Albertina Carri develop a concept of justice premised on recognizing victims’ experiences of torture or disappearance, they also ignore the injustice of economic inequality and exploitation. By examining how artists such as Roberto Bolaño, Alejandro Zambra, and Fernando Botero not only reject an aesthetics of experience (and the politics it entails) but also insist on the work of art as a point of departure for an anticapitalist politics, this new reading of Latin American cultural production offers an alternative understanding of recent developments in Latin American aesthetics and politics that puts art at its center and the postdictatorship at its end.
Author | : Philippines. Military Governor, 1898-1899 (Elwell S. Otis) |
Publisher | : |
Total Pages | : 776 |
Release | : 1899 |
Genre | : Philippines |
ISBN | : |
Author | : Kathleen A. Deagan |
Publisher | : Yale University Press |
Total Pages | : 304 |
Release | : 2008-10-01 |
Genre | : Biography & Autobiography |
ISBN | : 0300133898 |
In 1493 Christopher Columbus led a fleet of 17 ships and more than 1200 men to found a royal trading colony in America. Columbus had high hopes for his settlement, which he named La Isabela after the queen of Spain, but just five years later it was in ruins. It remains important, however, as the first site of European settlement in America and the first place of sustained interaction between Europeans and the indigenous Tainos. Kathleen Deagan and Jose Maria Cruxent tell the story of this historic enterprise. Drawing on their ten-year archaeological investigation of the site of La Isabela, along with research into Columbus-era documents, they contrast Spanish expectations of America with the actual events and living conditions at America's first European town. Deagan and Cruxent argue that La Isabela failed not because Columbus was a poor planner but because his vision of America was grounded in European experience and could not be sustained in the face of the realities of American life. Explaining that the original Spanish economic and social frameworks for colonization had to be altered in America in response to the American landscape and the non-elite Spanish and Taino people who occupied it, they shed light on larger questions of American colonialism and the development of Euro-American cultural identity.