Peasant Literature
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Author | : Paul H. Freedman |
Publisher | : Stanford University Press |
Total Pages | : 496 |
Release | : 1999 |
Genre | : History |
ISBN | : 9780804733731 |
The medieval clergy, aristocracy, and commercial classes tended to regard peasants as objects of contempt and derision. In religious writings, satires, sermons, chronicles, and artistic representations peasants often appeared as dirty, foolish, dishonest, even as subhuman or bestial. Their lowliness was commonly regarded as a natural corollary of the drudgery of their agricultural toil. Yet, at the same time, the peasantry was not viewed as “other” in the manner of other condemned groups, such as Jews, lepers, Muslims, or the imagined “monstrous races” of the East. Several crucial characteristics of the peasantry rendered it less clearly alien from the elite perspective: peasants were not a minority, their work in the fields nourished all other social orders, and, most important, they were Christians. In other respects, peasants could be regarded as meritorious by virtue of their simple life, productive work, and unjust suffering at the hands of their exploitive social superiors. Their unrewarded sacrifice and piety were also sometimes thought to place them closest to God and more likely to win salvation. This book examines these conflicting images of peasants from the post-Carolingian period to the German Peasants’ War. It relates the representation of peasants to debates about how society should be organized (specifically, to how human equality at Creation led to subordination), how slavery and serfdom could be assailed or defended, and how peasants themselves structured and justified their demands. Though it was argued that peasants were legitimately subjugated by reason of nature or some primordial curse (such as that of Noah against his son Ham), there was also considerable unease about how the exploitation of those who were not completely alien—who were, after all, Christians—could be explained. Laments over peasant suffering as expressed in the literature might have a stylized quality, but this book shows how they were appropriated and shaped by peasants themselves, especially in the large-scale rebellions that characterized the late Middle Ages.
Author | : Anton Chekhov |
Publisher | : New York Review of Books |
Total Pages | : 500 |
Release | : 1999-09-30 |
Genre | : Fiction |
ISBN | : 9780940322141 |
The ever maturing art and ever more ambitious imaginative reach of Anton Chekhov, one of the world's greatest masters of the short story, led him in his last years to an increasingly profound exploration of the troubled depths of Russian society and life. This powerful and revealing selection from Chekhov's final works, made by the legendary American critic Edmund Wilson, offers stories of novelistic richness and complexity, published in the only formatp edition to present them in chronological order. Table of Contents A Woman's Kingdom Three Years The Murder My Life Peasants The New Villa In the Ravine The Bishop Betrothed
Author | : Thomas S. Gladsky |
Publisher | : Univ of Massachusetts Press |
Total Pages | : 0 |
Release | : 2009-06-30 |
Genre | : American literature |
ISBN | : 9781558497559 |
A study of the way in which ethnic identities are created and shaped by literature.
Author | : Vinayak Chaturvedi |
Publisher | : Univ of California Press |
Total Pages | : 330 |
Release | : 2007-06-19 |
Genre | : History |
ISBN | : 0520250788 |
Author | : John Berger |
Publisher | : Vintage |
Total Pages | : 211 |
Release | : 2011-07-13 |
Genre | : Fiction |
ISBN | : 0307794229 |
With this haunting first volume of his Into Their Labours trilogy, John Berger begins his chronicle of the eclipse of peasant cultures in the twentieth century. Set in a small village in the French Alps, Pig Earth relates the stories of skeptical, hard-working men and fiercely independent women; of calves born and pigs slaughtered; of summer haymaking and long dark winters f rest; of a message of forgiveness from a dead father to his prodigal son; and of the marvelous Lucie Cabrol, exiled to a hut high in the mountains, but an inexorable part of the lives of men who have known her. Above all, this masterpiece of sensuous description and profound moral resonance is an act of reckoning that conveys the precise wealth and weight of a world we are losing.
Author | : Kenneth E. Bailey |
Publisher | : Wm. B. Eerdmans Publishing |
Total Pages | : 452 |
Release | : 1983-05-09 |
Genre | : Religion |
ISBN | : 9780802819475 |
Methodology - Analysis of four parables - Exegesis of Luke.
Author | : Lu Yao |
Publisher | : AmazonCrossing |
Total Pages | : 0 |
Release | : 2019-03 |
Genre | : |
ISBN | : 9781542044622 |
Gao Jialin, a stubborn, idealistic and ambitious young man from a small country village, life is upended when corrupt local politics cost him his beloved job as a schoolteacher, prompting him to reject rural life and try to make it in the big city.
Author | : Anne Walthall |
Publisher | : University of Chicago Press |
Total Pages | : 284 |
Release | : 1991-12-15 |
Genre | : Family & Relationships |
ISBN | : 9780226872346 |
Combining translations of five peasant narratives with critical commentary on their provenance and implications for historical study, this book illuminates the life of the peasantry in Tokugawa Japan.
Author | : Susan Kilby |
Publisher | : |
Total Pages | : 0 |
Release | : 2020 |
Genre | : England |
ISBN | : 9781912260218 |
This compelling new study forms part of a new wave of scholarship on the medieval rural environment in which the focus moves beyond purely socio-economic concerns to incorporate the lived experience of peasants. For too long, the principal intellectual approach has been to consider both subject and evidence from a modern, rationalist perspective and to afford greater importance to the social elite. New perspectives are needed. By re-evaluating the source material from the perspective of the peasant worldview, it is possible to build a far more detailed representation of rural peasant experience. Susan Kilby seeks to reconstruct the physical and socio-cultural environment of three contrasting English villages--Lakenheath in Suffolk, Castor in Northamptonshire, and Elton in Huntingdonshire--between c. 1086 and c. 1348 and to use this as the basis for determining how peasants perceived their natural surroundings. In so doing she draws upon a vast array of sources including documents, material culture, place-names and family names, and the landscape itself. At the same time, she explores the approaches adopted by a wide variety of academic disciplines, including onomastics, anthropology, ethnography, landscape archaeology, and historical geography. This highly interdisciplinary process reveals exciting insights into peasant mentalities. For example, cultural geographers' understanding of the ways in which different groups 'read' their local landscape has profound implications for the ways in which we might interpret evidence left to us by medieval English peasant communities, while anthropological approaches to place-naming demonstrate the distinct possibility that there were similarities between the naming practices of First Nations people and medieval society. Both groups used key landscape referents and also used names as the means by which locally important history, folklore, and legends were embedded within the landscape itself. Among many valuable insights, this study also reveals that, although uneducated in the formal sense, peasants understood aspects of contemporary scientific thought. In addition to enhancing academic understanding of the lived experience, this new approach augments our comprehension of subjects such as social status, peasant agency, peasants' economic experiences, and the construction of communal and individual memory. Susan Kilby's groundbreaking study enables us to reclaim significant elements of the environment inhabited and traversed by English people over 700 years ago.
Author | : Yi-tsi Mei Feuerwerker |
Publisher | : Stanford University Press |
Total Pages | : 333 |
Release | : 1998-10-01 |
Genre | : Literary Criticism |
ISBN | : 0804765197 |
The division between the scholar-gentry class and the “people” was an enduring theme of the traditional Chinese agrarian-bureaucratic state. Twentieth-century elites recast this as a division between intellectuals and peasants and made the confrontation between the writing/intellectual self and the peasant “other” a central concern of literature. The author argues that, in the process, they created the “peasantry,” the downtrodden rural masses represented as proper objects of political action and shifting ideological agendas. Throughout this transition, language or discourse has been not only a weapon of struggle but the center of controversy and contention. Because of this primacy of language, the author’s main approach is the close reading or, rather, re-reading of significant narrative fictions from four literary generations to demonstrate how historical, ideological, and cultural issues are absorbed, articulated, and debated within the text. Three chapters each focus on one representative author. The fiction of Lu Xun (1881-1936), which initiated the literary preoccupation with the victimized peasant, is also about the identity crisis of the intellectual. Zhao Shuli (1906-1970), upheld by the Communist Party as a model “peasant writer,” tragically exemplifies in his career the inherent contradictions of such an assigned role. In the post-Mao era, Gao Xiaosheng (1928—) uses the ironic play of language to present a more ambiguous peasant while deflating intellectual pretensions. The chapter on the last of the four “generations” examines several texts by Mo Yan (1956—), Han Shaogong (1952—), and Wang Anyi (1954—) as examples of “root-searching” fiction from the mid-1980’s. While reaching back into the past, this fiction is paradoxically also experimental in technique: the encounter with the peasant leads to questions about the self-construction of the intellectual and the nature of narrative representation itself. Throughout, the focus is on texts in which some sort of representation or stand-in of the writer/intellectual self is present—as character, as witness, as center of consciousness, or as first-person or obtrusive narrator. Each story catches the writer in a self-reflective mode, the confrontation with the peasant “other” providing a theater for acting out varying dramas of identity, power, ideology, political engagement, and self-representation.