Paulo Emilio Salles Gomes
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Author | : Paulo Emílio Salles Gomes |
Publisher | : Iberian and Latin American Studies |
Total Pages | : 0 |
Release | : 2018 |
Genre | : Motion picture plays |
ISBN | : 9781786833235 |
"Paulo Emílio Salles Gomes (1916-77) is revered in Brazil as the first ardent defender, promotes and theorist of Brazilian cinema. A film professor, critic and historian, his dedication to cinema shaped a generation of influential film critics in his home country, and set foundations for the serious study of film in Brazil. For the first time in English, this book brings together a selection of his essays for an English-speaking audience, with detailed explanatory introductions to each section for readers unfamiliar with the context of the writings of Salles Gomes. By blending together ruminations on global and national cinema, as well as avant-garde film and popular movies, the collection shows how the defence and promotion of a national cinema has been forges through dialogues with international trends, informed by commercial influences, and shaped by global and national political contexts. The book thus introduces readers to the international dimension of Salles Gomes 's engagements with film, and in doing so reassesses the locatedness of his formulations on national cinema and signals their international dimensions." -- Publisher's description
Author | : Maite Conde |
Publisher | : University of Wales Press |
Total Pages | : 319 |
Release | : 2018-10-15 |
Genre | : Art |
ISBN | : 1786833255 |
This volume includes the first English translations of Paulo Emílio Salles Gomes’ most influential essays on Hollywood, Soviet, European and Brazilian Cinema. Provides readers with theoretical ruminations on the vicissitudes of developing a national film archive, extending our appreciation of national film theory to encompass such practical endeavours. Shows how Brazil’s national film culture was theorised through extensive engagements with international trends thereby broadening our understanding of national cinema.
Author | : Dudley Andrew |
Publisher | : Oxford University Press |
Total Pages | : 374 |
Release | : 2011-04 |
Genre | : Performing Arts |
ISBN | : 0199733880 |
André Bazin remains one of the most read, most studied, and most engaging figures ever to have written about film. Fifty years after his death, he is still widely recognized as cinema's most significant philosopher-critic. Always an important presence within cinema theory, Bazin has seen a massive resurgence of interest among critics, scholars, and students now that an electronic archive of his entire critical output has been catalogued. Opening Bazin assesses the great critic's influence and legacy, with essays from several generations of the very best film scholars: Gunning, Frodon, Margulies, Conley, MacCabe, Narboni, and Vernet, to name just a few. Ultimately, these essays reaffirm Bazin's relevance in this new century, tracing his lineage, debating his aesthetics, locating him in the rich cultural moment of postwar France, and tracking the effect of his thought around the world.
Author | : Catherine L. Benamou |
Publisher | : Univ of California Press |
Total Pages | : 416 |
Release | : 2007-03-14 |
Genre | : Biography & Autobiography |
ISBN | : 0520242483 |
"This is an extremely rigorous, thorough piece of superior scholarship on one of the most important figures in the history of cinema. Benamou introduces a wealth of material on the production process and the repercussions of this project in Latin America, which have been entirely missing from earlier, auteur-centered accounts; this alone makes it a book of great importance. We can't ask for a more definitive, groundbreaking study than the one Benamou has given us."—Bill Nichols, author of Maya Deren and the American Avant-Garde
Author | : John Beverley |
Publisher | : Duke University Press |
Total Pages | : 335 |
Release | : 1995-05-05 |
Genre | : History |
ISBN | : 0822382687 |
Postmodernism may seem a particularly inappropriate term when used in conjunction with a region that is usually thought of as having only recently, and then unevenly, acceded to modernity. Yet in the last several years the concept has risen to the top of the agenda of cultural and political debate in Latin America. This collection explores the Latin American engagement with postmodernism, less to present a regional variant of the concept than to situate it in a transnational framework. Recognizing that postmodernism in Latin America can only inaccurately be thought of as having traveled from an advanced capitalist "center" to arrive at a still dependent neocolonial "periphery," the contributors share the assumption that postmodernism is itself about the dynamics of interaction between local and metropolitan cultures in a global system in which the center-periphery model has begun to break down. These essays examine the ways in which postmodernism not only designates the effects of this transnationalism in Latin America, but also registers the cultural and political impact on an increasingly simultaneous global culture of a Latin America struggling with its own set of postcolonial contingencies, particularly the crisis of its political left, the dominance of neoliberal economic models, and the new challenges and possibilities opened by democratization. With new essays on the dynamics of Brazilian culture, the relationship between postmodernism and Latin American feminism, postmodernism and imperialism, and the implications of postmodernist theory for social policy, as well as the text of the Declaration from the Lacandon Jungle of the Zapatatista National Liberation Army, this expanded edition of boundary 2 will interest not only Latin Americanists, but scholars in all disciplines concerned with theories of the postmodern. Contributors. Xavier Albó, José Joaquín Brunner, Fernando Calderón, Enrique Dussel, Néstor García Canclini, Martín Hopenhayn, Neil Larsen, the Latin American Subaltern Studies Group, Norbert Lechner, María Milagros López, Raquel Olea, Aníbal Quijano, Nelly Richard, Carlos Rincón, Silviano Santiago, Beatriz Sarlo, Roberto Schwarz, and Hernán Vidal
Author | : James Donald |
Publisher | : SAGE |
Total Pages | : 538 |
Release | : 2008-04-16 |
Genre | : Language Arts & Disciplines |
ISBN | : 1446206823 |
Written by a team of veteran scholars and exciting emerging talents, The SAGE Handbook of Film Studies maps the field internationally, drawing out regional differences in the way that systematic intellectual reflection on cinema and film has been translated into an academic discipline. It examines the conversations between Film Studies and its contributory disciplines that not only defined a new field of discourse but also modified existing scholarly traditions. It reflects on the field′s dominant paradigms and debates and evaluates their continuing salience. Finally, it looks forward optimistically to the future of the medium of film, the institution of cinema and the discipline of Film Studies at a time when the very existence of film and cinema are being called into question by new technological, industrial and aesthetic developments.
Author | : Rielle Navitski |
Publisher | : Univ of California Press |
Total Pages | : 333 |
Release | : 2023 |
Genre | : Motion pictures |
ISBN | : 0520391411 |
"In the two decades after World War II, a vibrant cultural infrastructure of cineclubs, archives, festivals, and film schools took shape in Latin America through the labor of film enthusiasts who worked in concert with French and France-based organizations. In promoting the emerging concept and practice of art cinema, these film-related institutions advanced geopolitical and class interests simultaneously in a polarized Cold War climate. Seeking to sharpen viewers' critical faculties as a safeguard against ideological extremes in cinema, institutions of film culture lent prestige to Latin America's growing middle classes and capitalized on official and unofficial efforts to boost the circulation of French cinema, enhancing the nation's soft power in the wake of military defeat and occupation. As the first book-length, transnational analysis of postwar Latin American film culture, Transatlantic Cinephilia deepens our understanding of how institutional networks have nurtured alternative and nontheatrical cinemas"--
Author | : Daniel Balderston |
Publisher | : Taylor & Francis |
Total Pages | : 687 |
Release | : 2000 |
Genre | : History |
ISBN | : 041513188X |
This new three-volume encyclopedia features over 4,000 entries on more than 40 regions in Latin America and the Caribbean from 1920 to the present day.
Author | : Stephanie Dennison |
Publisher | : Manchester University Press |
Total Pages | : 264 |
Release | : 2019-01-31 |
Genre | : Performing Arts |
ISBN | : 1526141728 |
Brazil has one of the most significant and productive film industries in Latin America. This ground-breaking study provides an entertaining insight into the Brazilian films that have most captured the imagination of domestic audiences over the years. The recent international success of films such as Central Station and City of God, has stimulated widespread interest in Brazilian film, but studies written in English focus on the 'auteur' cinema of the 1960s. This book focuses on individual films in their socio-historical context, drawing on extensive fieldwork in Brazil and Latin America. It argues that Brazilian cinema has almost always been grounded in intrinsically home-grown cultural forms, dating back to the nineteenth century, such as the Brazilian music-hall, the travelling circus, radio shows, carnival, and, later, comedy television. Combining a chronological structure with groundbreaking research and a lively approach, Popular cinema in Brazil is the ideal introduction to Brazilian cinema.
Author | : C.A. Longhurst |
Publisher | : University of Wales Press |
Total Pages | : 223 |
Release | : 2023-07-15 |
Genre | : Literary Criticism |
ISBN | : 1837720444 |
This books resolutely confronts key questions in Christianity and in Unamuno’s interpretation of it by covering important works read by Unamuno and major works written by him. This book takes into account both Unamuno’s discursive essays and his literary works, and so emphasising the poetic—as distinct from discursive—value of the story of Jesus. This book also includes English translations of original Spanish passages.