Patriotic Envelopes Of The Civil War
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| Author | : Steven R. Boyd |
| Publisher | : LSU Press |
| Total Pages | : 169 |
| Release | : 2010-11 |
| Genre | : Antiques & Collectibles |
| ISBN | : 0807137960 |
During the Civil War, private printers in both the North and South produced a vast array of envelopes featuring iconography designed to promote each side's war effort. Many of these "covers" featured depictions of soldiers, prominent political leaders, Union or Confederate flags, Miss Liberty, Martha Washington, or even runaway slaves -- at least fifteen thousand pro-Union and two hundred fifty pro-Confederate designs appeared between 1861 and 1865. In Patriotic Envelopes of the Civil War, the first book-length analysis of these covers, Steven R. Boyd explores their imagery to understand what motivated soldiers and civilians to support a war far more protracted and destructive than anyone anticipated in 1861. Northern envelopes, Boyd shows, typically document the centrality of the preservation of the Union as the key issue that, if unsuccessful, would lead to the destruction of United States, its Constitution, and its way of life. Confederate covers, by contrast, usually illustrate a competing vision of an independent republic free of the "tyranny" of the United States. Each side's flags and presidents symbolize these two rival viewpoints. Images of presidents Davis and Lincoln, often portrayed as contestants in a boxing match, personalized the contest and served to rally citizens to the cause of southern independence or national preservation. In the course of depicting the events of the period, printers also revealed the impact of the war on females and African Americans. Some envelopes, for example, featured women on the home front engaging in a variety of patriotic tasks that would have been almost unthinkable before the war. African Americans, on the other hand, became far more visible in American popular culture, especially in the North, where Union printers showed them pursuing their own liberation from southern slavery. With more than 180 full-color illustrations, Patriotic Envelopes of the Civil War is a nuanced and fascinating examination of Civil War iconography that moves a previously overlooked source from the periphery of scholarly awareness into the ongoing analysis of America's greatest tragedy.
| Author | : Robert W. Grant |
| Publisher | : |
| Total Pages | : |
| Release | : 1977 |
| Genre | : Covers (Philately) |
| ISBN | : 9780960121816 |
| Author | : James W. Milgram |
| Publisher | : |
| Total Pages | : 408 |
| Release | : 2007 |
| Genre | : Postal service |
| ISBN | : 9780961401849 |
The purpose of this book is to present the postal usages which were associated with the federal or Union troops and patriotic civilians during the American Civil War 1861-1865. This is in contrast with those postal usages that were associated with the Confederate States of America and its soldiers, a very strongly collected area of specialization. With the production of patriotic stationary, both envelopes and letter paper, the Civil War created a large variety of collectible federal postal objects used by both civilian and military. The postal usages of Union soldiers include special due usages when letters were certified by officers, interesting maritime mail from both coastal as well as inland river locations, hospital and prison mail, and specialized postmarks which are either patriotic or which deal with certain military camps and reoccupied town. Other chapters include slave related stationary, the election of 1860, and federal postage usage in the South during the formation of the Confederacy.
| Author | : Gary W. Gallagher |
| Publisher | : Harvard University Press |
| Total Pages | : 257 |
| Release | : 2011-04-25 |
| Genre | : History |
| ISBN | : 0674045629 |
In a searing analysis of the Civil War North as revealed in contemporary letters, diaries, and documents, Gallagher demonstrates that what motivated the North to go to war and persist in an increasingly bloody effort was primarily preservation of the Union.
| Author | : Robert E. Bonner |
| Publisher | : Hill and Wang |
| Total Pages | : 274 |
| Release | : 2007-10-30 |
| Genre | : History |
| ISBN | : 1429924128 |
They are all infantrymen; none were commissioned officers. One is a German-speaking artist whose sole record is nineteen stunning watercolors that cover a year's enlistment. Another is a free black from Syracuse, New York. Six are from slave states, one of whom was a Unionist. Drawing from the more than 60,000 documents housed in the privately held Gilder Lehrman Collection, Robert E. Bonner has movingly reconstructed the experiences of sixteen Civil War soldiers, using their own accounts to knit together a ground-level view of the entire conflict. The immediacy of diaries and the intimacy of letters to loved ones accompany the humor of an anonymous cartoonist from Massachusetts, the vivid paintings of Private Henry Berckhoff. All reproduced for the first time in The Soldier's Pen, the documents and images that Bonner weaves together, providing context and explanation as required, powerfully re-create the day-to-day lives of the soldiers who fought and died for Union and Confederacy. Not since the 2000 publication of Robert Sneden's paintings and papers in Eye of the Storm has a collection of original Civil War documents so evocatively captured the war.
| Author | : Edward J. Blum |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 216 |
| Release | : 2021-05-28 |
| Genre | : History |
| ISBN | : 0812253043 |
"An examination of how Americans brought concepts of the devil, demons, and hell into every fabric of their lives and times in the American Civil War. These influences continued to impact the nation and its people after the war"--
| Author | : Alice Fahs |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 425 |
| Release | : 2010-03-15 |
| Genre | : History |
| ISBN | : 0807899291 |
In this groundbreaking work of cultural history, Alice Fahs explores a little-known and fascinating side of the Civil War--the outpouring of popular literature inspired by the conflict. From 1861 to 1865, authors and publishers in both the North and the South produced a remarkable variety of war-related compositions, including poems, songs, children's stories, romances, novels, histories, and even humorous pieces. Fahs mines these rich but long-neglected resources to recover the diversity of the war's political and social meanings. Instead of narrowly portraying the Civil War as a clash between two great, white armies, popular literature offered a wide range of representations of the conflict and helped shape new modes of imagining the relationships of diverse individuals to the nation. Works that explored the war's devastating impact on white women's lives, for example, proclaimed the importance of their experiences on the home front, while popular writings that celebrated black manhood and heroism in the wake of emancipation helped readers begin to envision new roles for blacks in American life. Recovering a lost world of popular literature, The Imagined Civil War adds immeasurably to our understanding of American life and letters at a pivotal point in our history.
| Author | : J. Matthew Gallman |
| Publisher | : UNC Press Books |
| Total Pages | : 336 |
| Release | : 2015-05-25 |
| Genre | : History |
| ISBN | : 1469621002 |
The Civil War thrust Americans onto unfamiliar terrain, as two competing societies mobilized for four years of bloody conflict. Concerned Northerners turned to the print media for guidance on how to be good citizens in a war that hit close to home but was fought hundreds of miles away. They read novels, short stories, poems, songs, editorials, and newspaper stories. They laughed at cartoons and satirical essays. Their spirits were stirred in response to recruiting broadsides and patriotic envelopes. This massive cultural outpouring offered a path for ordinary Americans casting around for direction. Examining the breadth of Northern popular culture, J. Matthew Gallman offers a dramatic reconsideration of how the Union's civilians understood the meaning of duty and citizenship in wartime. Although a huge percentage of military-aged men served in the Union army, a larger group chose to stay home, even while they supported the war. This pathbreaking study investigates how men and women, both white and black, understood their roles in the People's Conflict. Wartime culture created humorous and angry stereotypes ridiculing the nation's cowards, crooks, and fools, while wrestling with the challenges faced by ordinary Americans. Gallman shows how thousands of authors, artists, and readers together created a new set of rules for navigating life in a nation at war.
| Author | : Gary W. Gallagher |
| Publisher | : Harvard University Press |
| Total Pages | : 256 |
| Release | : 2012-09-03 |
| Genre | : History |
| ISBN | : 0674263693 |
Even one hundred and fifty years later, we are haunted by the Civil War—by its division, its bloodshed, and perhaps, above all, by its origins. Today, many believe that the war was fought over slavery. This answer satisfies our contemporary sense of justice, but as Gary Gallagher shows in this brilliant revisionist history, it is an anachronistic judgment. In a searing analysis of the Civil War North as revealed in contemporary letters, diaries, and documents, Gallagher demonstrates that what motivated the North to go to war and persist in an increasingly bloody effort was primarily preservation of the Union. Devotion to the Union bonded nineteenth-century Americans in the North and West against a slaveholding aristocracy in the South and a Europe that seemed destined for oligarchy. Northerners believed they were fighting to save the republic, and with it the world’s best hope for democracy. Once we understand the centrality of union, we can in turn appreciate the force that made northern victory possible: the citizen-soldier. Gallagher reveals how the massive volunteer army of the North fought to confirm American exceptionalism by salvaging the Union. Contemporary concerns have distorted the reality of nineteenth-century Americans, who embraced emancipation primarily to punish secessionists and remove slavery as a future threat to union—goals that emerged in the process of war. As Gallagher recovers why and how the Civil War was fought, we gain a more honest understanding of why and how it was won.
| Author | : James A. Davis |
| Publisher | : Routledge |
| Total Pages | : 370 |
| Release | : 2016-11-18 |
| Genre | : Music |
| ISBN | : 1315438232 |
In 1864, Union soldier Charles George described a charge into battle by General Phil Sheridan: "Such a picture of earnestness and determination I never saw as he showed as he came in sight of the battle field . . . What a scene for a painter!" These words proved prophetic, as Sheridan’s desperate ride provided the subject for numerous paintings and etchings as well as songs and poetry. George was not alone in thinking of art in the midst of combat; the significance of the issues under contention, the brutal intensity of the fighting, and the staggering number of casualties combined to form a tragedy so profound that some could not help but view it through an aesthetic lens, to see the war as a concert of death. It is hardly surprising that art influenced the perception and interpretation of the war given the intrinsic role that the arts played in the lives of antebellum Americans. Nor is it surprising that literature, music, and the visual arts were permanently altered by such an emotional and material catastrophe. In The Arts and Culture of the American Civil War, an interdisciplinary team of scholars explores the way the arts – theatre, music, fiction, poetry, painting, architecture, and dance – were influenced by the war as well as the unique ways that art functioned during and immediately following the war. Included are discussions of familiar topics (such as Ambrose Bierce, Peter Rothermel, and minstrelsy) with less-studied subjects (soldiers and dance, epistolary songs). The collection as a whole sheds light on the role of race, class, and gender in the production and consumption of the arts for soldiers and civilians at this time; it also draws attention to the ways that art shaped – and was shaped by – veterans long after the war.
