Pasolini In New York
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| Author | : Pier Paolo Pasolini |
| Publisher | : |
| Total Pages | : 76 |
| Release | : 2019-05-09 |
| Genre | : |
| ISBN | : 9780999468333 |
From The Film Desk, an in-depth interview with film director, poet, critic, and political activist Pier Paolo Pasolini, conducted in New York in 1969. In that year, Pasolini visited the city for the second time (his previous visit had been in 1966 for the New York Film Festival) and was interviewed by Guiseppe Cardillo, the longtime director of Instituto Italiano di Cultura of New York, for a wide ranging conversation in which he discusses his childhood, his move to Rome, religion, Jean-Luc Godard, Marxism and the sequence shot. The recording of this interview was completely unavailable to the public until it was recently discovered and rescued by Luigi Fontanella, a poet, novelist, Pasolini scholar and professor at SUNY Stony Brook.This book presents this historic interview in full, in a new translation from the Italian by Michael Palma, and with an extensive introduction by Luigi Fontanella. Perfect bound softcover. 76 pages. Edition of 500 copies.
| Author | : Stacy Szymaszek |
| Publisher | : |
| Total Pages | : 160 |
| Release | : 2022-04-15 |
| Genre | : |
| ISBN | : 9780999431382 |
THE PASOLINI BOOK documents the poet Stacy Szymaszek's engagement with the work of the Italian film director, poet, and political figure Pier Paolo Pasolini alongside her own evolving vocation as civic poet and dissenting subject within an American polis by turns hostile and hospitable. Extending the exploration of the temporally unbound, genderqueer, and disaster-prone persona of her earlier works, this volume collects two successive iterations of "felt translations," poem-for-poem rewritings, channelings, and détournements, of Pasolini's Roman Poems, undertaken over a decade apart. Separating the two suites of poems are three iterations of autofiction titled "A Sentimental Education," in which Szymaszek's Midwestern upbringing is recentered and transformed through speculative identification with Pasolini. The Pasolini Book evidences a search for a civic poetry in which the poet does not contain multitudes so much as she exudes an abundant and experimental identity emerging from long experience seeking political and artistic solidarities on the margins of institutional life. "We are all in danger," Pasolini said in an interview only hours before he was murdered; today, in the midst of capitalist ruin, Szymaszek's poetry maps the particular pains of embattled artistic autonomy and the turbulent state of social and political community. Poetry. Italian Studies. Art. LGBTQ+ Studies.
| Author | : Gian Maria Annovi |
| Publisher | : |
| Total Pages | : 258 |
| Release | : 2017 |
| Genre | : |
| ISBN | : 9780231180306 |
Annovi revisits Pasolini's oeuvre to examine the author's performance as a way of assuming an antagonistic stance toward forms of artistic, social, and cultural oppression.
| Author | : Pier Paolo Pasolini |
| Publisher | : University of Chicago Press |
| Total Pages | : 513 |
| Release | : 2014-08-20 |
| Genre | : Poetry |
| ISBN | : 022612116X |
Most people outside Italy know Pier Paolo Pasolini for his films, many of which began as literary works—Arabian Nights, The Gospel According to Matthew, The Decameron, and The Canterbury Tales among them. What most people are not aware of is that he was primarily a poet, publishing nineteen books of poems during his lifetime, as well as a visual artist, novelist, playwright, and journalist. Half a dozen of these books have been excerpted and published in English over the years, but even if one were to read all of those, the wide range of poetic styles and subjects that occupied Pasolini during his lifetime would still elude the English-language reader. For the first time, Anglophones will now be able to discover the many facets of this singular poet. Avoiding the tactics of the slim, idiosyncratic, and aesthetically or politically motivated volumes currently available in English, Stephen Sartarelli has chosen poems from every period of Pasolini’s poetic oeuvre. In doing so, he gives English-language readers a more complete picture of the poet, whose verse ranged from short lyrics to longer poems and extended sequences, and whose themes ran not only to the moral, spiritual, and social spheres but also to the aesthetic and sexual, for which he is most known in the United States today. This volume shows how central poetry was to Pasolini, no matter what else he was doing in his creative life, and how poetry informed all of his work from the visual arts to his political essays to his films. Pier Paolo Pasolini was “a poet of the cinema,” as James Ivory says in the book’s foreword, who “left a trove of words on paper that can live on as the fast-deteriorating images he created on celluloid cannot.” This generous selection of poems will be welcomed by poetry lovers and film buffs alike and will be an event in American letters.
| Author | : Barth David Schwartz |
| Publisher | : Vintage |
| Total Pages | : 0 |
| Release | : 1995 |
| Genre | : Authors, Italian |
| ISBN | : 9780679733492 |
Riveting, obsessive, impassioned, and scandalous, here is a major biography of one of the great Renaissance men of the 20th century. Pier Paolo Pasolini was uncompromising, homosexual, anti-Fascist, anti-Communist, anti-clerical, even as he yielded to his callings as world-renowned novelist (A Violent Life, The Ragazzi), poet, polemicist, and filmmaker. Photographs. Avertising.
| Author | : Enzo Siciliano |
| Publisher | : |
| Total Pages | : 435 |
| Release | : 1987 |
| Genre | : Motion picture producers and directors |
| ISBN | : 9780747500308 |
Pasolini's body was found in a deserted field outside Rome in November 1975. He had been murdered by a homosexual prostitute, but it is possible that the murder was in fact politically motivated. This is a study of one of the most remarkable Italian writers and artists since World War II.
| Author | : Ara H. Merjian |
| Publisher | : University of Chicago Press |
| Total Pages | : 285 |
| Release | : 2020 |
| Genre | : Avant-garde |
| ISBN | : 022665527X |
"This book casts the poet and filmmaker Pier Paolo Pasolini in a fresh light: his life and work in relation to the visual and performance arts of his time in both Europe and the US. Lavishly illustrated with both documentary and fine art images, it shows how essentially conservative Pasolini was politically and aesthetically despite his reputation as an avant-garde writer and filmmaker. But it also shows how truly advanced Pasolini was when it comes to interdisciplinary art, making him enormously relevant today"--
| Author | : Patrice Giasson |
| Publisher | : |
| Total Pages | : |
| Release | : 2020-02 |
| Genre | : |
| ISBN | : 9781733214308 |
This illustrated book accompanies the exhibition Pier Paolo Pasolini : Subversive Prophet (Neuberger Museum of Art, February 12 to May 31, 2020). Pier Paolo Pasolini (Italian, 1922-1975) is widely known in Europe for his prolific work as a poet, writer, and film director. A true humanist, his interests encompassed literature, art, history, classic tragedy, psychoanalysis, and politics. For Susan Sontag, Pasolini was "indisputably the most remarkable figure to have emerged in Italian arts and letters since the Second World War. Whatever he did once he did it, had the quality of seeming necessary." Outspoken and subversive, Pasolini made no concessions and at times deliberately provoked his contemporaries, either through challenging political articles or through his films. Violently murdered in 1975 under enigmatic circumstances that shocked Italy and intellectual circles worldwide, Pasolini left three decades of artistic production full of complex and rich themes that are as relevant today as they were then: the universal homogenization of society; the dangers of capitalism; excessive consumption; growing inequality between poor and rich; the relegation of the underprivileged to the outskirts of the city; hypocrisy and repression in the social and political spheres.The exhibition opens with artistic homages to Pasolini by two Latin American artists: the Chilean, New York-based artist Alfredo Jaar, and the late Uruguayan artist Antonio Frasconi (a former Purchase College professor). Both artists pay tribute to Pasolini's outstanding work and denounce his assassination in 1975. This first section also explores the reception of Pasolini in the Americas: in Brazil, Argentina, Mexico, and the United States-including his first visit to New York, in 1966. A second and larger gallery is devoted to the powerful creativity of Pasolini, featuring his poetry, novels, paintings, and drawings as well as an introduction to his most important films. The exhibition also showcases original film costumes designed in Rome by Farani, including the one used by Pasolini in The Canterbury Tales, in which he plays the role of Geoffrey Chaucer, the author of the original book by the same title.
| Author | : Pier Paolo Pasolini |
| Publisher | : |
| Total Pages | : 28 |
| Release | : 1996 |
| Genre | : |
| ISBN | : |
Italian poem first published in: Poesia in forma di rosa (Garzanti, 1964).
| Author | : Michele Mancini |
| Publisher | : Patrick Frey Edition |
| Total Pages | : 640 |
| Release | : 2017 |
| Genre | : Motion picture producers and directors |
| ISBN | : 9783906803418 |
Around 1980 in Rome, a small cooperative around film critics Michele Mancini and Giuseppe Perrella produced a mysterious, elaborate and yet seemingly effortless 600-page book of b&w photographs, Pier Paolo Pasolini: Corpi e Luoghi (1981). In the multifaceted cultural and political environment of the era, the publication was acclaimed an indispensable tool for future Pasolini (1922-1975) research. Although long since forgotten and out of print, Corpi e Luoghi, to this day, it remains what one reviewer called the most Pasolinian book to date. With its relentless and yet playful classification of some 2,000 film stills arranged under the categories of bodies and places, Mancini and Perrella stage an ever-shifting archival space. Some of the pictures recurring under various subcategories. With a hidden reference to Walter Benjamin and a correspondingly revolutionary attitude, quotation here is understood as a form of appropriation, as a practical application of specific material.
