Partita No 1 In B Flat Major Bwv 825
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Author | : Johann Sebastian Bach |
Publisher | : |
Total Pages | : 24 |
Release | : 2019-10-05 |
Genre | : |
ISBN | : 9781697905793 |
Bach composed and published his Six Partitas (each one separately) during 1726 - 1730. In 1731 all partitas, grouped in one volume, were published under the title Clavier-�bung Part One. This edition of Partita no. 1 follows the above mentioned first Leipzig edition, which was based on the manuscript copy of Bach's autograph.The fingering is added by the editor.
Author | : |
Publisher | : Alfred Publishing Company |
Total Pages | : 0 |
Release | : 1996 |
Genre | : |
ISBN | : 9780757933080 |
The Roland E. Moelmann arrangement of Johann Sebastian Bach's "Prelude and Fugue in B-flat Major" was originally scored in 1955 and remains on contest and festival lists. The fluid prelude establishes the melody and then it is amended musically with fascinating intricacy. Clarity of the composer's intent is certain in this time-honored arrangement. Classic repertoire for your concert band. Freshly re-engraved, this is must in every serious band music library!
Author | : Johann Sebastian Bach |
Publisher | : |
Total Pages | : |
Release | : 1912 |
Genre | : Piano music |
ISBN | : |
Author | : Johann Sebastian Bach |
Publisher | : G Schirmer, Incorporated |
Total Pages | : 0 |
Release | : 1998 |
Genre | : Music |
ISBN | : 9780793597505 |
A generous collection of some of J.S. Bach's greatest works for keyboard, violin, cello and organ. Selected, transcribed, edited and arranged for unaccompanied flute by world-renowned flutist and educator Robert Stallman. A valuable addition to any flute student's library.
Author | : Associated Board of the Royal Schools of Music (Publishing) Limited |
Publisher | : |
Total Pages | : 15 |
Release | : 1989-06-29 |
Genre | : |
ISBN | : 9781854723154 |
Bach composed these Inventions in 1722/3 for the instruction in keyboard playing and composition of his eldest son, Wilhelm Friedemann, who was then just 12. Richard Jones's edition of these pieces is also available from ABRSM in a 'Signature' Series edition, where they are combined with the (three-part) Sinfonias and given more textual commentary.
Author | : Johann Sebastian Bach |
Publisher | : Hal Leonard Publishing Corporation |
Total Pages | : 0 |
Release | : 2002-02 |
Genre | : |
ISBN | : 9780634048463 |
Guitar sheet music with tablature.
Author | : Johann Sebastian Bach |
Publisher | : Alfred Music |
Total Pages | : 131 |
Release | : 2015-01-26 |
Genre | : Music |
ISBN | : 1470628694 |
Hans Bischoff (1852--1889) was a German concert pianist and well-regarded music editor, who continues to be respected for his thorough research, attention to detail, and careful consideration of source materials. This newly engraved edition of the Six Partitas, BWV 825--830 is based on Bischoff's analysis of the original 1731 engraving and of other manuscripts and secondary sources. Bischoff's footnotes and prefatory commentary have been preserved, as well as his interpretive suggestions for performance. Also included are explanations of the ornaments used throughout the work and helpful fingering. Measure numbers and BWV numbers have been included for easy reference.
Author | : Andre Pirro |
Publisher | : Rowman & Littlefield |
Total Pages | : 517 |
Release | : 2014-06-20 |
Genre | : Music |
ISBN | : 1442232919 |
The Aesthetic of Johann Sebastian Bach (L’Esthéthique de Jean-Sébastien Bach), by the celebrated French musicologist André Pirro (1869‒1943), was originally published in 1907 and reissued in 1973. It is offered here for the first time in English, as translated by Joe Armstrong. Pirro’s work is based primarily on an examination of the close relationships between language and music in Bach’s vocal works and provides us with an extensive and well-researched “lexicon” of the expressive resources of Bach and his contemporaries. Pirro’s study thus serves as a still sound basis for understanding and interpreting Bach’s instrumental works. Pirro’s engaging analysis that has informed and even moved discerning readers for more than a century. This translation introduces his work to a new audience of performers, music teachers and their students, composers, musicologists, and all who wish to have a greater understanding of the expressive import of Bach’s music.
Author | : Johann Sebastian Bach |
Publisher | : Alfred Music |
Total Pages | : 14 |
Release | : 1996-02-01 |
Genre | : Music |
ISBN | : 1457471760 |
The Partitas, BWV 825–830, are a set of six suites written by Johann Sebastian Bach, published from 1726 to 1730, and are the first of his works to be published under his direction. This edition of Dr. Hans Bischoff contains added dynamics, tempo markings, fingering and footnotes.
Author | : Robert D. Denham |
Publisher | : University of Ottawa Press |
Total Pages | : 333 |
Release | : 2018-09-05 |
Genre | : Literary Criticism |
ISBN | : 0776626728 |
Robert D. Denham pursues his quest to uncover the links between Northrop Frye and writers and others who directly influenced his thinking but about whom he did not write an extensive commentary. The first chapter is about Frye’s reading of Patanjali, the founder of the philosophy of Hindu yoga, while the second, discusses cultural mythographer Giambattista Vico, literary history and poetic language. The focus of Frye’s criticism was the verbal arts, but he also had an abiding interest in both the visual arts and music; hence Frye’s admiration of J.S. Bach. The essay on Tolkien examines the tendency in literary history to return from irony to myth, as well as the role that Tolkien played in Frye’s fiction-writing fantasies. In subsequent chapters, Denham explores Frye’s preference for romance and his critique of realism, which run parallel to the views of Oscar Wilde, and their strong shared convictions about the centripetal thrust of art, and about criticism being as creative as literature. Frye’s appreciation for Whitehead’s concept of interpenetration in Science in the Modern World became a key feature of Frye’s speculations about the highest reaches of literature and religion. Frye is clearly indebted to Martin Buber, particularly his influential meditation I and Thou. Aristotle, an important influence upon Frye, was partially filtered through R.S. Crane and his The Languages of Criticism and the Structure of Poetry. Finally, the relationship between Frye and his Oxford tutor Edmund Blunden are explored, while the last is an essay on Frye and M.H. Abrams on how Frye’s critical project might be viewed developed in Abrams’s The Mirror and the Lamp. This book is published in English. - Robert D. Denham poursuit son examen d’écrivains et autres influences qui ont marqué l’éminent critique Northrop Frye, mais sur lesquels celui-ci n’avait pas consacré de réflexions très développées. Le premier chapitre porte sur la lecture que fait Frye de Patanjali, le fondateur de la philosophie du yoga hindou, et le deuxième, sur le mythographe culturel Giambattista Vico, l’histoire littéraire et le langage poétique. Frye s’intéressait aux arts visuels et à la musique et Denham approfondit l’influence de J.S. Bach sur Frye. Le chapitre sur Tolkien porte sur la tendance en histoire littéraire de passer de l’ironie au mythe, mais aussi sur l’ascendant de Tolkien sur la fiction fantaisiste de Frye. Dans les chapitres suivants, Denham explore la préférence de Frye pour le romantique et sa critique du réalisme, qui trouvent écho chez Oscar Wilde, de même que leur conviction, partagée, de l’importance de l’art, et de la critique comme étant aussi créative que la littérature. L’admiration de Frye pour le concept d’interpénétration présenté dans le Science in the Modern World de Whitehead est devenue un élément clé des réflexions de Frye sur la portée de la littérature et de la religion. Denham explore aussi le lien entre Frye et Martin Buber, dont la méditation I and Thou l’a beaucoup inspiré, et celui entre Frye et R.S. Crane, qui parle beaucoup d’Aristote dans son ouvrage The Languages of Criticism and the Structure of Poetry. Le chapitre 9 explore la relation entre Frye et son tuteur d’Oxford, Edmund Blunden, alors que le dernier chapitre porte sur Frye et M.H. Abrams, et notamment sur le projet critique de Frye compris à la lumière du cadre sur la théorie critique développé par Abrams dans The Mirror and the Lamp. Ce livre est publié en anglais.