Pandemics Authoritarian Populism And Science Fiction
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Author | : Jeremiah Morelock |
Publisher | : Routledge |
Total Pages | : 195 |
Release | : 2021-03-21 |
Genre | : Fiction |
ISBN | : 100035377X |
With a focus on I Am Legend and Day of the Dead—two series of film remakes of popular science fiction stories—this book addresses the social origins of the recent surge in authoritarian and populist social movements. Exploring the ways in which the themes of tribalism, confidence in medical science, and confidence in military violence changed over the years in the process of re-telling these stories in popular culture, the author identifies the shift towards a narrowing of moral scope, an embrace of military violence and a distrust of medical science with three elements of authoritarian populism: tribalism, distrust of rational elites and their institutions, and willingness for violent coercion. An engaging study of popular culture that sheds light on contemporary political attitudes, Pandemics, Authoritarian Populism, and Science Fiction will appeal to scholars of sociology, social theory, and cultural studies with interests in critical theory, film studies, and science fiction.
Author | : |
Publisher | : BRILL |
Total Pages | : 520 |
Release | : 2021-02-15 |
Genre | : Social Science |
ISBN | : 9004444742 |
How to Critique Authoritarian Populism: Methodologies of the Frankfurt School offers a comprehensive introduction to the techniques used by the early Frankfurt School to study and combat authoritarianism and authoritarian populism. In recent years there has been a resurgence of interest in the writings of the early Frankfurt School, at the same time as authoritarian populist movements are resurging in Europe and the Americas. This volume shows why and how Frankfurt School methodologies can and should be used to address the rise of authoritarianism today. Critical theory scholars are assembled from a variety of disciplines to discuss Frankfurt School approaches to dialectical philosophy, psychoanalytic theory, human subjects research, discourse analysis and media studies. Contributors include: Robert J. Antonio, Stefanie Baumann, Christopher Craig Brittain, Dustin J. Byrd, Mariana Caldas Pinto Ferreira, Panayota Gounari, Peter-Erwin Jansen, Imaculada Kangussu, Douglas Kellner, Dan Krier, Lauren Langman, Claudia Leeb, Gregory Joseph Menillo, Jeremiah Morelock, Felipe Ziotti Narita, Michael R. Ott, Charles Reitz, Avery Schatz, Rudolf J. Siebert, William M. Sipling, David Norman Smith, Daniel Sullivan, and AK Thompson.
Author | : Jeremiah Morelock |
Publisher | : University of Westminster Press |
Total Pages | : 191 |
Release | : 2021-12-14 |
Genre | : Social Science |
ISBN | : 1914386264 |
This book explores how the Internet is connected to the global crisis of liberal democracy. Today, self-promotion is at the heart of many human relationships. The selfie is not just a social media gesture people love to hate. It is also a symbol of social reality in the age of the Internet. Through social media people have new ways of rating and judging themselves and one another, via metrics such as likes, shares, followers and friends. There are new thirsts for authenticity, outlets for verbal aggression, and social problems. Social media culture and neoliberalism dovetail and amplify one another, feeding social estrangement. With neoliberalism, psychosocial wounds are agitated and authoritarianism is provoked. Yet this new sociality also inspires resistance and political mobilisation. Illustrating ideas and trends with examples from news and popular culture, the book outlines and applies theories from Debord, Foucault, Fromm, Goffman, and Giddens, among others. Topics covered include the global history of communication technologies, personal branding, echo chamber effects, alienation and fear of abnormality. Information technologies provide channels for public engagement where extreme ideas reach farther and faster than ever before, and political differences are widened and inflamed. They also provide new opportunities for protest and resistance.
Author | : |
Publisher | : BRILL |
Total Pages | : 426 |
Release | : 2023-11-27 |
Genre | : Philosophy |
ISBN | : 9004686835 |
The early Frankfurt School and feminism can and should inform each other. This volume presents an original collection of scholarship bringing together scholars of the Frankfurt School and feminist scholars. Essays included in the volume explore ideas from the early Frankfurt School that were explicitly focused on sex, gender, and sexuality, and bring ideas from the early Frankfurt School into productive dialogue with historical and contemporary feminist theory. Ranging across philosophy, sociology, gender and sexuality studies, science studies, and cultural studies, the essays investigate heteropatriarchy, essentialism, identity, intersectional feminism, and liberation. Set against an alarming context of growing gender and related forms of authoritarianism, this timely volume demonstrates the necessity of thinking these powerhouse approaches together in a united front. Contributors are: Cristian Arão, Karyn Ball, Nathalia N. Barroso, Mary Andrea Caputi, Sergio Bedoya Cortés, Jennifer L. Eagan, Lea Gekle, Imaculada Kangussu, Kristin Lawler, Jana McAuliffe, Mario Mikhail, Ryan Moore, Rafaela Pannain, Simon Reiners, Frida Sandström, Caio Vasconcellos, Tivadar Vervoort, Nicole Yokum, and Lambert Zuidervaart.
Author | : Richard Hall |
Publisher | : Springer Nature |
Total Pages | : 623 |
Release | : 2023-11-07 |
Genre | : Education |
ISBN | : 3031372522 |
The Palgrave International Handbook of Marxism and Education is an international and interdisciplinary volume, which provides a thorough and precise engagement with emergent developments in Marxist theory in both the global South and North. Drawing on the work of authoritative scholars and practitioners, the handbook explicitly shows how these developments enable a rich historical and material understanding of the full range of education sectors and contexts. The handbook proceeds in a spirit of openness and dialogue within and between various conceptions and traditions of Marxism and brings those conceptions into dialogue with their critics and other anti-capitalist traditions. As such, it contributes to the development of Marxist analyses that push beyond established limits, by engaging with fresh perspectives and views that disrupt established perspectives.
Author | : Martyn Hudson |
Publisher | : Routledge |
Total Pages | : 89 |
Release | : 2021-08-19 |
Genre | : Social Science |
ISBN | : 1000428303 |
This book examines the social production of our world, of the worlds of the past and of the worlds of the future, considering the ways in which worlds are created in both actuality and imagination. Bringing together central concepts of classical sociology, including social change, transformation, individuation, collectivisation and human imagination and practice, it draws lessons from the collapse of Graeco-Roman antiquity for our own world of virus and ecological disasters, considers the genesis of capitalism and intimates its ending. Rooted in classical sociology yet challenging its traditions and objects of study, Visualising Worlds: World-Making and Social Theory adopts new ways of thinking about visuality, aesthetics and how we ‘see’ social worlds, and how we then begin to build them. As such, it will appeal to scholars across the social sciences with interests in social theory, historical sociology, cultural studies, critical theory, archaeology, and the emergence, change and collapse of civilisations.
Author | : Martyn Hudson |
Publisher | : Taylor & Francis |
Total Pages | : 175 |
Release | : 2023-04-07 |
Genre | : Social Science |
ISBN | : 1000867412 |
Social Ghosts and the Dead of World History looks at the global phenomena of the dead in world history, examining the phantasms and spirits of classical social science and philosophy. From Hegel’s ‘World-Spirit’ to Max Weber’s ‘Verstehen’ and Marx’s phantasms, there is a recurring obsession with the ‘spirits’ of modernity. This book explores the relationships and interactions between those spirits and materiality in five broad areas: the nature of the dead in modernity, shape-shifting and mobile souls, the spirit in accounts of prehistory and archaeology, the phenomenology of spirits and the relation to statues and stone, and the nature of spirit as it is manifested in wooden artefacts and folklore. It offers a counter-modernity to that of classical social science and philosophy and new ways of thinking about our crises and catastrophes in social theory and the world and the worlds beyond this world. Building on the author’s previous work on the sociology of haunted houses and landscapes, it examines the body and the individual as the locus of haunting. The book will appeal to academics in philosophy, history, social theory, anthropology and cultural studies in its omni-disciplinarity and in its import for rethinking the histories of social thought.
Author | : Julie Crawshaw |
Publisher | : Routledge |
Total Pages | : 179 |
Release | : 2021-12-30 |
Genre | : Social Science |
ISBN | : 1000536769 |
Tracing the associations between artists, planners and engineers with and within the materials of our environment, this book introduces the relational theory of ‘art worlding’ as a way of coming to know our organic continuity. Through a series of ‘sculptural’ ethnographies of the making and doing of art in urban and rural contexts, the author re-orientates the art-planning relationship in recognition of art practice as a mode of inquiry and way of knowing. Methodologically innovative, the book traces public art as practice and integrates artistic practice within planning research. Inspired by the classical pragmatism of John Dewey the fieldwork illuminates the opportunity afforded by the art-planning relationship in understanding relational continuity at differing scales. It introduces a new paradigm for the field of public art and for art and planning practice more broadly. Art Worlding: Planning Relations will appeal to sociologists and social anthropologists with interests in art, as well as artists and art scholars, and those working in the fields of urban and rural planning, urban regeneration, art and ecology, curating, public art, and cultural management.
Author | : Paolo Gerbaudo |
Publisher | : Verso Books |
Total Pages | : 284 |
Release | : 2021-08-31 |
Genre | : Political Science |
ISBN | : 178873050X |
What comes after neoliberalism? In these times of health emergency, economic collapse, populist anger and ecological threat, societies are forced to turn inward in search of protection. Neoliberalism, the ideology that presided over decades of market globalisation, is on trial, while state intervention is making a spectacular comeback amid lockdowns, mass vaccination programmes, deficit spending and climate planning. This is the Great Recoil, the era when the neo-statist endopolitics of national sovereignty, economic protection and democratic control overrides the neoliberal exopolitics of free markets, labour flexibility and business opportunity. Looking back to the role of the state in Plato, Machiavelli, Hobbes, Hegel, Gramsci and Polanyi, and exploring the discourses, electoral programs and class blocs of the nationalist right and socialist left, Paolo Gerbaudo fleshes out the contours of the different statisms and populisms that inform contemporary politics. The central issue in dispute is what mission the post-pandemic state should pursue: whether it should protect native workers from immigration and the rich against redistributive demands, as proposed by the right’s authoritarian protectionism; or reassert social security and popular sovereignty against the rapacity of financial and tech elites, as advocated by the left’s social protectivism. Only by addressing the widespread sense of exposure and vulnerability may socialists turn the present phase of involution into an opportunity for social transformation.
Author | : Fernando Domínguez Rubio |
Publisher | : |
Total Pages | : 426 |
Release | : 2020 |
Genre | : Art museums |
ISBN | : 022671408X |
"Iconic works of art such as Jackson Pollock's One and Vincent van Gogh's Starry Night draw around 3 million viewers to New York's Museum of Modern Art annually. However, between the museum's permanent collection and its temporary exhibits on display, only just a fraction of MoMA's vast collection and the infrastructures that support it are visible to the public. In Still Life, Fernando Domínguez Rubio dives deep into the institutions, technologies, and histories that have made MoMA a cultural powerhouse. Domínguez Rubio seeks to uncover the considerable forces that support and sustain this growth. He shows us the veritable army of conservators, art movers, and curators who try to fend off the slow and inevitable deterioration of the works in MoMA's prestigious collection, as well as the enormous and idiosyncratic technologies they rely on, ranging from air conditioning units to specially designed storage containers. And indeed, the vast majority of MoMA's immense collection is in storage. Of the museum's 1,221 works by Picasso, only 24 are regularly on display. These works are thus not only subject to the elements, but to trends in the art world. The prestige of a museum, then, is ultimately as fragile as the works it contains: not only do works of art decay over time, their perceived importance is constantly in flux"--