Palladis Tamia Wits Treasury
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The First Part of the Contention Between the Two Famous Houses of York and Lancaster, & C. 1594
Author | : William 1564-1616 Shakespeare |
Publisher | : Legare Street Press |
Total Pages | : 0 |
Release | : 2023-07-18 |
Genre | : |
ISBN | : 9781019751541 |
A dramatic retelling of the Wars of the Roses, as the Lancastrian and Yorkist factions struggle for control of England's throne in the late medieval period. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
All Fools
Author | : George Chapman |
Publisher | : Revels Plays |
Total Pages | : 204 |
Release | : 2018 |
Genre | : England |
ISBN | : 9780719089251 |
Of all the poets Francis Meres names in his famous Palladis Tamia, Wits Treasury (1598), just two rate a mention as being both 'our best for tragedy' and 'the best poets for comedy': William Shakespeare and George Chapman. All Fools, written in 1599, is the only Elizabethan comedy based directly on the plays of Terence. By taking episodes and characters from two brilliant works, The Self-Tormenter and The Brothers, Chapman creates something that is distinctly Elizabethan while remaining faithful to the spirit of the great Roman master. In this edition, an extensive introduction and commentary show how Chapman combines the literary and theatrical traditions of ancient Rome with everyday life in his own time to fashion a sparkling and innovative comedy that will delight audiences today as much as it did those of 1599.
Epigrammes and Elegiès
Author | : I. D. and C. M. |
Publisher | : Legare Street Press |
Total Pages | : 0 |
Release | : 2023-07-18 |
Genre | : History |
ISBN | : 9781022119833 |
This volume collects the witty and poignant works of two French poets, I. D. and C. M. Their epigrams and elegies touch on a wide range of topics, from love and politics to philosophy and mortality, offering readers a delightful mix of humor and pathos. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Ancient Critical Essays Upon English Poets and Poësy
Author | : Joseph Haslewood |
Publisher | : |
Total Pages | : 350 |
Release | : 1815 |
Genre | : English literature |
ISBN | : |
Ovid: A Very Short Introduction
Author | : Llewelyn Morgan |
Publisher | : Oxford University Press |
Total Pages | : 145 |
Release | : 2020-09-24 |
Genre | : Literary Collections |
ISBN | : 0192574671 |
"Vivam" is the very last word of Ovid's masterpiece, the Metamorphoses: "I shall live." If we're still reading it two millennia after Ovid's death, this is by definition a remarkably accurate prophecy. Ovid was not the only ancient author with aspirations to be read for eternity, but no poet of the Greco-Roman world has had a deeper or more lasting impact on subsequent literature and art than he can claim. In the present day no Greek or Roman poet is as accessible, to artists, writers, or the general reader: Ovid's voice remains a compellingly contemporary one, as modern as it seemed to his contemporaries in Augustan Rome. But Ovid was also a man of his time, his own story fatally entwined with that of the first emperor Augustus, and the poetry he wrote channels in its own way the cultural and political upheavals of the contemporary city, its public life, sexual mores, religion, and urban landscape, while also exploiting the superbly rich store of poetic convention that Greek literature and his Roman predecessors had bequeathed to him. This Very Short Introduction explains Ovid's background, social and literary, and introduces his poetry, on love, metamorphosis, Roman festivals, and his own exile, a restlessly innovative oeuvre driven by the irrepressible ingenium or wit for which he was famous. Llewelyn Morgan also explores Ovid's immense influence on later literature and art, spanning from Shakespeare to Bernini. Throughout, Ovid's poetry is revealed as enduringly scintillating, his personal story compelling, and the issues his life and poetry raise of continuing relevance and interest. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Wit's Treasury
Author | : Stephen Orgel |
Publisher | : University of Pennsylvania Press |
Total Pages | : 209 |
Release | : 2021-08-06 |
Genre | : Literary Criticism |
ISBN | : 0812299876 |
As England entered the Renaissance and as humanism, with its focus on classical literature and philosophy, informed the educational system, English intellectuals engaged in a concerted effort to remake the culture, language, manners—indeed, the whole national style—through adapting the classics. But how could English literature, art, and culture, become "classical," not only in imitating the ancients, but in the sense subsequently applied to music: "classical" as opposed to popular, as formal, serious, and therefore as good? For several decades in the sixteenth and early seventeenth centuries, Stephen Orgel writes, the return to the classics held out the promise of refinement and civility. Poetry was to be modeled on Greek and Roman examples rather than on the great English medieval works, which though admirable, lacked "correctness." More than poetry was at stake, however, and the transition would not be easy. Classical rules seemed the wave of the future, rescuing England from what was seen as the crudeness and the sheer popularity of its native traditions, but advocacy was tempered with a good deal of ambivalence: classical manners and morals were often at variance with Christian principles, and the classicism of the age would need to be deeply revisionist. "Christian humanism" was never untroubled, Orgel writes, always an unstable or even paradoxical amalgam. In Wit's Treasury, one of our foremost interpreters of Renaissance literature and culture charts how this ambivalence yielded the rich creative tension out of which emerged an unprecedented flowering of drama, lyric, and the arts. Orgel has here written a book that will appeal to anyone interested in English Renaissance art and literature, and particularly in the cultural ferment that produced Shakespeare, Marlowe, Spenser, Jonson, and Milton.
Christopher Marlowe
Author | : Mrs Vivien Thomas |
Publisher | : Routledge |
Total Pages | : 220 |
Release | : 2003-09-02 |
Genre | : Literary Criticism |
ISBN | : 1134783124 |
This major work brings together, for the first time in a single volume, all the recognized sources of Marlowe's dramatic work. Many of the forty-two texts presented here are of outstanding interest in their own right. Together they illuminate the cultural milieu which fostered Marlowe's talent, and deepen our appreciation of his dramatic methods. * Each of the texts is accessibly presented for the modern reader and is fully annotated. * Works in Latin or foreign vernaculars are translated, many for the first time, and modern spelling and punctuation are used throughout. * The sources for each play are examined individually and are thoroughly edited. Few libraries provide the range of sources contained in this one volume. The editors include texts of works such as the English Faust-Book from which Marlowe borrowed heavily, and provide substantial extracts from other books with which he was no doubt familiar. This book is an invaluable resource for all those interested in Marlowe and the development of Elizabethan theatre.
Bel-vedére, Or, The Garden of the Muses
Author | : John Bodenham |
Publisher | : |
Total Pages | : 638 |
Release | : 1600 |
Genre | : English poetry |
ISBN | : |