Painting In Renaissance Sie
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| Author | : Keith Christiansen |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 401 |
| Release | : 1988 |
| Genre | : Art and society |
| ISBN | : 0810914735 |
Catalog of an exhibition which opened at The Metropolitan Museum of Art on Dec. 20, 1988. This first comprehensive study in English devoted to Sienese painting to be published in four decades centers on the fifteenth century, a fascinating but frequently neglected period when Sienese artists confronted the innovations of Renaissance painting in Florence. Two introductory essays survey fifteenth-century Sienese painting, and individual entries examine 139 key works in exhaustive detail, presenting new insights into long-debated issues of interpretation and attribution, and often utilizing previously unpublished material. Most of the major paintings are reproduced in color and supplemented with illustrations of related comparative works.
| Author | : Diana Norman |
| Publisher | : Yale University Press |
| Total Pages | : 416 |
| Release | : 2003-01-01 |
| Genre | : Art |
| ISBN | : 9780300099331 |
The city of Siena, one of Italy's major artistic centers, was home to many celebrated painters, among them Duccio, Simone Martini, Ambrogio and Pietro Lorenzetti, Sassetta and Beccafumi. This generously illustrated book provides a survey of Sienese painting from 1260 to 1555, an era of extraordinary artistic creativity in the Tuscan city. Art historian Diana Norman addresses the style and artistic technique of Sienese painters throughout the three centuries and explores why paintings were made, where they were originally seen, and how they were used and enjoyed by their audiences. The book focuses on works of art made for Siena itself, many of which are still to be seen within the city. Norman organizes the discussion around types of commissions and throughout the book situates the paintings within the context of the political, social, and religious circumstances of late medieval and renaissance Siena.
| Author | : Norbert Wolf |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2021-10-05 |
| Genre | : Art |
| ISBN | : 3791386433 |
A luxurious and definitive exploration of how and why the Renaissance flourished in Italy for two centuries. The idea of “renaissance,” or rebirth, arose in Italy as a way of reviving the art, science, and scholarship of the Classical era. It was also powered by a quest to document artistic “reality” according to newly discovered scientific and mathematical principles. By the late 15th century, Italy had become the recognized European leader in the fields of painting, architecture, and sculpture. But why was Florence the center of this burgeoning creativity, and how did it spread to other Italian cities? Brimming with vivid reproductions of works by Leonardo, Michelangelo, Botticelli, Raphael, Titian, and others, this book showcases the creative achievements that traveled from Florence to Rome to Venice. Art historian Norbert Wolf explores the influence of secular and religious patronage on artistic development; how the urban structure and way of life allowed for such a rich exchange of ideas; and how ideas of humanism informed artists reaching toward the future while clinging to the ideals of the past. Insightful, accessible, and fascinating, this thoroughly researched book highlights the connections and mutual influences of Florence, Rome, and Venice as well as their intriguing rivalries and interdependencies.
| Author | : Susie Nash |
| Publisher | : OUP Oxford |
| Total Pages | : 384 |
| Release | : 2008-11-27 |
| Genre | : Art |
| ISBN | : 0192842692 |
This book offers a wide-ranging introduction to the way that art was made, valued, and viewed in northern Europe in the age of the Renaissance, from the late fourteenth to the early years of the sixteenth century. Drawing on a rich range of sources, from inventories and guild regulations to poetry and chronicles, it examines everything from panel paintings to carved altarpieces.While many little-known works are foregrounded, Susie Nash also presents new ways of viewing and understanding the more familiar, such as the paintings of Jan van Eyck, Rogier van der Weyden, and Hans Memling, by considering the social and economic context of their creation and reception. Throughout, Nash challenges the perception that Italy was the European leader in artistic innovation at this time, demonstrating forcefully that Northern art, and particularly that of the Southern Netherlands,dominated visual culture throughout Europe in this crucial period.
| Author | : Bastian Eclercy |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2019-04-30 |
| Genre | : Art |
| ISBN | : 3791358138 |
This dazzling survey of 16th-century Venetian painting captures the striking colors and revolutionary characteristics of one of art history's greatest chapters. It is hard to imagine more profoundly influential artists than the Venetian painters of the 16th century. Whether creating sweeping devotional altarpieces or intimate portraits, the Venetian painters changed the way artists employed color and composition. These defining qualities are on brilliant display in this book that covers fascinating aspects of the work of Titian, Veronese, Tintoretto, Lorenzo Lotto, Jacopo Bassano, and many others. More than one hundred paintings, drawings, and prints are reproduced in stunning detail. Side-by-side comparisons draw readers into the conversations between Venetian artists as they tackled similar subjects and vied for commissions. The book opens with fascinating essays about the history of 16th-century Venice, the Venetian School of painting, and the techniques of the Venetian masters. As beautiful as it is informative, this book features all of the excitement and splendor of one of the most prolific and important chapters in the history of European art.
| Author | : Julia Cartwright |
| Publisher | : |
| Total Pages | : 232 |
| Release | : 1920 |
| Genre | : |
| ISBN | : |
| Author | : Naoko Takahatake |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2018-07-17 |
| Genre | : Art |
| ISBN | : 3791357395 |
A New York Times Best Art Book of 2018 The art of the chiaroscuro woodcut is celebrated in this groundbreaking and generously illustrated book. Chiaroscuro woodcuts are among the most immediately appealing of all historic prints, displaying exquisite invention, refined draftsmanship, technical virtuosity, and sumptuous color. Printing two or more woodblocks inked in different tones to create an image, the chiaroscuro woodcut was the earliest, most successful foray into color printing in Europe. Following its invention in Germany, the technique was first adopted around 1516 in Italy where it flourished through the sixteenth century. This novel art form engaged the interests of the most celebrated artists of the Renaissance, including Titian, Raphael, Parmigianino, and Beccafumi, and underwent sophisticated developments in the hands of such master printmakers as Ugo da Carpi, Antonio da Trento, Niccolò Vicentino, and Andrea Andreani. Featuring more than 100 prints and related drawings, this book incorporates pioneering art historical research and scientific analysis to present a comprehensive study of the subject. Essays trace its creative origins and evolution, describing both materials and means of production. Brimming with full-color illustrations of rare and beautiful works, this book offers a fresh interpretation of these remarkable prints, which exemplify the rich imagery of the Italian Renaissance. Published in association with the Los Angeles County Museum of Art
| Author | : Geraldine A Johnson |
| Publisher | : OUP Oxford |
| Total Pages | : 177 |
| Release | : 2005-04-21 |
| Genre | : Art |
| ISBN | : 0191604550 |
Botticelli, Holbein, Leonardo, Dürer, Michelangelo: the names are familiar, as are the works, such as the Last Supper fresco, or the monumental marble statue of David. But who were these artists, why did they produce such memorable images, and how would their original beholders have viewed these objects? Was the Renaissance only about great masters and masterpieces, or were "mistresses" also involved, such as women artists and patrons? And what about the 'minor'-pieces that Renaissance men and women would have encountered in homes, churches and civic spaces? This exciting and stimulating volume will answer such questions by considering both famous and lesser-known artists, patrons and works of art within the cultural and historical context of Renaissance Europe. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
| Author | : Eva Oledzka |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Architecture and society |
| ISBN | : 9780712349734 |
Illuminated manuscripts are an excellent source of information about the interiors inhabited by people in the Middle Ages and the Renaissance. Artists regularly depicted the castles and palaces of the ruling classes, as well as the houses of ordinary people--merchants, craftsmen and peasants. This attractive new book is the first to study the subject in such depth, and it uncovers a wealth of little-known illuminations that help us to learn more about life at home, in workshops and elsewhere. The author presents manuscript miniatures as illustrations to an account of house interiors which includes their architectural features (such as windows, doors or fireplaces), furniture and other household objects. She concentrates on the social, cultural and stylistic aspects of Gothic domestic settings and presents them in the context of their Romanesque antecedents and Renaissance successors.
| Author | : Marieke J.E. van den Doel |
| Publisher | : BRILL |
| Total Pages | : 390 |
| Release | : 2021-12-13 |
| Genre | : Art |
| ISBN | : 9004459685 |
Did the Florentine philosopher Marsilio Ficino (1433-99) influence the art of his time? This book starts with an exploration of Ficino’s views on the imagination and discusses whether, how and why these ideas may have been received in Italian Renaissance works of art.
