Painting For The Mughal Emperor
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| Author | : Susan Stronge |
| Publisher | : Victoria & Albert Museum |
| Total Pages | : 200 |
| Release | : 2002-05 |
| Genre | : Architecture |
| ISBN | : |
A unique blend of Indian, Persian, and Islamic styles, Mughal painting reached its golden age during the reigns of the emperors Akbar, Jahangir, and Shah Jahan in the 16th and 17th centuries. This gloriously illustrated book is the first to examine the Victoria and Albert Museum's remarkable collection of Mughal paintings, one of the finest in the world. Richly detailed battle scenes, scenes of court life, and lively depictions of the hunt were commissioned by the royal courts, along with a remarkable series of portraits, studies of wildlife, and decorative borders. The authoritative text contains much new research, and the beautifully reproduced color illustrations give this stunning volume wide appeal.
| Author | : Stuart Cary Welch |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 320 |
| Release | : 1987 |
| Genre | : Calligraphy, Islamic |
| ISBN | : 0870994999 |
Fifty leaves that form the sumptuous Kevorkian Album, one of the world's greatest assemblages of Mughal art. -- Metropolitan Museum of Art website.
| Author | : Milo Cleveland Beach |
| Publisher | : Harvard University Press |
| Total Pages | : 190 |
| Release | : 1987 |
| Genre | : Art |
| ISBN | : 9780674221857 |
One of the minor miracles of art history is the extraordinary flowering of Indian painting that began in the mid-sixteenth century under the early Mughal emperors of Indian, notably Akbar the Great. Only in recent decades has the consummate artistry of early Mughal painting come to be widely appreciated in the West. Scholars have noted the innovations--departures from both Islamic and native Indian tradition--of the new, highly distinctive school of painting, among them natural history studies, a concern for portraiture, and the documentation of contemporary court events. Milo Beach traces, with an abundance of captivating illustrations, the evolution of the Mughal style. While acknowledging the influence of Akbar's interests and changing tastes (related in turn to historical and biographical circumstances), he shows that many of the new tendencies were evident during the short reign of Akbar's father, the Emperor Humayun, whose role as patron of the arts is thereby reassessed. Beach also stresses the traditionalism of the individual painters, who only gradually changed their concepts and compositions in response to foreign influences and to imperial taste. Mughal art, he affirms, can no longer be regarded as simply a reflection of its imperial patrons. The book takes account of recently discovered material and reproduces for the first time important paintings from unpublished manuscripts and albums. It will appeal to the general reader as well as the scholar.
| Author | : Sanjeev Prasad Srivastava |
| Publisher | : Abhinav Publications |
| Total Pages | : 224 |
| Release | : 2001 |
| Genre | : Art |
| ISBN | : 8170173868 |
Jahangir : A Connoisseur Of Mughal Art Is Author'S Third Great Work Showing The Character And Personality Of Prince Salim Who Ruled India After The Death Of Akbar. It Tends To Portray The Aesthetic Taste Of Emperor Jahangir As An Unrivalled Connoisseur Of Mughal Art Besides Being A Shrewd Administrator Of Mughal Empire. The Primary Sources Attempts To Present The Artistic Heritage Of His Ancestors Followed By His Own Innovations Known As Muraqqas In Miniature Painting Which Stand Out As Rare Specimens Of Mughal Painting In The Entire Range Of Art History.Jahangir, Who Has Been Depicted As A Great Campaigner Of Wars, Was Also An Avowed Lover Of Natural Phenomena As Also Famous Naturalist Lover Of Mughal Art. What Excelled All Others Styles Of His Reign Was Aspect Of Sophistication And Refinement Which Characterize The Miniatures, Muraqqas Produced In Jahangir'S Atelier.It Was Based On Detailed Analytical Study Of The Trends And Tendencies Patronised By Him. Jahangir Devoted Enough Time To The Study And Enjoyment Of Painting During His Stay At Lahore Which Became A Hub Of Artistic Activity. It Was Here That Most Significant Manuscripts Were Illustrated. Many Noted Artists Worked At Lahore Kingdom. Lahore Became The Second Capital Of The Mughal Empire From Where Radiated Art, Culture, Language And Literature Throughout India.He Was A Man Of Wide Literary Taste, Having Intense Love For Poetry, Music, History, Geography, Architecture, Painting And Fine Arts. A Typical Mughal Culture Would Have Been Impossible Without This Intellectual And Artistic Contribution.
| Author | : Andrew Topsfield |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Miniature painting |
| ISBN | : 9781851240876 |
This book reproduces some of the finest examples of Mughal period paintings in the historic collection of the Bodleian Library. Many of these images are spectacularly rich in detail and have never before been seen in print. They include paintings made for the Great Mughals Akbar, Jahangir and Shah Jahan (1556-1658), not least the six illustrations from the celebrated Baharistan manuscript prepared for Akbar in 1595. There are also important works of the reign of Muhammad Shah (1719-48), as well as paintings from the courts of the Deccan and from later provincial Mughal centres in Oudh and Bengal.
| Author | : Stephanie Schrader |
| Publisher | : Getty Publications |
| Total Pages | : 162 |
| Release | : 2018-03-20 |
| Genre | : Art |
| ISBN | : 1606065521 |
This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt (1606–1669) in the late 1650s. By pairing Rembrandt’s twenty-two extant drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt “brought life” to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays in this volume instead demonstrate how Rembrandt’s contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paper—an approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt’s engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandt’s artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.
| Author | : John Reeve |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Emperors |
| ISBN | : 9780712358873 |
Through the Mughal's rich legacy of art and architecture, and using many first-hand accounts from the time, this book reveals the lives of the Mughals, exploring how their individual characters differed and how between them they came to build, and lose, a great empire. It tells the remarkable story of the 300-year Mughal dynasty in India.
| Author | : Milo Cleveland Beach |
| Publisher | : Mapin |
| Total Pages | : 232 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 9781935677161 |
Books have been treasured for centuries in the Islamic world, as precious objects worthy of royal admiration. This was especially true in Muslim India, where generations of Mughal emperors commissioned and collected volumes of richly illuminated manuscripts and lavishly illustrated folios. They assembled workshops of the leading artists and calligraphers to produce the books that filled their extensive libraries. Today, those works remain a vibrant part of India's cultural and artistic history in the sixteenth and seventeenth centuries. In this revised and expanded edition of his popular 1981 book, Dr Milo Beach presents the superb collection of Mughal painting in the Freer Gallery of Art. He adds many of the outstanding works that entered the collection with the opening of the Arthur M. Sackler Gallery in 1987. Together, the Freer and Sackler Galleries, the Smithsonian's museums of Asian art, have the distinction of being one of the world's leading repositories of Mughal art. An introductory essay examines the Mughal art of the book and traces the contributions of a succession of rulers in Muslim India. Brief artist biographies and an extensive bibliography complete this updated volume.
| Author | : Francis Robinson |
| Publisher | : |
| Total Pages | : 248 |
| Release | : 2007 |
| Genre | : Asia, Central |
| ISBN | : |
Profiles rulers from the thirteenth through the twentieth centuries whose reigns and lands were affected by Mughal power throughout Iran, Central Asia, Afghanistan, and north and central India, in a series of biographical portraits that includes coverage of Timur, Shah Abbas the Great, and Akbar the Great.
| Author | : Mika Natif |
| Publisher | : BRILL |
| Total Pages | : 332 |
| Release | : 2018-08-13 |
| Genre | : History |
| ISBN | : 900437499X |
In Mughal Occidentalism, Mika Natif elucidates the meaningful and complex ways in which Mughal artists engaged with European art and techniques from the 1580s-1630s. Using visual and textual sources, this book argues that artists repurposed Christian and Renaissance visual idioms to embody themes from classical Persian literature and represent Mughal policy, ideology and dynastic history. A reevaluation of illustrated manuscripts and album paintings incorporating landscape scenery, portraiture, and European objects demonstrates that the appropriation of European elements was highly motivated by Mughal concerns. This book aims to establish a better understanding of cross-cultural exchange from the Mughal perspective by emphasizing the agency of local artists active in the workshops of Emperors Akbar and Jahangir.
