Painters Of The Northwest
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Author | : John E. Impert |
Publisher | : |
Total Pages | : 0 |
Release | : 2018 |
Genre | : Landscape painting, American |
ISBN | : 9780806160344 |
In this groundbreaking work, John Impert introduces readers to the rich and varied array of artists and works of art that defined the region's artistic transition from a nature-bound impressionism to the arrival of modernism.
Author | : Sheryl Conkelton |
Publisher | : University of Washington Press |
Total Pages | : 182 |
Release | : 2003 |
Genre | : Art |
ISBN | : |
* Chronicles the myth and relationships of the artists of the "Northwest School"
Author | : Ginny Allen |
Publisher | : |
Total Pages | : 360 |
Release | : 2021-04 |
Genre | : |
ISBN | : 9780870710537 |
The book is an expanded, pictorial review of the history of painting in Oregon from 1859-1959. The first edition was published as an encyclopedia and index of Oregon painters with historical data about the evolution of painting styles, educational institutions, and exhibition venues in the Northwest; this book expands the focus on the history of painting in Oregon, adding essays on Impressionism and Modernism while using more and better visual examples to illustrate the strength of the state's early painters. In addition, the original indexed content has been edited and condensed. Oregon Painters fills an important niche, as little has been written about the early history of Northwest art and this volume serves as a valuable resource for discovering artists who remain largely unknown but whose works continue to gain in reputation and value.
Author | : William Cumming |
Publisher | : University of Washington Press |
Total Pages | : 292 |
Release | : 2005 |
Genre | : Art |
ISBN | : 9780295985602 |
William Cumming began as a self-taught artist who grew up in Tukwila, a small town outside Seattle. In 1937, at the age of twenty, he met Morris Graves, who was at that time working in Seattle for the Federal Art project of the Works Progress Administration. Through Graves he soon became part of the circle of friends who came to be known as the Northwest School of artists: Mark Tobey, then nearing fifty, the patriarchal leader of the group; Kenneth Callahan and his wife Margaret, a writer and critic who became Cumming's particular mentor; Guy Anderson, Lubin Petric, and others. He has taught for many years at the Art Institute of Seattle and Cornish College of the Arts. "Bill Cumming is at once an exceptional and successful regional artist and one of the most erudite, perceptive, and entertainingly cantankerous characters in this part of the world. [He] tells what it was like to be an artist in the Great Depression, tells tales out of school about such international luminaries as Mark Tobey and Morris Graves, tells how the Northwest School (of which he was the youngest member) developed, tells about the early success -- and ultimate failure -- of the Communist movement in the Far West, and shows how the political, economic, and cultural events of a half-century affected the life of a region and of its creative minority. Cumming is a natural raconteur, equipped with more literary wit and charm than most professional writers." -- Tom Robbins "Besides being one of the Northwest's best painters, Bill Cumming has certainly had a knack for being, historically speaking, in the right place at the right time. Beyond being good local history, hisSketchbookis a moving, sometimes chillingly perceptive, and certainly fascinating glimpse into the nature of artists themselves." -- Wesley Wehr
Author | : Bill Holm |
Publisher | : University of Washington Press |
Total Pages | : 145 |
Release | : 2014-12-01 |
Genre | : Art |
ISBN | : 0295999500 |
The 50th anniversary edition of this classic work on the art of Northwest Coast Indians now offers color illustrations for a new generation of readers along with reflections from contemporary Northwest Coast artists about the impact of this book. The masterworks of Northwest Coast Native artists are admired today as among the great achievements of the world’s artists. The painted and carved wooden screens, chests and boxes, rattles, crest hats, and other artworks display the complex and sophisticated northern Northwest Coast style of art that is the visual language used to illustrate inherited crests and tell family stories. In the 1950s Bill Holm, a graduate student of Dr. Erna Gunther, former Director of the Burke Museum, began a systematic study of northern Northwest Coast art. In 1965, after studying hundreds of bentwood boxes and chests, he published Northwest Coast Indian Art: An Analysis of Form. This book is a foundational reference on northern Northwest Coast Native art. Through his careful studies, Bill Holm described this visual language using new terminology that has become part of the established vocabulary that allows us to talk about works like these and understand changes in style both through time and between individual artists’ styles. Holm examines how these pieces, although varied in origin, material, size, and purpose, are related to a surprising degree in the organization and form of their two-dimensional surface decoration. The author presents an incisive analysis of the use of color, line, and texture; the organization of space; and such typical forms as ovoids, eyelids, U forms, and hands and feet. The evidence upon which he bases his conclusions constitutes a repository of valuable information for all succeeding researchers in the field. Replaces ISBN 9780295951027
Author | : Vicki Halper |
Publisher | : University of Washington Press |
Total Pages | : 325 |
Release | : 2016-06-01 |
Genre | : Literary Collections |
ISBN | : 0295806877 |
Morris Graves is a major American painter with roots in the Pacific Northwest. Morris Graves: Selected Letters draws on a vast cache of the his unpublished correspondence, dating from his teenage years until his death in 2001. Few visual artists of any era have left such a rich and wide-ranging collections of letters, which makes this body of work an unusual and valuable document in American art. The Graves correspondence is remarkable for its scope, variety, and depth. Written to many correspondents over long periods of time, the letters include the artist's reflections on his art, the art world, philosophy (Zen Buddhism and Vedanta in particular), architecture (Graves designed his homes and gardens), and relationships with family, friends, and lovers. Graves himself preserved most of the letters, or copies of them, and put no restrictions on their use. Other letters come from a wide range of private and institutional sources. Among the correspondents are Graves's family; Marian Willard, his art dealer; Richard Svare, his companion in the 1950s; and Nancy Wilson Ross, novelist and Buddhist scholar. Other notable figures with whom Graves corresponded are poet Carolyn Kizer, art critic Theodore Wolff, curator Peter Selz, choreographer Merce Cunningham (for whom Graves created a set design), and painter Mark Tobey. Recurrent themes in the Graves letters are the tensions between sociability and solitude; the desire to be free of the material world versus the need for material comfort; the dismissal of commerce and the desperate need for money; the pleasures and pitfalls of love; and the difficulties of the creative life. The letters are organized topically under the broad categories of people (family, friends, intimates), places (homes and travels), and art (finances and philosophy).
Author | : Richard N. Pugh |
Publisher | : |
Total Pages | : 0 |
Release | : 2015-06-08 |
Genre | : China painters |
ISBN | : 9781629012506 |
Author | : Deloris Tarzan Ament |
Publisher | : |
Total Pages | : 388 |
Release | : 2002-01-01 |
Genre | : Art |
ISBN | : 9780295981475 |
"In Iridescent Light, the distinguished art critic Deloris Tarzan Ament profiles twenty-one of these artists who lived and worked in Washington State during formative periods in their careers. The author blends discussion of their work with commentary on the obstacles they faced and the influences they brought to bear on one another, showing not only how artistic visions were shaped but also how encouragement from a few farseeing patrons enabled the very survival of these artists. Essays are illustrated by Mary Randlett's photographs, taken over half a century."--BOOK JACKET.
Author | : Mitchell Albala |
Publisher | : For Artists |
Total Pages | : 178 |
Release | : 2022-01-25 |
Genre | : Art |
ISBN | : 0760371350 |
"The Landscape Painter's Workbook takes a modern approach to the time-honored techniques and essential elements of landscape painting, from accomplished artist, veteran art instructor, and established author Mitchell Albala"--
Author | : Edward Malin |
Publisher | : Portland, Ore. : Timber Press |
Total Pages | : 288 |
Release | : 1999 |
Genre | : Art |
ISBN | : 0881924717 |
Discusses traditions, the styles of individual tribes, materials, motifs, and artists