Painters and the American West
Author | : Joan Carpenter Troccoli |
Publisher | : |
Total Pages | : 0 |
Release | : 2000 |
Genre | : Painting |
ISBN | : 9780988177406 |
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Author | : Joan Carpenter Troccoli |
Publisher | : |
Total Pages | : 0 |
Release | : 2000 |
Genre | : Painting |
ISBN | : 9780988177406 |
Author | : Patricia Trenton |
Publisher | : Univ of California Press |
Total Pages | : 324 |
Release | : 1995 |
Genre | : Art |
ISBN | : 9780520202030 |
A rich compendium of Western art by women, this book also contains essays which examine the many economic, social, and political forces that have shaped the art over years of pivotal change. The women profiled played an important role in gaining the acceptance of women as men's peers in artistic communities. Their independent spirit resonates in studios and galleries throughout the country today. Photos.
Author | : Susan R. Ressler |
Publisher | : McFarland |
Total Pages | : 412 |
Release | : 2003 |
Genre | : Art |
ISBN | : 9780786410545 |
Profiles more than 150 women artists of the nineteenth and twentieth centuries from the American West, offers fifteen interpretive essays, and includes nearly three hundred reproductions of their works.
Author | : Phil Kovinick |
Publisher | : |
Total Pages | : 454 |
Release | : 1998 |
Genre | : Art |
ISBN | : |
This encyclopedia is a biographical dictionary of some 1,000 women artists of the American West. The product of a twenty-year, coast-to-coast research project by authors Phil Kovinick and Marian Yoshiki-Kovinick, it offers accurate, concise introductions to women painters, graphic artists, and sculptors, all of whom achieved recognition as depictors of Western subjects between the 1840s and 1980. Their styles range from representationalism to early modernism, while their works depict everything from bold landscapes and scenes of intensive action to studies of Native Americans, pioneers, ranchers, farmers, wildlife, and flora. Each entry in the encyclopedia features the salient facts of the artist's life and career, with attention to her work with Western subject matter. Many of the entries also contain a selected list of the artist's exhibitions, current locations of her work in public collections, pertinent references, and a black-and-white example of her work. An overview of the history of women in western art complements the biographical entries.
Author | : Münchner Stadtmuseum |
Publisher | : |
Total Pages | : 164 |
Release | : 1982 |
Genre | : Painting |
ISBN | : |
Author | : Richard W. Etulain |
Publisher | : University of Arizona Press |
Total Pages | : 276 |
Release | : 1996-09 |
Genre | : History |
ISBN | : 9780816516834 |
Describes changes in how the West has been seen, from a male-dominated frontier, to a region with a powerful sense of place, to a modern center of both genders, ethnic groups, and environmental interests
Author | : Marian Wardle |
Publisher | : University of Oklahoma Press |
Total Pages | : 241 |
Release | : 2016-02-17 |
Genre | : Art |
ISBN | : 0806154128 |
Artists and filmmakers in the early twentieth century reshaped our vision of the American West. In particular, the Taos Society of Artists and the California-based artist Maynard Dixon departed from the legendary depiction of the “Wild West” and fostered new images, or brands, for western art. This volume, illustrated with more than 150 images, examines select paintings and films to demonstrate how these artists both enhanced and contradicted earlier representations of the West. Prior to this period, American art tended to portray the West as a wild frontier with untamed lands and peoples. Renowned artists such as Henry Farny and Frederic Remington set their work in the past, invoking an environment immersed in conflict and violence. This trademark perspective began to change, however, when artists enamored with the Southwest stamped a new imprint on their paintings. The contributors to this volume illuminate the complex ways in which early-twentieth-century artists, as well as filmmakers, evoked a southwestern environment not just suspended in time but also permanent rather than transient. Yet, as the authors also reveal, these artists were not entirely immune to the siren call of the vanishing West, and their portrayal of peaceful yet “exotic” Native Americans was an expansion rather than a dismissal of earlier tropes. Both brands cast a romantic spell on the West, and both have been seared into public consciousness. Branding the American West is published in association with the Brigham Young University Museum of Art, Provo, Utah, and the Stark Museum of Art, Orange, Texas.
Author | : Dan Louie Flores |
Publisher | : |
Total Pages | : 0 |
Release | : 2010 |
Genre | : Northwest, Canadian |
ISBN | : 9780806138978 |
Ancient ecstasies -- Visualizing Lewis and Clark and the meaning of the West -- The eye and the heart in George Catlin's West -- Karl Bodmer's gift -- Alfred Jacob Miller's new Western American -- Jesus and animus beneath the Bitterroots -- An entire Heaven and an entire Earth : audubon on the Missouri -- Albert Bierstadt and the mountains of Mars -- Thomas Moran's Rocky Mountain romance -- Coming to terms with the Little Bighorn -- Altitude equals beatitude : William Henry Jackson and the Northern Rockies -- L.A. Huffman and the frontier disconnect -- Catching shadows in the northern West -- Through Indian eyes : the Crows and Richard Throssel -- Evelyn Cameron's time machine -- Carl Rungius and the son of wild folk -- Loving the West, hating the West, painting the West : the troubled times of Fra Dana -- Frederic Remington's Kiss of death -- Maynard and Montana -- Winold Reiss's beautiful Blackfeet -- Motion and poetry -- The bear in the mirror -- Emily Carr and the Great Mother -- The ripples beyond Ansel Adams -- In the end, what was Charlie Russell trying to tell us?
Author | : Thomas Brent Smith |
Publisher | : 5 Continents Editions |
Total Pages | : 244 |
Release | : 2020-09-16 |
Genre | : Art |
ISBN | : 9788874399369 |
- Presents a selection of works in the Petrie Institute of Western American Art collectionThis volume collects a selection of works of art produced in the western United States belonging to the collection of the Petrie Institute of Western American Art housed in the Denver Art Museum. This collection is one of the richest and most substantial in the world on this subject, thanks to its outstanding bronze sculptures, early modern works, and contributions from the artistic communities of Taos and Santa Fe. The central theme of the book is the period stretching from the beginning of the 19th century to the mid-20th century. More than 200 pages of portraits, genre scenes, landscapes, and depictions of a still-intact wilderness make evident the diversity of the collection. The narrative proceeds chronologically, presenting early luminaries such as Albert Bierstadt, Frederic Remington, and Charles M. Russell; Robert Henri and the artists of the TAO community; and prominent modernist painters, including Maynard Dixon, Marsden Hartley, and Raymond Jonson. Numerous illustrations and expert interpretations chronicle the artistic, cultural, and identarian climate in the western United States during this period. A prologue by historian Dan Flores and an epilogue by art historian Erika Doss describe the vaster context in which to view this rich history of American art.
Author | : Joan Carpenter Troccoli |
Publisher | : Yale University Press |
Total Pages | : 232 |
Release | : 2000-01-01 |
Genre | : Art |
ISBN | : 0300087225 |
"This book offers a tour of a collection of paintings of the American West still in private hands. The Anschutz Collection covers all the ground expected in a wide-ranging, major survey, yet still has plenty of room for surprises. Every phase in the history of American art since the 182Os is included. There are pictures of impressive quality by lesser-known artists and examples from all the major painters who have depicted the West. You'll discover works by artists such as Marsden Hartley, Childe Hassam, Jan Matulka, and John Henry Twachtman, who painted western subjects only rarely, and pictures by those whose subjects were predominantly western. The collection is particularly rich in paintings made in Taos and Santa Fe during the first half of the twentieth century, when major American artists often found inspiration and stylistic renewal in the Southwest. Among the American masters represented here are George Bellows, Albert Bierstadt, George Caleb Bingham, Ernest Blumenschein, George Catlin, Stuart Davis, Asher B. Durand, George Inness, John Marin, Alfred Jacob Miller, Thomas Moran, Georgia O'Keeffe, Frederic Remington, Charles Marion Russell, and Walter Ufer."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved