Pages From The Goncourt Journals
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| Author | : Edmond de Goncourt |
| Publisher | : New York Review of Books |
| Total Pages | : 484 |
| Release | : 2006-11-14 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781590171905 |
No evocation of Parisian life in the second half of the nineteenth century can match that found in the journals of the brothers Goncourt The journal of the brothers Edmond and Jules de Goncourt is one of the masterpieces of nineteenth-century French literature, a work that in its richness of color, variety, and seemingly casual perfection bears comparison with the great paintings of their friends and contemporaries the Impressionists. Born nearly ten years apart into a French aristocratic family, the two brothers formed an extraordinarily productive and enduring literary partnership, collaborating on novels, criticism, and plays that pioneered the new aesthetic of naturalism. But the brothers’ talents found their most memorable outlet in their journal, which is at once a chronicle of an era, an intimate glimpse into their lives, and the purest expression of a nascent modern sensibility preoccupied with sex and art, celebrity and self-exposure. The Goncourts visit slums, brothels, balls, department stores, and imperial receptions; they argue over art and politics and trade merciless gossip with and about Hugo, Baudelaire, Degas, Flaubert, Zola, Rodin, and many others. And in 1871, Edmond maintains a vigil as his brother dies a slow and agonizing death from syphilis, recording every detail in the journal that he would continue to maintain alone for another two decades.
| Author | : Jonathan Littell |
| Publisher | : McClelland & Stewart |
| Total Pages | : 994 |
| Release | : 2010-03-02 |
| Genre | : Fiction |
| ISBN | : 1551993643 |
“Oh my human brothers, let me tell you how it happened.” Dr. Max Aue, the man at the heart of Jonathan Littell’s stunning and controversial novel The Kindly Ones, personifies the evils of the Second World War and the Holocaust. Highly educated and cultured, he was an ambitious SS officer, a Nazi and mass murderer who was in the upper echelons of the Third Reich. He tells us of his experience during the war. He was present at Auschwitz and Babi Yar, witnessed the battle of Stalingrad, and survived the fall of Berlin — receiving a medal from Hitler personally in the last days of Nazi Germany. Long after the war, he is living a comfortable bourgeois life in France, married with two children, managing a lace factory. And now, having evaded justice, he speaks out, giving a precise and accurate record of his life. The tone of his account is detached, lapidary, and for the most part unrepentant, whether he is describing his participation in mass murder on the Eastern Front, his bureaucratic investigations of labour productivity in the death camps, his casual murder of civilians as he tries to break through Russian lines towards the end of the war, or his fervid and convoluted relationship with his twin sister. Over its course, by entwining Aue’s life with those of historical figures such as Eichmann and Speer, Himmler and indeed Hitler, The Kindly Ones comes to depict the entire architecture of Nazism — from its grandest intellectual pretensions to its most minute, most chilling managerial details and executions. The Kindly Ones presents — with unprecedented realism, meticulous research that is both fascinating and compelling, and brilliant literary accomplishment — the greatest horrors imaginable. “War and murder are a question, a question without an answer, for when you cry out in the night, no one answers,” Aue says. In the same way, this powerfully affecting, powerfully challenging book confronts the reader with the most profound questions about history, morality, and art without offering any easy resolution. Written originally in French, and published now in English for the first time, The Kindly Ones has already sold to date well over a million copies in Europe. In France it won two prestigious prizes, including the Goncourt, and has been compared to War and Peace and other great classics of literature.
| Author | : Ting Chang |
| Publisher | : Routledge |
| Total Pages | : 210 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351538454 |
Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris examines a history of contact between modern Europe and East Asia through three collectors: Henri Cernuschi, Emile Guimet, and Edmond de Goncourt. Drawing on a wealth of material including European travelogues of the East and Asian reports of the West, Ting Chang explores the politics of mobility and cross-cultural encounter in the nineteenth century. This book takes a new approach to museum studies and institutional critique by highlighting what is missing from the existing scholarship -- the foreign labors, social relations, and somatic experiences of travel that are constitutive of museums yet left out of their histories. The author explores how global trade and monetary theory shaped Cernuschi's collection of archaic Chinese bronze. Exchange systems, both material and immaterial, determined Guimet's museum of religious objects and Goncourt's private collection of Asian art. Bronze, porcelain, and prints articulated the shifting relations and frameworks of understanding between France, Japan, and China in a time of profound transformation. Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris thus looks at what Asian art was imagined to do for Europe. This book will be of interest to scholars and students interested in art history, travel imagery, museum studies, cross-cultural encounters, and modern transnational histories.
| Author | : Jean Giono |
| Publisher | : Archipelago |
| Total Pages | : 306 |
| Release | : 2020-04-21 |
| Genre | : Literary Collections |
| ISBN | : 1939810574 |
A captivating literary and historical record, Jean Giono's Occupation Journal offers a glimpse into life in collaborationist France during the Second World War, as seen through the eyes and thoughts of one of France's greatest and most independent writers. Written during the years of France's occupation by the Nazis, Jean Giono's Occupation Journal reveals the inner workings of one of France's great literary minds during one of the country's darkest hours. A renowned writer and committed pacifist throughout the 1930s--a conviction that resulted in his imprisonment before and after the Occupation--Giono spent the war in the village of Contadour in Provence, where he wrote, corresponded with other writers, and cared for his consumptive daughter. This journal records his musings on art and literature, his observations of life, his interactions with the machinery of the collaborationist Vichy regime, as well as his forceful political convictions. Giono recounts the details of his life with fierce independence of thought and novelistic attention to character and dialogue. Occupation Journal is a fascinating historical document as well as a unique window into one of French literature's most voracious and critical minds.
| Author | : Jeremy Popkin |
| Publisher | : Penn State Press |
| Total Pages | : 254 |
| Release | : 2010-11-01 |
| Genre | : History |
| ISBN | : 9780271043036 |
Panorama of Paris offers English-language readers an introduction to one of the forgotten masterpieces of French literature, Louis-Sébastien Mercier's twelve-volume Le Tableau de Paris (published from 1781 to 1788), an important and original work that helped shape many kinds of French writing. Colorfully written, the text provides a fascinating portrait of everyday life in Paris on the eve of the French Revolution, describing the interactions of workers, street peddlers, prostitutes, police spies, actresses, noblemen, parish priests, servants, and criminals. Based on Helen Simpson's lively 1933 abridged translation, this edition includes seven newly translated chapters and an introduction by Jeremy D. Popkin. Earlier authors had described Paris's monuments and the lives of its wealthy elites, but Mercier was the first to try to capture in words the texture of its everyday life. His text, contemporary with Rousseau's Confessions, is the first attempt to write the autobiography of a unique urban community. His writing deeply influenced Balzac and other nineteenth-century French novelists and continues to serve as a major source of social and cultural history for French historians. Panorama of Paris will fascinate all lovers of Paris and its history. It should be of special interest to students of French literature and history, and to anyone interested in the origins of modern attitudes toward city life.
| Author | : Jean Echenoz |
| Publisher | : New Press, The |
| Total Pages | : 226 |
| Release | : 2014-05-06 |
| Genre | : Fiction |
| ISBN | : 1620970015 |
Winner of France's prestigious Prix Goncourt and a runaway bestseller, Jean Echenoz's I'm Gone is the ideal introduction to the sly wit, unique voice, and colorful imagination of “the master magician of the contemporary French novel” (The Washington Post). Nothing less than a heist caper, an Arctic adventure story, a biting satire of the art world, and a meditation on love and lust and middle age all rolled into one fast-paced, unpredictable, and deliriously entertaining novel, I'm Gone tells the story of an urbane art and antiques dealer who abandons his wife and career to pursue a memorably pathetic international crime spree. “Crisp and erudite” (The Wall Street Journal), “seductive and delicately ironic” (The Economist), and with an unexpected sting in its tail, I'm Gone—translated by Mark Polizzotti—is a dazzling, postmodern subversion of narrative conventions and an amused look at the absurdities of modern life. With a wink and a nod and a keen eye for the droll detail, Echenoz invites the reader “to enjoy I'm Gone in the same devil-may-care spirit in which it is offered” (The Boston Sunday Globe).
| Author | : Marie NDiaye |
| Publisher | : Vintage |
| Total Pages | : 305 |
| Release | : 2012-08-07 |
| Genre | : Fiction |
| ISBN | : 0307958531 |
In this new novel, the first by a black woman ever to win the coveted Prix Goncourt, Marie NDiaye creates a luminous narrative triptych as harrowing as it is beautiful. This is the story of three women who say no: Norah, a French-born lawyer who finds herself in Senegal, summoned by her estranged, tyrannical father to save another victim of his paternity; Fanta, who leaves a modest but contented life as a teacher in Dakar to follow her white boyfriend back to France, where his delusional depression and sense of failure poison everything; and Khady, a penniless widow put out by her husband’s family with nothing but the name of a distant cousin (the aforementioned Fanta) who lives in France, a place Khady can scarcely conceive of but toward which she must now take desperate flight. With lyrical intensity, Marie NDiaye masterfully evokes the relentless denial of dignity, to say nothing of happiness, in these lives caught between Africa and Europe. We see with stunning emotional exactitude how ordinary women discover unimagined reserves of strength, even as their humanity is chipped away. Three Strong Women admits us to an immigrant experience rarely if ever examined in fiction, but even more into the depths of the suffering heart.
| Author | : Jonathan Buckley |
| Publisher | : New York Review of Books |
| Total Pages | : 305 |
| Release | : 2020-01-14 |
| Genre | : Fiction |
| ISBN | : 1681373963 |
A moving, dream-like novel about memory, love, and death. David has just spent New Year’s Eve alone, watching Le Grand Concert de la Nuit, a film in which his former lover Imogen starred. In the early hours of the new year, consoled and tormented by her ethereal presence, he begins to write. What follows is a brilliantly various journal, chronicling a year in the life of a thinking man. David works as a curator at the ailing Sanderson-Perceval Museum in southern England, whose small collection of porcelain, musical instruments, crystals, velvet mushrooms, and glass jellyfish is as eccentric and idiosyncratic as the long-dead collectors’ tastes. David himself is a connoisseur of the derelict and nonutilitarian, of objects removed from the flow of time. Refusing the imposed order of a straightforward chronology, his journal moves fluidly back and forth in time, filled with fragments of life remembered, imagined, and recorded, from memories of his past life with Imogen or with his ex-wife, Samantha, to reflections on the lives and relics of female saints or the history of medicine. There are quotations from Seneca, Meister Eckhart, and the Goncourt brothers mixed in with the equally compelling imagined words of fictional film directors, actors, and, always, the fascinating Imogen, who is alive now only “in the perpetual present of the sentence.” In The Great Concert of the Night, Jonathan Buckley expertly interweaves sexual despair, cultural critique, the plot lines of one man’s quietly brilliant life, and the problems and paradoxes of writing, especially writing about and to the dead.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 231 |
| Release | : 2009-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 9042027320 |
This volume examines the multifaceted ways in which textual material in nineteenth-century European cultures intersected with non-literary cultural artefacts and concepts. The essays consider the presence of such diverse phenomena as the dandy, nationhood, diasporic identity, operatic and dramatic personae and effects, trapeze artists, paintings, and the grotesque and fantastic in the work of a variety of writers from France, Germany, Spain, Britain, Russia, Greece and Italy. The volume argues for a view of the long nineteenth century as a century of lively cultural dialogue and exchange between national and sub-national cultures, between ‘high’ and popular art forms, and between different genres and different media, and it will be of interest to general readers and scholars alike.
| Author | : David Diop |
| Publisher | : Farrar, Straus and Giroux |
| Total Pages | : 160 |
| Release | : 2020-11-10 |
| Genre | : Fiction |
| ISBN | : 0374720479 |
*WINNER OF THE 2021 INTERNATIONAL BOOKER PRIZE* *ONE OF PRESIDENT BARACK OBAMA'S FAVORITE BOOKS OF 2021* Winner of the Los Angeles Times Book Prize for fiction Shortlisted for the 2022 DUBLIN Literary Award "Astonishingly good." —Lily Meyer, NPR "So incantatory and visceral I don’t think I’ll ever forget it." —Ali Smith, The Guardian | Best Books of 2020 One of The Wall Street Journal's 11 best books of the fall | One of The A.V. Club's fifteen best books of 2020 |A Sunday Times best book of the year Selected by students across France to win the Prix Goncourt des Lycéens, David Diop’s English-language, historical fiction debut At Night All Blood is Black is a “powerful, hypnotic, and dark novel” (Livres Hebdo) of terror and transformation in the trenches of the First World War. Alfa Ndiaye is a Senegalese man who, never before having left his village, finds himself fighting as a so-called “Chocolat” soldier with the French army during World War I. When his friend Mademba Diop, in the same regiment, is seriously injured in battle, Diop begs Alfa to kill him and spare him the pain of a long and agonizing death in No Man’s Land. Unable to commit this mercy killing, madness creeps into Alfa’s mind as he comes to see this refusal as a cruel moment of cowardice. Anxious to avenge the death of his friend and find forgiveness for himself, he begins a macabre ritual: every night he sneaks across enemy lines to find and murder a blue-eyed German soldier, and every night he returns to base, unharmed, with the German’s severed hand. At first his comrades look at Alfa’s deeds with admiration, but soon rumors begin to circulate that this super soldier isn’t a hero, but a sorcerer, a soul-eater. Plans are hatched to get Alfa away from the front, and to separate him from his growing collection of hands, but how does one reason with a demon, and how far will Alfa go to make amends to his dead friend? Peppered with bullets and black magic, this remarkable novel fills in a forgotten chapter in the history of World War I. Blending oral storytelling traditions with the gritty, day-to-day, journalistic horror of life in the trenches, David Diop's At Night All Blood is Black is a dazzling tale of a man’s descent into madness.
