Picasso Lithographs
Author | : Pablo Picasso |
Publisher | : |
Total Pages | : 338 |
Release | : 1970 |
Genre | : Lithography, French |
ISBN | : |
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Author | : Pablo Picasso |
Publisher | : |
Total Pages | : 338 |
Release | : 1970 |
Genre | : Lithography, French |
ISBN | : |
Author | : Pablo Picasso |
Publisher | : Hatje Cantz |
Total Pages | : 312 |
Release | : 2000 |
Genre | : Art |
ISBN | : |
Like no other medium in which he worked, Picasso's lithography only began to realize its full potential in the decades after 1945. This new volume presents Picasso's entire lithographic oeuvre, consisting of 855 pieces -- for the first time in full color throughout the book. Assembled over the course of three decades, this collection is unmatched, impossible to be repeated or recreated in the same way. Its uniqueness lies in the rarity of its test and state printings, and its numerous single printings and unpublished sheets. Pablo Picasso: The Lithographs is the first collection of such work to list every printed sheet as an individual work and thus constitutes the most reliable reference work for the artist's lithographic oeuvre. An interview with printer Henri Deschamps offers an immediate, contemporary account of the process of creating the sheets, and Erich Franz's illuminating introduction to Picasso's lithography sharpens the viewer's eyes to the innovative diversity of this master artist whose importance has still yet to be completely accounted for.
Author | : Deborah Wye |
Publisher | : The Museum of Modern Art |
Total Pages | : 204 |
Release | : 2010 |
Genre | : Art |
ISBN | : 9780870707803 |
Published on the occasion of the exhibition "Picasso: Themes and Variations" held at the Museum of Modern Art, New York, N.Y., Mar. 24-Sept. 6, 2010.
Author | : David Douglas Duncan |
Publisher | : Times Books |
Total Pages | : 306 |
Release | : 1974 |
Genre | : Artists |
ISBN | : |
A collection of photographs of Pablo Picasso's life and art, taken by his friend, award-winning photojournalist David Douglas Duncan.
Author | : Manuela Husemann |
Publisher | : Hatje Cantz |
Total Pages | : 224 |
Release | : 2021-02-09 |
Genre | : |
ISBN | : 9783775748056 |
How a German art dealer ensured the museum acquisition and dissemination of Picasso's prints in the postwar years How does any given body of work wind up in major collections, museums and exhibitions? Very often, it is because of the unsung efforts of individuals who advocate for the work in the face of conservatism and criticism. In Picasso's case, this role in Germany fell to the Bremen art dealer Michael Hertz. It was Hertz's commitment in the postwar period that resulted in the widespread acquisition of the artist by museums after World War II. In particular, Hertz's work on behalf of Picasso greatly benefited Kunsthalle Bremen, which has one of the most extensive collections of the artist's prints. The Picasso Connectionbrings together outstanding printworks by Picasso, ranging from lithographs and linocuts to book illustrations. Picasso's print oeuvre, as represented here, exemplifies the triumph of the affordable medium in postwar Germany, as well as Hertz's strong commitment.
Author | : Pablo Picasso |
Publisher | : |
Total Pages | : 136 |
Release | : 1995 |
Genre | : Prints |
ISBN | : 9780500092514 |
Author | : Pablo Picasso |
Publisher | : |
Total Pages | : 0 |
Release | : 1999 |
Genre | : Posters |
ISBN | : 9781577150978 |
"Pablo Picasso is the artistic giant of the twentieth century, and perhaps only Leonardo da Vinci rivals his fame throughout the history of art. In working life that spanned nearly eighty years, Picasso painted some of the archetypal images of modern art, including Les Demoiselles d'Avignon and Guernica. But he did more that create individual works of originality and genius. Picasso invented, and inspired others to invent, a whole new vocabulary and way of thinking about art which have shaped the progress of modernism throughout the twentieth century. Picasso's fame is indisputable but rests largely on his oil paintings. A lesser-known but crucially important part of Picasso's oeuvre is his graphic work, in particular his poster designs. From the 1940s to the 1960s Picasso produced hundreds of designs for posters, many advertising exhibitions of his work. They are interesting and important not only for their striking simplicity and bold color, but also because they sum up many of the expressionist ideas he had developed from Guernica onword. Themes and images from his paintings and ceramics such as bulls and goats, faces and the dove of peace recur and give remarkable coherence to this body of work. Picasso Posters presents a comprehensive panorama of Picasso's poster art. An illustrated introduction tells the story of Picasso's long life and career, and sets his poster work in the context of the genre's history and of his paintings, drawings, and sculpture. Sixty of Picasso's finest posters are reproduced in large-scale color plates, making Picasso Posters a sumptuous., informative, and much-needed study of this little-known aspect of the master's work."--Publisher's description
Author | : Markus Müller |
Publisher | : Hirmer Verlag GmbH |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Linoleum block-printing |
ISBN | : 9783777439815 |
Beginning in the 1950s, Pablo Picasso concerned himself intensely with the linocut, creating a veritable cosmos of bullfighting scenes, mythological images, and abstract portraits. Neglected for many years, this traditional printmaking technique--which effectively combined his talent as a draftsman with his expressive use of color--was consequently to experience a renaissance. On par with his paintings in their coloristic effects, Picasso's linocuts convey both the mature tone of the late Picasso and the almost youthful buoyancy of an artist of over seventy years who once more found himself the eager apprentice of a new technique. And with his experimental approach to the new medium--as shown by countless artist's and trial proofs, many of which are included here--Picasso helped to establish the linocut in the modern-day art world as a professional printmaking technique. In addition to exploring Picasso's unconventional handling of the linocut, this volume--created to accompany an exhibition this year at the Kunstmuseum Pablo Picasso in Munster--also recounts the history of the linocut and the biographical circumstances under which Picasso created his works. Included in this lavish volume are more than one hundred illustrations of the vibrant prints Picasso created between 1954 and 1968. Many are among the artist's most defining work and demonstrate his lifelong ability to engage with virtually any medium and to make it his own.
Author | : Pablo Picasso |
Publisher | : Silvana Editoriale |
Total Pages | : 335 |
Release | : 2009 |
Genre | : Art |
ISBN | : 9788836613571 |
Il catalogo riproduce interamente la Suite 347, di proprietà di Bancaja di Valencia. Tutte le incisioni, appunto 347, realizzate da Picasso tra marzo e ottobre del 1968, rappresentano il "diario di bordo" di un uomo che "senza curarsi delle proprie ansie o di quelle profonde inquietudini che spesso cercava, portandole a galla, di esorcizzare," si apriva "alla percezione del mondo esterno, quel mondo che a un uomo di quasi 87 anni appariva folle, grottesco. Aveva visto ben altro!" La Suite è composta da quattro grandi nuclei tematici: La Celestina, ovvero le stampe selezionate da Picasso per un'edizione della Celestina di Fernando de Rojas, pubblicata dall'atelier Crommelynck nel 1971; Picasso, la sua opera e il suo pubblico, una sorta di presentazione dei soggetti principali e di tutte le tecniche e gli stili utilizzati; Mitologia e circo, in cui affiorano la mitologia mediterranea e i tradizionali temi picassiani: il Don Chisciotte, i personaggi di Rembrandt, Raffaello, le mezzane ecc...; Il pittore e le modelle, incisioni che rimandano a temi della Suite Vollard e a quelli ripresi nella Suite 156 con Degas e Poussin nella parte di voyeur, i moschettieri e le donne rembrandtiane. Inoltre, il tema di Raffaello e la Fornarina, già trattato da Ingres, viene affrontato da Picasso con maggiore ironia e malizia. Annotation Supplied by Informazioni Editoriali