Overture Di Ballo
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Author | : David Eden |
Publisher | : Cambridge University Press |
Total Pages | : 289 |
Release | : 2009-08-06 |
Genre | : Biography & Autobiography |
ISBN | : 0521888492 |
An international team of contributors, including film director Mike Leigh, presents fresh insights into the work of Gilbert and Sullivan.
Author | : David Daniels |
Publisher | : Rowman & Littlefield |
Total Pages | : 1464 |
Release | : 2022-06-30 |
Genre | : Music |
ISBN | : 1442275219 |
Daniels’ Orchestral Music is the gold standard for all orchestral professionals—from conductors, librarians, programmers, students, administrators, and publishers, to even instructors—seeking to research and plan an orchestral program, whether for a single concert or a full season. This sixth edition, celebrating the fiftieth anniversary of the original edition, has the largest increase in entries for a new edition of Orchestral Music: 65% more works (roughly 14,050 total) and 85% more composers (2,202 total) compared to the fifth edition. Composition details are gleaned from personal inspection of scores by orchestral conductors, making it a reliable one-stop resource for repertoire. Users will find all the familiar and useful features of the fifth edition as well as significant updates and corrections. Works are organized alphabetically by composer and title, containing information on duration, instrumentation, date of composition, publication, movements, and special accommodations if any. Individual appendices make it easy to browse works with chorus, solo voices, or solo instruments. Other appendices list orchestral works by instrumentation and duration, as well as works intended for youth concerts. Also included are significant anniversaries of composers, composer groups for thematic programming, a title index, an introduction to Nieweg charts, essential bibliography, internet sources, institutions and organizations, and a directory of publishers necessary for the orchestra professional. This trusted work used around the globe is a must-have for orchestral professionals, whether conductors or orchestra librarians, administrators involved in artistic planning, music students considering orchestral conducting, authors of program notes, publishers and music dealers, and instructors of conducting.
Author | : |
Publisher | : UM Libraries |
Total Pages | : 260 |
Release | : 1991 |
Genre | : |
ISBN | : |
Author | : François Verschaeve |
Publisher | : Lulu.com |
Total Pages | : 550 |
Release | : 2007 |
Genre | : Music |
ISBN | : 0973845414 |
Author | : Alexander J. Morin |
Publisher | : Hal Leonard Corporation |
Total Pages | : 1220 |
Release | : 2002 |
Genre | : Music |
ISBN | : 9780879306380 |
Encompassing more than five hundred classical composers past and present, this listener's guide to classical music discusses the best recordings of symphonies, operas, choral pieces, chamber music, and more by the world's leading composers as performed by a variety of outstanding musicians and conductors, and includes essays on the classical repertory, composers, instruments, and more. Original.
Author | : |
Publisher | : |
Total Pages | : 898 |
Release | : 1875 |
Genre | : Music |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 440 |
Release | : 1877 |
Genre | : Music |
ISBN | : |
Author | : Michael Allis |
Publisher | : Boydell & Brewer |
Total Pages | : 382 |
Release | : 2020 |
Genre | : Music |
ISBN | : 1783275286 |
The Symphonic Poem in Britain 1850-1950 aims to raise the status of the genre generally and in Britain specifically. The volume reaffirms British composers' confidence in dealing with literary texts and takes advantage of the contributors' interdisciplinary expertise by situating discussions of the tone poem in Britain in a variety of historical, analytical and cultural contexts. This book highlights some of the continental models that influenced British composers, and identifies a range of issues related to perceptions of the genre. Richard Strauss became an important figure in Britain during this time, not only in terms of the clear impact of his tone poems, but the debates over their value and even their ethics. A focus on French orchestral music in Britain represents a welcome addition to scholarly debate, and links to issues in several other chapters. The historical development of the genre, the impact of compositional models, issues highlighted in critical reception as well as programming strategies all contribute to a richer understanding of the symphonic poem in Britain. Works by British composers discussed in more detail include William Wallace's Villon (1909), Gustav Holst's Beni Mora(1909-10), Hubert Parry's From Death to Life (1914), John Ireland's Mai-Dun (1921), and Frank Bridge's orchestral 'poems' (1903-15).
Author | : Jeffrey Richards |
Publisher | : Manchester University Press |
Total Pages | : 545 |
Release | : 2017-03-01 |
Genre | : History |
ISBN | : 1526121379 |
Author | : Benedict Taylor |
Publisher | : Routledge |
Total Pages | : 395 |
Release | : 2017-08-09 |
Genre | : Music |
ISBN | : 1317178262 |
Arthur Sullivan (1842–1900) was Victorian Britain’s most celebrated and popular composer, whose music to this day reaches a wider audience than that of any of his contemporaries. Yet the comic operas on which Sullivan’s reputation is chiefly based have been consistently belittled or ignored by the British musicological establishment, while his serious works have until recently remained virtually unknown. The time is thus long overdue for scholarly re-engagement with Sullivan. The present book offers a new appraisal of the music of this most notable nineteenth-century British composer, combining close analytical attention to his music with critical consideration of the wider aesthetic and social context to his work. Focusing on key pieces in all the major genres in which Sullivan composed, it includes accounts of his most important serious works – the music to The Tempest, the ‘Irish’ Symphony, The Golden Legend, Ivanhoe – alongside detailed examination of the celebrated comic operas created with W.S. Gilbert to present a balanced portrayal of Sullivan’s musical achievement.