Our Own Sweet Sounds
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Author | : Robert Cochran |
Publisher | : University of Arkansas Press |
Total Pages | : 161 |
Release | : 2005-01-01 |
Genre | : Music |
ISBN | : 1557287937 |
A portrait of the community that is Arkansas manifested in song, Our Own Sweet Sounds: A Celebration of Popular Song in Arkansas celebrates the diversity of musical forms and music makers that have graced the state since territorial times. This new edition includes approximately seventy new artists, some of whom became famous after 1996, when the first edition was published, such as Joe Nichols, and some of whom were left out of the original edition, such as Little Willie John. The valuable "Featured Performers" section - lengthy discussions of individual artists with their photographs - is now one-third larger.
Author | : Fireside pictorial annual |
Publisher | : |
Total Pages | : 814 |
Release | : 1876 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 516 |
Release | : 1919 |
Genre | : Fishing |
ISBN | : |
Author | : Anna Beer |
Publisher | : Simon and Schuster |
Total Pages | : 533 |
Release | : 2016-04-07 |
Genre | : Biography & Autobiography |
ISBN | : 1780748574 |
The hidden history of the women who dared to write music in a man’s world. ‘Lucid, engaging and exuberant... [Sounds and Sweet Airs] is terrifically enjoyable and accessible, and leaves one hankering for a second volume.’ The Sunday Times Francesca Caccini. Barbara Strozzi. Élisabeth Jacquet de la Guerre. Marianna Martines. Fanny Hensel. Clara Schumann. Lili Boulanger. Elizabeth Maconchy. Since the birth of classical music, women who dared compose have faced a bitter struggle to be heard. In spite of this, female composers continued to create, inspire and challenge. Yet even today so much of their work languishes unheard. Anna Beer reveals the highs and lows experienced by eight composers across the centuries, from Renaissance Florence to twentieth-century London, restoring to their rightful place exceptional women whom history has forgotten.
Author | : |
Publisher | : |
Total Pages | : 904 |
Release | : 1857 |
Genre | : Conduct of life |
ISBN | : |
Author | : Ali Welky |
Publisher | : University of Arkansas Press |
Total Pages | : 244 |
Release | : 2013-09-01 |
Genre | : Music |
ISBN | : 1935106600 |
Includes bibliographical references and indexes.
Author | : John Campbell Shairp |
Publisher | : |
Total Pages | : 296 |
Release | : 1877 |
Genre | : Nature in literature |
ISBN | : |
Author | : Brooks Blevins |
Publisher | : Univ of North Carolina Press |
Total Pages | : 357 |
Release | : 2003-04-03 |
Genre | : History |
ISBN | : 0807860069 |
The Ozark region, located in northern Arkansas and southern Missouri, has long been the domain of the folklorist and the travel writer--a circumstance that has helped shroud its history in stereotype and misunderstanding. With Hill Folks, Brooks Blevins offers the first in-depth historical treatment of the Arkansas Ozarks. He traces the region's history from the early nineteenth century through the end of the twentieth century and, in the process, examines the creation and perpetuation of conflicting images of the area, mostly by non-Ozarkers. Covering a wide range of Ozark social life, Blevins examines the development of agriculture, the rise and fall of extractive industries, the settlement of the countryside and the decline of rural communities, in- and out-migration, and the emergence of the tourist industry in the region. His richly textured account demonstrates that the Arkansas Ozark region has never been as monolithic or homogenous as its chroniclers have suggested. From the earliest days of white settlement, Blevins says, distinct subregions within the area have followed their own unique patterns of historical and socioeconomic development. Hill Folks sketches a portrait of a place far more nuanced than the timeless arcadia pictured on travel brochures or the backward and deliberately unprogressive region depicted in stereotype.
Author | : |
Publisher | : |
Total Pages | : 610 |
Release | : 1915 |
Genre | : India |
ISBN | : |
Author | : Stephen Maxfield Parrish |
Publisher | : Cornell University Press |
Total Pages | : 1014 |
Release | : 2019-06-30 |
Genre | : Poetry |
ISBN | : 1501742892 |
Now it is possible for the first time to trace in a systematic way the language patterns of one of the greatest poets who have written in English, W. B. Yeats. Like A Concordance to the Poems of Matthew Arnold, the first of the Cornell Concordances that are under the general editorship of Professor Parrish, this volume was produced on an IBM 704 electronic data-processing machine. Computer technique has so advanced that the Yeats concordance includes punctuation and gives cross references for the second parts of hyphenated words. The frequency of every word in Yeats's poems is given, and an appendix lists all indexed words in order of frequency. The body of this book consists of an index of all significant words in Yeats, each word listed in the line or lines in which it occurs. The concordance is based on the variorum text of Yeats, edited by Alspach and Allt, and includes all variants that occur in printed versions of Yeats's poems.