Our American Theatre
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Author | : Susan Jonas |
Publisher | : Cengage Learning |
Total Pages | : 622 |
Release | : 1997 |
Genre | : Literary Criticism |
ISBN | : |
This comprehensive work is truly the first textbook in the field of dramaturgy. Most of the material-much of it by leaders in all areas of the theater-was commissioned for this collection, rather than being reprinted. Its currency and importance cannot be overestimated. A review of the history of dramaturgy as a profession, together with its European antecedents, gives students a sense of historical context. Selections from respected and recognized names in theater provoke student interest and communicate the benefits of those experts' experiences.
Author | : John H. Houchin |
Publisher | : Cambridge University Press |
Total Pages | : 360 |
Release | : 2003-06-26 |
Genre | : Drama |
ISBN | : 9780521818193 |
John Houchin explores the impact of censorship in twentieth-century American theatre. He argues that theatrical censorship coincides with significant challenges to religious, political and cultural traditions. Along with the well-known instance of the House Un-American Activities Committee in the 1950s, other almost equally influential events shaped the course of the American stage during the century. The book is arranged in chronological order. It provides a summary of censorship in eighteenth- and nineteenth-century America and then analyses key political and theatrical events between 1900 and 2000. These include a discussion of the 1913 riot after the Abbey Theatre touring produdtion of Playboy of the Western World; protests against Clifford Odet's Waiting for Lefty, performed by militant workers during the Depression; and reactions to the recent play Angels in America.
Author | : Gerald Martin Bordman |
Publisher | : Oxford University Press, USA |
Total Pages | : 840 |
Release | : 1992 |
Genre | : Music |
ISBN | : |
Gerald Bordman's American Musical Theatre has become a landmark book since its publication in 1978. It chronicles American musicals, show by show and season by season, and offers a running commentary and assessment as well as providing the basic facts about each production. This updated edition includes the new shows that have opened on Broadway since the original publication. Also included are over a hundred musicals that were turn-of-the-century, cheap-priced touring shows which never played Broadway, but were the training ground for many theatre greats.
Author | : William Dunlap |
Publisher | : University of Illinois Press |
Total Pages | : 473 |
Release | : 2010-10-01 |
Genre | : Performing Arts |
ISBN | : 0252091035 |
As America passed from a mere venue for English plays into a country with its own nationally regarded playwrights, William Dunlap lived the life of a pioneer on the frontier of the fledgling American theatre, full of adventures, mishaps, and close calls. He adapted and translated plays for the American audience and wrote plays of his own as well, learning how theatres and theatre companies operated from the inside out. Dunlap's masterpiece, A History of American Theatre was the first of its kind, drawing on the author's own experiences. In it, he describes the development of theatre in New York, Philadelphia, and South Carolina as well as Congress's first attempts at theatrical censorship. Never before previously indexed, this edition also includes a new introduction by Tice L. Miller.
Author | : Albert Hirschfeld |
Publisher | : |
Total Pages | : 254 |
Release | : 2013-09 |
Genre | : |
ISBN | : 9781258809591 |
Author | : Julia A. Walker |
Publisher | : Cambridge University Press |
Total Pages | : 314 |
Release | : 2005-06-30 |
Genre | : Drama |
ISBN | : 1139446274 |
Although often dismissed as a minor offshoot of the better-known German movement, expressionism on the American stage represents a critical phase in the development of American dramatic modernism. Situating expressionism within the context of early twentieth-century American culture, Walker demonstrates how playwrights who wrote in this mode were responding both to new communications technologies and to the perceived threat they posed to the embodied act of meaning. At a time when mute bodies gesticulated on the silver screen, ghostly voices emanated from tin horns, and inked words stamped out the personality of the hand that composed them, expressionist playwrights began to represent these new cultural experiences by disarticulating the theatrical languages of bodies, voices and words. In doing so, they not only innovated a new dramatic form, but redefined playwriting from a theatrical craft to a literary art form, heralding the birth of American dramatic modernism.
Author | : Patrick Pacheco |
Publisher | : Applause Theatre & Cinema |
Total Pages | : 248 |
Release | : 2017-09-12 |
Genre | : Performing Arts |
ISBN | : 9781495092435 |
(Applause Books). In 1943, a wounded soldier aided by a cane limped into the Stage Door Canteen, the American Theatre Wing's fabled New York club created to entertain the Allied forces. Two hours later, he was said to have left with a spring in his step and without the cane. This "miracle" is recounted in the lavish new book, The American Theatre Wing, an Oral History: 100 Years, 100 Voices, 100 Million Miracles . The other 999,999 miracles are more commonplace, if no less remarkable, told by the impassioned artists and theater advocates who created and sustained this preeminent theatrical organization founded in 1917. While the American Theatre Wing is best known as the founder of the Tony Awards, its mission is also dedicated to preserving the past, celebrating the present, and fostering the future of American theater by developing educational programs and distributing national grants and awards each year to performers and theater companies. The organization also recently took under its wing the irreverent OBIE awards, the top honors for off-Broadway that has become a dynamic pipeline for Broadway. This coffee-table book, celebrating the 100th Anniversary of the American Theatre Wing, is a fascinating cornucopia of untold lore and never-before-seen photos as prismatic and unexpected as the theater itself. The oral history traces the American Theatre Wing as a defender of the country's most romantic ideals through two world wars, presciently establishing an interracial policy at the Stage Door Canteen despite being denounced from the well of the United States Senate. In succeeding decades the ATW has burnished those ideals through its unflagging support of artists from Broadway, Off Broadway, and regional theater many of whom vividly tell their own stories in the book, including Angela Lansbury, Patti LuPone, Audra McDonald, Harold Prince, Neil Patrick Harris, James Corden, and Lin-Manuel Miranda.
Author | : August Wilson |
Publisher | : Theatre Communications Grou |
Total Pages | : 54 |
Release | : 2001 |
Genre | : Biography & Autobiography |
ISBN | : 9781559361873 |
August Wilson's radical and provocative call to arms.
Author | : Robert A Schanke |
Publisher | : SIU Press |
Total Pages | : 340 |
Release | : 2007 |
Genre | : Performing Arts |
ISBN | : 9780809327478 |
Composed of sixteen essays and fifteen illustrations, Angels in the American Theater explores not only how donors became angels but also their backgrounds, motivations, policies, limitations, support, and successes and failures.
Author | : Stephanie Coen |
Publisher | : |
Total Pages | : 200 |
Release | : 2003 |
Genre | : Drama |
ISBN | : |
Audition monologues selected from plays first published in American theatre magazine since 1985.