Oume And Kumenosuke
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Author | : C. Andrew Gerstle |
Publisher | : BRILL |
Total Pages | : 274 |
Release | : 2020-03-17 |
Genre | : History |
ISBN | : 1684172500 |
The vibrant merchant culture of Tokugawa Japan gave rise to many new forms of art, none more fascinating than the puppet theater, Jōruri, created chiefly by Chikamatsu Monzaemon, the foremost playwright of popular Japanese drama. In this analysis of Chikamatsu's artistry, Dr. Gerstle focuses on features hitherto neglected by Western scholars the musical structure of Jōruri, integral to the form, mood, and movement of the drama. For extensive translations from the various types of Chikamatsu's dramas, Gerstle supplies the musical notations, which illuminate the sophisticated conventions of this unique and timeless artistic form. Chikamatsu's art, combining puppets, text, samisen music, and chanting/narration, encompasses three major types of drama--history, contemporary-life, and love-suicide plays--each with distinct structural features. Gerstle shows how the music of Jōruri, a mixture of the samisen and chanting/narration, supplements the texts and expresses a dramatized action or emotion through complex changes in pitch, tempo, and style of delivery. Richly illustrated with woodblock prints, this is a fascinating study, which will be welcomed by scholars of Japanese culture, literature, and musicology.
Author | : Monzaemon Chikamatsu |
Publisher | : Columbia University Press |
Total Pages | : 238 |
Release | : 1998 |
Genre | : Drama |
ISBN | : 9780231111010 |
Chikamatsu's domestic dramas are accurate reflections of Japanese society at the time: his characters are samurai, farmers, merchants, and prostitutes who speak colloquially, and who people the shops, streets, teahouses, and brothels that constituted their daily environment.
Author | : Rijksmuseum (Netherlands). Rijksprentenkabinet |
Publisher | : |
Total Pages | : 132 |
Release | : 1979 |
Genre | : Color prints |
ISBN | : |
Author | : Patrick Colm Hogan |
Publisher | : Cambridge University Press |
Total Pages | : 319 |
Release | : 2003-09-29 |
Genre | : Psychology |
ISBN | : 1139440705 |
There are profound, extensive, and surprising universals in literature, which are bound up with universals in emotion. Hogan maintains that debates over the cultural specificity of emotion are misdirected because they have ignored a vast body of data that bear directly on the way different cultures imagine and experience emotion - literature. This is the first empirically and cognitively based discussion of narrative universals. Professor Hogan argues that, to a remarkable degree, the stories people admire in different cultures follow a limited number of patterns and that these patterns are determined by cross-culturally constant ideas about emotion. In formulating his argument, Professor Hogan draws on his extensive reading in world literature, experimental research treating emotion and emotion concepts, and methodological principles from the contemporary linguistics and the philosophy of science. He concludes with a discussion of the relations among narrative, emotion concepts, and the biological and social components of emotion.
Author | : Rijksmuseum (Netherlands). Rijksprentenkabinet |
Publisher | : |
Total Pages | : 124 |
Release | : 1979 |
Genre | : Color prints |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 698 |
Release | : 1997 |
Genre | : Japan |
ISBN | : |
Author | : Jacob Pins |
Publisher | : |
Total Pages | : 268 |
Release | : 1980 |
Genre | : Art, Chinese |
ISBN | : |
Author | : Louis Crompton |
Publisher | : Harvard University Press |
Total Pages | : 641 |
Release | : 2006-10-31 |
Genre | : History |
ISBN | : 0674253558 |
How have major civilizations of the last two millennia treated people who were attracted to their own sex? In a narrative tour de force, Louis Crompton chronicles the lives and achievements of homosexual men and women alongside a darker history of persecution, as he compares the Christian West with the cultures of ancient Greece and Rome, Arab Spain, imperial China, and pre-Meiji Japan. Ancient Greek culture celebrated same-sex love in history, literature, and art, making high claims for its moral influence. By contrast, Jewish religious leaders in the sixth century BCE branded male homosexuality as a capital offense and, later, blamed it for the destruction of the biblical city of Sodom. When these two traditions collided in Christian Rome during the late empire, the tragic repercussions were felt throughout Europe and the New World. Louis Crompton traces Church-inspired mutilation, torture, and burning of “sodomites” in sixth-century Byzantium, medieval France, Renaissance Italy, and in Spain under the Inquisition. But Protestant authorities were equally committed to the execution of homosexuals in the Netherlands, Calvin’s Geneva, and Georgian England. The root cause was religious superstition, abetted by political ambition and sheer greed. Yet from this cauldron of fears and desires, homoerotic themes surfaced in the art of the Renaissance masters—Donatello, Leonardo, Michelangelo, Sodoma, Cellini, and Caravaggio—often intertwined with Christian motifs. Homosexuality also flourished in the court intrigues of Henry III of France, Queen Christina of Sweden, James I and William III of England, Queen Anne, and Frederick the Great. Anti-homosexual atrocities committed in the West contrast starkly with the more tolerant traditions of premodern China and Japan, as revealed in poetry, fiction, and art and in the lives of emperors, shoguns, Buddhist priests, scholars, and actors. In the samurai tradition of Japan, Crompton makes clear, the celebration of same-sex love rivaled that of ancient Greece. Sweeping in scope, elegantly crafted, and lavishly illustrated, Homosexuality and Civilization is a stunning exploration of a rich and terrible past.
Author | : Matthi Forrer |
Publisher | : |
Total Pages | : 120 |
Release | : 1979 |
Genre | : Art |
ISBN | : |
Author | : 近松門左衛門 |
Publisher | : Boulevard Books |
Total Pages | : 544 |
Release | : 1961 |
Genre | : Drama |
ISBN | : |
Eleven plays, including the most popular domestic tragedies and one history play, still performed in present-day Japan by puppet operators and Kabuki actors.