Oskar Reinhart Collection Am Romerholz Winterthur
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Author | : Mariantonia Reinhard-Felice |
Publisher | : Schwabe |
Total Pages | : 720 |
Release | : 2005 |
Genre | : Art |
ISBN | : |
When Oskar Reinhart (1885-1965) bequeathed a significant part of his remarkable art collection - chiefly of French nineteenth-century painting but also containing a number of outstanding Old Masters - to the Swiss nation, he did so on condition that the works of art would never be loaned. As a consequence the many very important works in the collection have not been discussed in major exhibition catalogues and have not received the scholarly attention they deserve. This volume, with full entries on the entire collection of 207 works by 45 leading scholars in their field, both American and European, and superb plates carefully checked against the originals, sets out to rectify this state of affairs. Artists represented by several works in the collection that Reinhart made his monument include: Cezanne (11), Chardin (4), Corot (9), Courbet (10), Daumier (20), Delacroix (9), Gericault (2), Van Gogh (5), Maillol (8), Manet (4), Picasso (4), Pissarro (2), Renoir (15), Sisley (2). A well illustrated introduction explains the ideas and context behind Reinhart's collecting and affords insights into his character.
Author | : Christina Frehner |
Publisher | : Banque Paribas |
Total Pages | : 128 |
Release | : 1993-01-01 |
Genre | : Art |
ISBN | : 9783908184195 |
Author | : Christina Frehner |
Publisher | : Banque Paribas |
Total Pages | : 136 |
Release | : 1993 |
Genre | : Art |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 80 |
Release | : |
Genre | : |
ISBN | : |
Author | : Franz Zelger |
Publisher | : |
Total Pages | : 216 |
Release | : 1981 |
Genre | : Art |
ISBN | : |
Author | : Catherine Croft |
Publisher | : Laurence King Publishing |
Total Pages | : 252 |
Release | : 2004 |
Genre | : Architecture, Modern |
ISBN | : 1856693643 |
Inspiration for architects and urban planners, this text presents a re-evaluation of a material finally coming into its own in the 21st century - concrete. The text is illustrated with projects from some of the biggest-name architects around.
Author | : Georgina Walker |
Publisher | : Routledge |
Total Pages | : 269 |
Release | : 2019-05-17 |
Genre | : Business & Economics |
ISBN | : 1351370510 |
The Private Collector’s Museum connects the rising popularity of private museums with evolving models of collecting and philanthropy, and new inter-relationships between private and public space. It examines how contemporary collectors construct museums to frame themselves as cultural arbiters of global distinction. By exploring a range of in-depth contemporary case studies, the book aims for a more complex understanding of the private collector’s museum, assessing how it is realised, funded and understood in a broader cultural context. It examines the ways in which this particular museum model has evolved within a historical Western tradition of collecting and museum-building, and considers how private museums will endure alongside their public counterparts. It also sheds light on the shifting patterns of collecting, such as the transition of personal art collections into the public sphere. The developments are situated within the wider context of private–public engagement in general. Providing a new analysis of philanthropy, public access and the museum, The Private Collector’s Museum is essential reading for scholars and students interested in the private museum, and key reading for those interested in related issues.
Author | : Julie A. Steiner |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 154 |
Release | : 1997 |
Genre | : Art |
ISBN | : 0870998374 |
"The art collection assembled by Edgar Degas was remarkable not only for its quality, size, and depth but also for its revelation of Degas's artistic affinities. He acquired great numbers of works by the nineteenth-century French masters Ingres, Delacroix, and Daumier; he bought (or bartered his own pictures for) art by many of his contemporaries, particularly Manet, Cezanne, Gauguin, and Cassatt; and he acquired works by a wide range of other artists, from eminent to little known. The extent of Degas's holdings was not recognized until after his death, when the collection came up for auction in Paris in 1918 and, in what was called the sale of the century, was widely dispersed." "Extensive research has made it possible to "reassemble" that collection in book form. This summary catalogue contains information on the more than five thousand works owned by Degas. For each work catalogued the entry includes, to the extent possible: a description with medium and dimensions; provenance information about Degas's acquisition and ownership of the work; information pertaining to the sale of the work in 1918 (or its disposal earlier), including the purchaser, purchase price, and other data; the current location; selected references; and an illustration. In a concordance, collection sale lot numbers are listed with their corresponding summary catalogue numbers." "This catalogue and its companion volume of essays are published in conjunction with the exhibition "The Private Collection of Edgar Degas," held at The Metropolitan Museum of Art, New York, from October 1, 1997, to January 11, 1998."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author | : Ann Dumas |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 370 |
Release | : 1997 |
Genre | : Art |
ISBN | : 0870997971 |
This volume investigates Degas' dual role as both artist and collector. Featuring works by well-known artists like Delacroix, Ingres, Daumier, Manet, Cézanne, Gauguin, Van Gogh, Cassatt, and others, this publication is the definitive text outlining Degas' long career collecting important pieces by his predecessors as well as his contemporaries. -- Metropolitan Museum of Art website.
Author | : Carol M. Armstrong |
Publisher | : Getty Publications |
Total Pages | : 320 |
Release | : 2003 |
Genre | : Art |
ISBN | : 9780892367283 |
In Odd Man Out, Carol Armstrong offers an important study of Edgar Degas's work and reputation. Armstrong grapples with contradictory portrayals of Degas as "odd man out" within the modernist canon: he was a realist whom realists rejected; a storyteller in pictures who did not satisfy novelist-critics; a painter of modern life who was not a modernist; a member of the impressionist group who was no impressionist. Armstrong confronts these and other paradoxes by analyzing the critical vocabularies used to describe Degas's work. By reading several groups of the artist's images through the lens of a sequence of critical texts, Armstrong shows how our critical and popular expectations of Degas are overturned and subverted. This is a reprint of the book first published by the University of Chicago Press in 1991.