The Inimitable Jeeves

The Inimitable Jeeves
Author: P. G. Wodehouse
Publisher: Namaskar Books
Total Pages: 219
Release: 2024-11-06
Genre: Fiction
ISBN:

The Inimitable Jeeves, a delightful classic by P.G. Wodehouse, offers readers a series of hilarious misadventures featuring the charmingly clueless Bertie Wooster and his unflappable valet, Jeeves. This collection of interconnected stories takes us through the uproarious escapades of Bertie and his friends as they navigate love troubles, family conflicts, and the high society pressures of Edwardian England. In each story, Jeeves’s clever problem-solving skills and keen understanding of human nature save the day, often to the surprise of Bertie, who remains blissfully unaware of his own foibles. From avoiding unwanted engagements to untangling the romantic troubles of his friend Bingo Little, Jeeves handles every crisis with impeccable style and wit, leaving readers in stitches. The Inimitable Jeeves is celebrated for Wodehouse’s brilliant humor, memorable characters, and sharp social satire. This book showcases Wodehouse at his finest, with Jeeves’s understated intelligence and Bertie’s endearing obliviousness creating a timeless comedic duo. It’s an essential read for fans of British humor and anyone who enjoys stories filled with wit, charm, and gentle absurdity. Readers are drawn to The Inimitable Jeeves for its lighthearted escapism and Wodehouse's masterful prose, which transforms everyday predicaments into laugh-out-loud moments. This book is perfect for anyone looking to unwind with a dose of laughter, making it a classic addition to any bookshelf. Owning a copy of The Inimitable Jeeves invites readers to experience the timeless hilarity of one of literature’s most beloved comic partnerships.

New Writing and Daylight

New Writing and Daylight
Author: John Lehmann
Publisher: Goldstein Press
Total Pages: 180
Release: 2007-03
Genre: Literary Criticism
ISBN: 140674106X

PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing...

Woodruff Genealogy

Woodruff Genealogy
Author: Susan Emma Woodruff Abbott
Publisher:
Total Pages: 808
Release: 1963
Genre:
ISBN:

Mathew Woodruff immigrated to Hartford, Connecticut, probably in the 1640's, and settled in Farmington in 1653. He died in 1682.

Helm Dictionary of Scientific Bird Names

Helm Dictionary of Scientific Bird Names
Author: James A. Jobling
Publisher: Bloomsbury Publishing
Total Pages: 433
Release: 2010-06-30
Genre: Nature
ISBN: 1408133261

A comprehensive dictionary of the meaning and derivation of scientific bird names. Many scientific bird names describe a bird's habits, habitat, distribution or a plumage feature, while others are named after their discoverers or in honour of prominent ornithologists. This extraordinary work of reference lists the generic and specific name for almost every species of bird in the world and gives its meaning and derivation. In the case of eponyms brief biographical details are provided for each of the personalities commemorated in the scientific names. This fascinating book is an outstanding source of information which will both educate and inform, and may even help to understand birds better.

The Oxford Dictionary of Modern Slang

The Oxford Dictionary of Modern Slang
Author: John Ayto
Publisher: Oxford University Press, USA
Total Pages: 324
Release: 2005-01-01
Genre: Reference
ISBN: 9780198610526

A dictionary of modern slang draws on the resources of the "Oxford English Dictionary" to cover over five thousand slang words and phrases from throughout the English-speaking world.

The Avant-Garde in Interwar England

The Avant-Garde in Interwar England
Author: Michael T. Saler
Publisher: Oxford University Press
Total Pages: 256
Release: 2001-05-24
Genre: History
ISBN: 0195349067

The Avant-Garde in Interwar England addresses modernism's ties to tradition, commerce, nationalism, and spirituality through an analysis of the assimilation of visual modernism in England between 1910 and 1939. During this period, a debate raged across the nation concerning the purpose of art in society. On one side were the aesthetic formalists, led by members of London's Bloomsbury Group, who thought art was autonomous from everyday life. On the other were England's so-called medieval modernists, many of them from the provincial North, who maintained that art had direct social functions and moral consequences. As Michael T. Saler demonstrates in this fascinating volume, the heated exchange between these two camps would ultimately set the terms for how modern art was perceived by the British public. Histories of English modernism have usually emphasized the seminal role played by the Bloomsbury Group in introducing, celebrating, and defining modernism, but Saler's study instead argues that, during the watershed years between the World Wars, modern art was most often understood in the terms laid out by the medieval modernists. As the name implies, these artists and intellectuals closely associated modernism with the art of the Middle Ages, building on the ideas of John Ruskin, William Morris, and other nineteenth-century romantic medievalists. In their view, modernism was a spiritual, national, and economic movement, a new and different artistic sensibility that was destined to revitalize England's culture as well as its commercial exports when applied to advertising and industrial design. This book, then, concerns the busy intersection of art, trade, and national identity in the early decades of twentieth-century England. Specifically, it explores the life and work of Frank Pick, managing director of the London Underground, whose famous patronage of modern artists, architects, and designers was guided by a desire to unite nineteenth-century arts and crafts with twentieth-century industry and mass culture. As one of the foremost adherents of medieval modernism, Pick converted London's primary public transportation system into the culminating project of the arts and crafts movement. But how should today's readers regard Pick's achievement? What can we say of the legacy of this visionary patron who sought to transform the whole of sprawling London into a post-impressionist work of art? And was medieval modernism itself a movement of pioneers or dreamers? In its bold engagement with such questions, The Avant-Garde in Interwar England will surely appeal to students of modernism, twentieth-century art, the cultural history of England, and urban history.