Ornamentation In Bachs Organ Works
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Author | : Putnam Aldrich |
Publisher | : Read Books Ltd |
Total Pages | : 80 |
Release | : 2013-04-26 |
Genre | : Music |
ISBN | : 1444659936 |
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author | : Sumner Salter |
Publisher | : |
Total Pages | : 16 |
Release | : 1920 |
Genre | : |
ISBN | : |
Sumner Salter describes and analyzes?the ornamentation used in Bach's organ compositions, complete with a sample piece of sheet music.
Author | : Putnam Aldrich |
Publisher | : |
Total Pages | : |
Release | : 1939 |
Genre | : Embellishment (Music) |
ISBN | : |
Author | : Hee-Sung Kim |
Publisher | : |
Total Pages | : 159 |
Release | : 1995 |
Genre | : Embellishment (Music) |
ISBN | : |
Author | : Putnam Aldrich |
Publisher | : Nabu Press |
Total Pages | : 76 |
Release | : 2014-02-24 |
Genre | : |
ISBN | : 9781293725948 |
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Author | : Putnam Aldrich |
Publisher | : |
Total Pages | : 76 |
Release | : 2015-02-15 |
Genre | : |
ISBN | : 9781298030467 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Louis Arthur Russell |
Publisher | : |
Total Pages | : 80 |
Release | : 1894 |
Genre | : Embellishment (Music) |
ISBN | : |
Author | : Edward Dannreuther |
Publisher | : |
Total Pages | : 436 |
Release | : 1893 |
Genre | : Embellishment (Music). |
ISBN | : |
Author | : Kris Palmer |
Publisher | : AuthorHouse |
Total Pages | : 193 |
Release | : 2001 |
Genre | : Embellishment (Music) |
ISBN | : 0759609357 |
A New Beginning was written to help women regain respect from the opposite sex, and from society in general. It is also a lesson on how women can learn to respect themselves in public, as well as in private. With this knowledge, the reduction of domestic violence is very possible.
Author | : Frederick Neumann |
Publisher | : Princeton University Press |
Total Pages | : 650 |
Release | : 1983-12-21 |
Genre | : Music |
ISBN | : 9780691027074 |
Ornaments play an enormous role in the music of the seventeenth and eighteenth centuries, and ambiguities in their notation (as well as their frequent omission in the score) have left doubt as to how composers intended them to be interpreted. Frederick Neumann, himself a violinist and conductor, questions the validity of the rigid principles applied to their performance. In this controversial work, available for the first time in paperback, he argues that strict constraints are inconsistent with the freedom enjoyed by musicians of the period. The author takes an entirely new look at ornamentation, and particularly that of J. S. Bach. He draws on extensive research in England, France, Germany, Italy, and the United States to show that prevailing interpretations are based on inadequate evidence. These restrictive interpretations have been far-reaching in their effect on style. By questioning them, this work continues to stimulate a reorientation in our understandiing of Baroque and post-Baroque music.