Ornament And Crime
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Author | : Adolf Loos |
Publisher | : Penguin UK |
Total Pages | : 175 |
Release | : 2019-05-30 |
Genre | : Architecture |
ISBN | : 0141392983 |
Revolutionary essays on design, aesthetics and materialism - from one of the great masters of modern architecture Adolf Loos, the great Viennese pioneer of modern architecture, was a hater of the fake, the fussy and the lavishly decorated, and a lover of stripped down, clean simplicity. He was also a writer of effervescent, caustic wit, as shown in this selection of essays on all aspects of design and aesthetics, from cities to glassware, furniture to footwear, architectural training to why 'the lack of ornament is a sign of intellectual power'. Translated by Shaun Whiteside With an epilogue by Joseph Masheck
Author | : Juan José Lahuerta |
Publisher | : |
Total Pages | : 0 |
Release | : 2015 |
Genre | : Architecture |
ISBN | : 9788493923150 |
"On Loos, Ornament and Crime"is the most controversial of the essays in the series entitled "Columns of Smoke," in which Professor Juan Jose Lahuerta undertakes an acute and thoroughly documented rereading of modernity, linking the ideas of architecture and ornamentation and exploring the ways these have been treated in print. In the previous volume of this series Lahuerta exploded cliches with his penetrating analysis of Loos's relationship with photography, and here he examines in fine detail the architect's written work, and in particular the texts that engage with architectural and artistic theory and continue the classical tradition of Schinkel, Semper and Riegl an allegiance readily apparent in Loos's architecture. Lahuerta also discusses other articles in which Loos confronted his fellow architects over issuesfar removed from their shared profession, and shows us with tellingly insightful examples how 'Ornament and Crime', the founding essay of modernity that established "disornamentation" as the signal feature of twentieth-century architecture and culture, belongs to this second category. The "ornament" that Loos criminalizes, in language charged with the vocabulary of criminal anthropology and bioevolutionism of Max Nordau and Cesare Lombroso, has less to do with the decoration of buildings than with the tattoos, beads and feathers of 'primitives' and "degenerates" women, Papuans, artists and criminals. Lahuerta traces Loos's adoption of pseudo-scientific beliefs that shaped the culture of the early twentieth century, and in so doing dismantles the historical value accorded to his famous text, which in this reading takes on a deeply disturbing significance. "
Author | : Albert Hill |
Publisher | : Phaidon Press |
Total Pages | : 0 |
Release | : 2017-06-19 |
Genre | : Architecture |
ISBN | : 9780714874166 |
An unprecedented homage to modernist architecture from the 1920s up to the present day Ornament Is Crime is a celebration and a thought-provoking reappraisal of modernist architecture. The book proposes that modernism need no longer be confined by traditional definitions, and can be seen in both the iconic works of the modernist canon by Le Corbusier, Mies van der Rohe, and Walter Gropius, as well as in the work of some of the best contemporary architects of the twenty-first century. This book is a visual manifesto and a celebration of the most important architectural movement in modern history.
Author | : Bernie Miller |
Publisher | : Yyz Books |
Total Pages | : 300 |
Release | : 2002 |
Genre | : Architecture |
ISBN | : |
Adolf Loos’s provocative essay "Ornament and Crime" continues to ignite controversy, even outrage. His contentious assumptions have inspired the writers in this anthology who explore ornament in film, visual art, literature, fashion, sports, gay culture, and, of course, architecture. The resulting lively interrogations reinstate ornament as a potent cultural indicator.
Author | : Panayotis Tournikiotis |
Publisher | : Princeton Architectural Press |
Total Pages | : 208 |
Release | : 2002 |
Genre | : Functionalism |
ISBN | : 9781568983424 |
Originally published in French (1991, Editions Macula, Paris), profiles the Viennese architect who was one of the most important pioneers of the European Modern Movement. Born in 1870, Loos was an early opponent of the decorative trend of Art Nouveau, believing instead that architecture devoid of ornament represented pure and lucid thought. His rationalist design theories were put into practice in the Karntner Bar, Vienna (1907), Steiner House, Vienna (1920), and Villa Muller, Prague (1930). Annotation copyright by Book News, Inc., Portland, OR
Author | : Hal Foster |
Publisher | : Verso |
Total Pages | : 196 |
Release | : 2003 |
Genre | : Architecture |
ISBN | : 9781859844533 |
In the first half of this book, Hal Foster surveys our new 'political economy of design,' exploring the marketing of culture and the branding of identity, the development of spectacle-architecture and the rise of global cities. In the second half, he examines the historical relations of modern art and the modern museum, the conceptual vicissitudes of art history and visual studies, the recent travails of art criticism, and the double aftermath of modernism and postmodernism. Written in a lively style, Design and Crime offers historical sketches and contemporary test-cases in an attempt to illuminate the conditions for critical culture in the present.
Author | : Rosalind Galt |
Publisher | : Columbia University Press |
Total Pages | : 410 |
Release | : 2011 |
Genre | : Performing Arts |
ISBN | : 0231153473 |
Film culture often rejects visually rich images, treating simplicity, austerity, or even ugliness as the more provocative, political, and truly cinematic choice. Cinema may challenge traditional ideas of art, but its opposition to the decorative represents a long-standing Western aesthetic bias against feminine cosmetics, Oriental effeminacy, and primitive ornament. Inheriting this patriarchal, colonial perspective--which treats decorative style as foreign or sexually perverse--filmmakers, critics, and theorists have often denigrated colorful, picturesque, and richly patterned visions in cinema. Condemning the exclusion of the "pretty" from masculine film culture, Rosalind Galt reevaluates received ideas about the decorative impulse from early film criticism to classical and postclassical film theory. The pretty embodies lush visuality, dense mise-en-scène, painterly framing, and arabesque camera movements-styles increasingly central to world cinema. From European art cinema to the films of Wong Kar-wai and Santosh Sivan, from the experimental films of Derek Jarman to the popular pleasures of Moulin Rouge!, the pretty is a vital element of contemporary cinema, communicating distinct sexual and political identities. Inverting the logic of anti-pretty thought, Galt firmly establishes the decorative image as a queer aesthetic, uniquely able to figure cinema's perverse pleasures and cross-cultural encounters. Creating her own critical tapestry from perspectives in art theory, film theory, and philosophy, Galt reclaims prettiness as a radically transgressive style, shimmering with threads of political agency.
Author | : Reyner Banham |
Publisher | : Univ of California Press |
Total Pages | : 391 |
Release | : 2023-09-01 |
Genre | : Architecture |
ISBN | : 0520923200 |
Few twentieth-century writers on architecture and design have enjoyed the renown of Reyner Banham. Born and trained in England and a U.S. resident starting in 1976, Banham wrote incisively about American and European buildings and culture. Now readers can enjoy a chronological cross-section of essays, polemics, and reviews drawn from more than three decades of Banham's writings. The volume, which includes discussions of Italian Futurism, Adolf Loos, Paul Scheerbart, and the Bauhaus as well as explorations of contemporary architecture by Frank Gehry, James Stirling, and Norman Foster, conveys the full range of Banham's belief in industrial and technological development as the motor of architectural evolution. Banham's interests and passions ranged from architecture and the culture of pop art to urban and industrial design. In brilliant analyses of automobile styling, mobile homes, science fiction films, and the American predilection for gadgets, he anticipated many of the preoccupations of contemporary cultural studies. Los Angeles, the city that Banham commemorated in a book and a film, receives extensive attention in essays on the Santa Monica Pier, the Getty Museum, Forest Lawn cemetery, and the ubiquitous freeway system. Eminently readable, provocative, and entertaining, this book is certain to consolidate Banham's reputation among architects and students of contemporary culture. For those acquainted with his writing, it offers welcome surprises as well as familiar delights. For those encountering Banham for the first time, it comprises the perfect introduction.
Author | : Marian Moffett |
Publisher | : Laurence King Publishing |
Total Pages | : 608 |
Release | : 2003 |
Genre | : Architecture |
ISBN | : 9781856693714 |
The Roman architect and engineer Vitruvius declared firmitas, utilitas, and venustas-firmness, commodity, and delight- to be the three essential attributes of architecture. These qualities are brilliantly explored in this book, which uniquely comprises both a detailed survey of Western architecture, including Pre-Columbian America, and an introduction to architecture from the Middle East, India, Russia, China, and Japan. The text encourages readers to examine closely the pragmatic, innovative, and aesthetic attributes of buildings, and to imagine how these would have been praised or criticized by contemporary observers. Artistic, economic, environmental, political, social, and technological contexts are discussed so as to determine the extent to which buildings met the needs of clients, society at large, and future generations.
Author | : Henrik Reeh |
Publisher | : MIT Press |
Total Pages | : 261 |
Release | : 2006-09-08 |
Genre | : Architecture |
ISBN | : 0262681633 |
Variations on the theme of the ornament in Kracauer's urban writings, suggesting ways in which the subjective can reappropraite urban life. For Siegfried Kracauer, the urban ornament was not just an aspect of design; it was the medium through which city dwellers interpreted the metropolis itself. In Ornaments of the Metropolis, Henrik Reeh traces variations on the theme of the ornament in Kracauer's writings on urbanism, from his early journalism in Germany between the wars to his "sociobiography" of Jacques Offenbach in Paris. Kracauer (1889-1966), often associated with the Frankfurt School and the intellectual milieu of Walter Benjamin, is best known for his writings on cinema and the philosophy of history. Reeh examines Kracauer's lesser-known early work, much of it written for the trendsetting newspaper Frankfurter Zeitung in the 1920s and early 1930s, and analyzes Kracauer's continuing reflections on modern urban life, through the pivotal idea of ornament. Kracauer deciphers the subjective experience of the city by viewing fragments of the city as dynamic ornaments; an employment exchange, a day shelter for the homeless, a movie theater, and an amusement park become urban microcosms. Reeh focuses on three substantial works written by Kracauer before his emigration to the United States in 1940. In the early autobiographical novel Ginster, Written by Himself, a young architect finds aesthetic pleasure in the ornamental forms that are largely unused in the profession of the time. The collection Streets of Berlin and Elsewhere, with many essays from Kracauer's years in Berlin, documents the subjectiveness of urban life. Finally, Jacques Offenbach and the Paris of His Time shows how the superficial—in a sense, ornamental—milieu of the operetta evolved into a critical force during the Second Empire. Reeh argues that Kracauer's novel, essays, and historiography all suggest ways in which the subjective can reappropriate urban life. The book also includes a series of photographs by the author that reflect the ornamental experience of the metropolis in Paris, Frankfurt, and other cities.