Orchestral Masterpieces Under The Microscope
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Author | : Jonathan Del Mar |
Publisher | : Boydell & Brewer |
Total Pages | : 735 |
Release | : 2023-03-07 |
Genre | : |
ISBN | : 1783277327 |
A must-have for any conductor, conducting student and orchestral librarian. How does a conductor know whether the score they use is what the composer wrote? How do orchestral players know that their parts are reliable and reflect the latest scholarship? As Jonathan Del Mar reminds us in this ground-breaking book, editions of the orchestral repertoire are beset by textual problems: simple misprints, mistakes in the score or player's part, or hopelessly outdated scores at odds with current scholarship. Driven by a fundamental respect for what the composer actually wrote, Jonathan Del Mar addresses these problems through textual reports on over 100 orchestral masterpieces of classical music. Each report is introduced with essential guidance and succinct commentary on the first performance and publication of the work. Critical editions are compared with commonly used editions, and in those cases where no Urtext Edition exists, this much-needed reference work functions as a replacement for an Urtext Edition. Orchestral Masterpieces under the Microscope will be an indispensable reference tool for all who care about performances honouring the correct text that composers have left us. It serves as an essential survival guide for conductors and musicians to make informed choices, and it offers much-needed clarity on the latest scholarship for musicologists and music librarians alike
Author | : John Sullivan Dwight |
Publisher | : BoD – Books on Demand |
Total Pages | : 430 |
Release | : 2022-07-12 |
Genre | : Fiction |
ISBN | : 3375090471 |
Reprint of the original, first published in 1865.
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Publisher | : |
Total Pages | : 1016 |
Release | : 1862 |
Genre | : Music |
ISBN | : |
Author | : |
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Total Pages | : 872 |
Release | : 2000 |
Genre | : Audio equipment industry |
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Total Pages | : 820 |
Release | : 1903 |
Genre | : Music |
ISBN | : |
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Total Pages | : 224 |
Release | : 1967 |
Genre | : Music |
ISBN | : |
Author | : National Music Council (U.S.) |
Publisher | : |
Total Pages | : 226 |
Release | : 1959 |
Genre | : Music |
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Total Pages | : 248 |
Release | : 2000 |
Genre | : Music |
ISBN | : |
Author | : Stephen Town |
Publisher | : Rowman & Littlefield |
Total Pages | : 325 |
Release | : 2019-12-06 |
Genre | : Music |
ISBN | : 1793606013 |
The Choral-Orchestral Works of Ralph Vaughan Williams: Autographs, Context, Discourse combines contextual knowledge, a musical commentary, an inventory of the holograph manuscripts, and a critical assessment of the opus to create substantial and meticulous examinations of Ralph Vaughan Williams’s choral-orchestral works. The contents include an equitable choice of pieces from the various stages in the life of the composer and an analysis of pieces from the various stages of Williams’s life. The earliest are taken from the pre-World War I years, when Vaughan Williams was constructing his identity as an academic and musician—Vexilla Regis (1894), Mass (1899), and A Sea Symphony (1910). The middle group are chosen from the interwar period—Sancta Civitas (1925), Benedicite (1929), Magnificat (1932), Five Tudor Portraits (1935), Dona nobis pacem (1936)—written after Vaughan Williams had found his mature voice. The last cluster—Thanksgiving for Victory (1944), Fantasia (Quasi Variazione) on the ‘Old 104’ Psalm Tune(1949), Sons of Light (1950), Hodie (1954), The Bridal Day/Epithalamion (1938/1957)—typify the works finished or revisited during the final years of the composer’s life, near the end of the Second World War and immediately before or after his second marriage (1953).
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Total Pages | : 644 |
Release | : 1917 |
Genre | : Music |
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