Orchestral Instruments and Their Use
Author | : Arthur Elson |
Publisher | : |
Total Pages | : 338 |
Release | : 1903 |
Genre | : Musical instruments |
ISBN | : |
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Author | : Arthur Elson |
Publisher | : |
Total Pages | : 338 |
Release | : 1903 |
Genre | : Musical instruments |
ISBN | : |
Author | : Genevieve Helsby |
Publisher | : Sourcebooks, Inc. |
Total Pages | : 178 |
Release | : 2007 |
Genre | : Juvenile Nonfiction |
ISBN | : 1402208251 |
"Your guide to the orchestra through sounds and stories." front cover.
Author | : Joan Peyser |
Publisher | : Hal Leonard Corporation |
Total Pages | : 660 |
Release | : 2006 |
Genre | : Music |
ISBN | : 9781423410263 |
The symphonic orchestra is intriguingly considered in essays by 23 leading music authors and thinkers. Topics include historical beginnings, the role of the conductor, the orchestral audience, the nature of the repertoire, and how recordings have affected the modern orchestra. With a new editor's introduction for this 2006 edition and a glossary of terms.
Author | : Michael J. Pagliaro |
Publisher | : Scarecrow Press |
Total Pages | : 201 |
Release | : 2012-08-16 |
Genre | : Music |
ISBN | : 081088271X |
In The Musical Instrument Desk Reference, Michael Pagliaro, musical instrument authority extraordinaire, provides the one-stop shop for those in need of a quick, visually-rich reference guide to band and orchestral instruments. Descriptions and illustrations of everything from the physics of sound to detailed discussions of each orchestra and band instrument make this work the ideal desktop reference tool for the working musician. Through its Quick Start and In Depth features, readers can quickly decide how deeply they want to delve into the instrument at hand. Following a contemporary format designed to facilitate what any musician or music instructor needs to know, The Musical Instrument Desk Reference eliminates the need to leaf through multiple method books or trawl through websites to find information. The Musical Instrument Desk Reference includes general information on fingering, the anatomy of musical instruments, sound production, amplification, and control, as well as the science of sound. Readers will find individual chapters on woodwinds, brass instruments, non-fretted string instruments, and percussion instruments. In each category, Pagliaro delves deeper, describing for woodwinds such things as tuning, key systems, fingerings, sound production, tone holes, assembly, materials, embouchures, and reed use; for brass instruments such matters as valve systems, fingering patterns, French horn types, mouthpiece selection, and intonation; for non-fretted string instruments such issues as tuning and fingering, playing position, bowing technique, instrument parts, and materials; and for percussion instruments such elements as instrument types and their classifications, tuning procedures, and accessories. The Musical Instrument Desk Reference is the perfect guide for anyone interested in or responsible for working with varieties of instruments and their players. Teachers, students, teachers in training, music instructors, instrument technicians, and musicians can quickly locate any specific detail related to any band or orchestral instrument.
Author | : John Spitzer |
Publisher | : Oxford University Press |
Total Pages | : 635 |
Release | : 2004-04-29 |
Genre | : Music |
ISBN | : 0198164343 |
This book traces the emergence of the orchestra from 16th-century string bands to the 'classical' orchestra of Haydn, Mozart, Beethoven, and their contemporaries. Ensembles of bowed stringed instruments, several players per part plus continuo and wind instruments, were organized in France in the mid-17th century and then in Rome at the end of the century. The prestige of these ensembles and of the music and performing styles of their leaders, Jean-Baptiste Lully and ArcangeloCorelli, caused them to be imitated elsewhere, until by the late 18th century, the orchestra had become a pan-European phenomenon.Spitzer and Zaslaw review previous accounts of these developments, then proceed to a thoroughgoing documentation and discussion of orchestral organization, instrumentation, and social roles in France, Italy, Germany, England, and the American colonies. They also examine the emergence of orchestra musicians, idiomatic music for orchestras, orchestral performance practices, and the awareness of the orchestra as a central institution in European life.