Oration on the Centennial Anniversary of the Declaration of Independence
Author | : Robert Charles Winthrop |
Publisher | : |
Total Pages | : 56 |
Release | : 1876 |
Genre | : Fourth of July orations |
ISBN | : |
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Author | : Robert Charles Winthrop |
Publisher | : |
Total Pages | : 56 |
Release | : 1876 |
Genre | : Fourth of July orations |
ISBN | : |
Author | : William Maxwell Evarts |
Publisher | : |
Total Pages | : 494 |
Release | : 1919 |
Genre | : Forensic oratory |
ISBN | : |
Author | : American Historical Association |
Publisher | : |
Total Pages | : 1390 |
Release | : 1907 |
Genre | : Historiography |
ISBN | : |
Author | : Harvey J. Kaye |
Publisher | : Macmillan + ORM |
Total Pages | : 462 |
Release | : 2007-04-15 |
Genre | : Biography & Autobiography |
ISBN | : 0374707065 |
This acclaimed biography “provides the most comprehensive assessment yet of [the Founding Father’s] controversial reputation” (Joseph J. Ellis, The New York Times Book Review). After leaving London for Philadelphia in 1774, Thomas Paine became one of the most influential political writers of the modern world and the greatest radical of a radical age. Through writings like Common Sense, he not only turned America’s colonial rebellion into a revolutionary war but, as Harvey J. Kaye demonstrates, articulated an American identity charged with exceptional purpose and promise. Thomas Paine and the Promise of America fiercely traces the revolutionary spirit that runs through American history—and demonstrates how that spirit is rooted in Paine’s legacy. With passion and wit, Kaye shows how Paine turned Americans into radicals—and how we have remained radicals ever since.
Author | : Susanna Gold |
Publisher | : Taylor & Francis |
Total Pages | : 211 |
Release | : 2016-12-08 |
Genre | : Art |
ISBN | : 1315453126 |
The Unfinished Exhibition, the first comprehensive examination of American art at the Centennial, explains the critical role of visual culture in negotiating memories of the nation’s past that conflicted with the optimism that Exhibition officials promoted. Supporting novel iconographical interpretations with myriad primary source material, author Susanna W. Gold demonstrates how the art galleries and the audiences who visited them addressed the lingering traumas of battle, the uneasy re-unification of North and South, and the persisting racial tensions in the post-Emancipation era.