The Rise and Fall of American Art, 1940s–1980s

The Rise and Fall of American Art, 1940s–1980s
Author: Catherine Dossin
Publisher: Routledge
Total Pages: 325
Release: 2016-03-03
Genre: Art
ISBN: 1317017684

In The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ’peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on the support of Western Europeans, and cities like Cologne and Turin emerged as major commercial and artistic hubs - a development that enabled European artists to return to the forefront of the international art scene in the 1980s. Dossin analyses in detail these changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors. Her transnational and interdisciplinary study provides an original and welcome supplement to more traditional formal and national readings of the period.

The Rise and Fall of American Art, 1940s–1980s

The Rise and Fall of American Art, 1940s–1980s
Author: Assoc Prof Catherine Dossin
Publisher: Ashgate Publishing, Ltd.
Total Pages: 329
Release: 2015-03-28
Genre: Art
ISBN: 1472411714

This book challenges the perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. In her transnational and interdisciplinary study, Dossin analyses changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors.

Art of the Fifties, Sixties and Seventies

Art of the Fifties, Sixties and Seventies
Author: Christopher Knight
Publisher: Lithograph Publishing Company
Total Pages: 330
Release: 1999
Genre: Antiques & Collectibles
ISBN:

The 50s, 60s and 70s represented three decades of great social, political, moral and economic change. The pieces in this book reflect the era's art movements of Minimalism, Conceptual Art and Environmental Art. There are photos of and directions regarding the installation and viewing, as instructed by the artists themselves. These rare insights heighten the appreciation of the images, representing them as the artists conceived. Introduced by the director and assistant director of the Museum of Contemporary Art, Los Angeles. The presentation of the collection is launched with a 1984 interview with its owner, Giuseppe Panza. This comprehensive tome is an unparalleled reference for any fan, collector, scholar or student of art's modern eras.

The Great Migrator

The Great Migrator
Author: Hiroko Ikegami
Publisher: MIT Press
Total Pages: 292
Release: 2010
Genre: Art
ISBN: 0262014254

Unlike other writers, who have viewed the export of American art during the 1950s and 1960s as another form of Cold War propagandizing (and famous American artists as cultural imperialists), Ikegami sees the global rise of American art as a cross-cultural phenomenon in which each art community Rauschenberg visited was searching in different ways for cultural and artistic identity in the midst of Americanization. Rauschenberg's travels and collaborations established a new kind of transnational network for the postwar art world---prefiguring the globalization of art before the era of globalization. --

Panza

Panza
Author: Hirshhorn Museum and Sculpture Garden
Publisher:
Total Pages: 100
Release: 2008
Genre: Art
ISBN:

First published in 1928, this book reproduces the lectures and addresses that John Henry Muirhead gave on various occasions during the two and a half years he spent as Lecturer of Philosophy on the Mills Foundation at the University of California, USA. The different chapters look at the meaning and general place of Philosophy as a subject of study and the application of its leading conceptions to different areas of modern life, including science and politics. The final chapters however, present two short talks of a different nature, which were addressed to Scottish countrymen, gathered on distant shores. In this book, Muirhead makes a summary of his lifee(tm)s philosophical thoughts and conclusions.

Doug Wheeler

Doug Wheeler
Author: Doug Wheeler
Publisher: David Zwirner Books
Total Pages: 353
Release: 2020-01-07
Genre: Art
ISBN: 1941701248

Over five decades, Doug Wheeler has pioneered the art of light and space. His work powerfully explores the way we perceive “empty” space—the way light can affect our perception and make emptiness feel full and dense. From his early experiences flying across the desert with his father, a doctor in Globe, Arizona, Wheeler developed a passion for the intensity and stillness of vast expanses, seeing in them a whole new set of possibilities for visual art. Although Wheeler began his career as a painter, his wall-mounted artworks soon began incorporating light as a medium and quickly gave way to an unprecedented art-historical breakthrough: his construction of an absolute light environment, crafted in his studio in 1967. Since that unparalleled moment, Wheeler’s work has been exhibited widely all over the world; in the past decade, with numerous major gallery and museum installations, his reputation as the definitive light and space artist has been solidified. This volume, featuring new scholarship by renowned art historian Germano Celant, traces the entire course of Wheeler’s career to date, from his first mature paintings to his immersive installations. Writing on Wheeler’s intense and direct engagement with the absoluteness in the optical fields he creates, Celant provides a detailed account for Wheeler’s development as one of the most original and influential artists of his generation. Wheeler’s work not only changes how we encounter reality after we see it, but also how we envision what is possible more broadly in visual art.

Allan Kaprow, Robert Smithson, and the Limits to Art

Allan Kaprow, Robert Smithson, and the Limits to Art
Author: Philip Ursprung
Publisher: Univ of California Press
Total Pages: 344
Release: 2013-05-10
Genre: Art
ISBN: 0520245415

This innovative study of two of the most important artists of the twentieth century links the art practices of Allan Kaprow and Robert Smithson in their attempts to test the limits of art--both what it is and where it is. Ursprung provides a sophisticated yet accessible analysis, placing the two artists firmly in the art world of the 1960s as well as in the art historical discourse of the following decades. Although their practices were quite different, they both extended the studio and gallery into desert landscapes, abandoned warehouses, industrial sites, train stations, and other spaces. Ursprung bolsters his argument with substantial archival research and sociological and economic models of expansion and limits.

Hybrid Practices

Hybrid Practices
Author: David Cateforis
Publisher: University of California Press
Total Pages: 286
Release: 2018-11-06
Genre: Art
ISBN: 0520296591

In Hybrid Practices, essays by established and emerging scholars investigate the rich ecology of practices that typified the era of the Cold War. The volume showcases three projects at the forefront of unprecedented collaboration between the arts and new sectors of industrial society in the 1960s and 70s—Experiments in Art and Technology (E.A.T.), the Art and Technology Project at the Los Angeles County Museum of Art (A&T), and the Artist Placement Group (APG) in the UK. The subjects covered include collaborative projects between artists and scientists, commercial ventures and experiments in intermedia, multidisciplinary undertakings, effacing authorship to activate the spectator, suturing gaps between art and government, and remapping the landscape of everyday life in terms of technological mediation. Among the artists discussed in the volume and of interest to a broad public beyond the art world are Bernd and Hilla Becher, John Cage, Hans Haacke, Robert Irwin, John Latham, Fujiko Nakaya, Carolee Schneemann, James Turrell, Yvonne Rainer, Robert Rauschenberg, and Robert Whitman. Prominent engineers and scientists appearing in the book’s pages include Elsa Garmire, Billy Klüver, Frank Malina, Stanley Milgram, and Ed Wortz. This valuable collection aims to introduce readers not only to hybrid work in and as depth, but also to work in and as breadth, across disciplinary practices where the real questions of hybridity are determined.