Transcript of Taped Interview with Mildred Allen
Author | : Mildred Allen |
Publisher | : |
Total Pages | : 89 |
Release | : 1987 |
Genre | : Indianapolis (Ind.) |
ISBN | : |
A transcription of an interview of Mildred Allen by Janice Paul on June 15, 1987.
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Author | : Mildred Allen |
Publisher | : |
Total Pages | : 89 |
Release | : 1987 |
Genre | : Indianapolis (Ind.) |
ISBN | : |
A transcription of an interview of Mildred Allen by Janice Paul on June 15, 1987.
Author | : Mildred Allen |
Publisher | : |
Total Pages | : 34 |
Release | : 2001 |
Genre | : African Americans |
ISBN | : |
Author | : Janice Paul |
Publisher | : |
Total Pages | : 89 |
Release | : |
Genre | : Indianapolis (Ind.) |
ISBN | : |
This collection consists of a transcript of an oral history interview done by Janice Paul of Mildred Allen. Allen speaks of her life and work as a piano teacher in the Irvington area. She also discusses her family history and how her father reinvigorated several churches in the area. .
Author | : Luisa Del Giudice |
Publisher | : Springer |
Total Pages | : 272 |
Release | : 2009-11-09 |
Genre | : History |
ISBN | : 0230101399 |
This book introduces readers to a wide range of interpretations that take oral history and folklore as the premise with a focus on Italian and Italian American culture in disciplines such as history, ethnography, memoir, art, and music.
Author | : College of Southern Idaho |
Publisher | : |
Total Pages | : 56 |
Release | : 1983 |
Genre | : Buhl (Idaho) |
ISBN | : |
Author | : Lewis-Clark State College |
Publisher | : |
Total Pages | : 38 |
Release | : 1973 |
Genre | : Idaho |
ISBN | : |
Author | : Mildred Ransom |
Publisher | : |
Total Pages | : 40 |
Release | : 2001 |
Genre | : African American teachers |
ISBN | : |
Author | : George Dingdley |
Publisher | : |
Total Pages | : 33 |
Release | : |
Genre | : Depressions |
ISBN | : |
This collection consists of a transcript of an interview with Florence Allen by George Dingdley. In the interview she discusses many topics including her family, the KKK in Wabash, vaudeville, and the depression. The transcript is indexed.
Author | : Darlene Clark Hine |
Publisher | : |
Total Pages | : 258 |
Release | : 1986 |
Genre | : African American women |
ISBN | : |
Author | : Robert Zecker |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 297 |
Release | : 2007-12-30 |
Genre | : Social Science |
ISBN | : 0275997138 |
Ever since the rise of mass culture, the idea of The City has played a central role in the nation's imagined landscape. While some writers depict the city as a site of pleasure and enjoyment, the thrills provided there are still generally of an illicit nature, and it is this darker strain of urban fiction-one that illuminates many of the larger fears and anxieties of America at large-that this book addresses. From The Wire's Baltimore to Martin Scorsese's New York, from the Newark of Philip Roth and The Sopranos, to Jeffrey Eugenides's Detroit, The City is everywhere, and everywhere proclaiming on the rise and Around 1900, writers for Harper's, Century, and other magazines took middle-class Americans on safari through Little Italy and the Jewish Lower East Side. Later, at the dawn of the talkies, one of the most popular genres was the gangster film, through which the city was often portrayed as a powerful force that sent poor souls to their doom. With the urban disturbances of the 1960s, popular culture took another look at the city and decided that from Detroit to Watts to Harlem, the problem had a different face. Blaxploitation classics such as Shaft and Fort Apache the Bronx, as well as police and crime films of the '60s and '70s, offered a cinematic exclamation point to the famous Daily News headline: Ford to New York: Drop Dead! Later filmmakers offered a more nuanced view of the city, with Scorsese and Coppola paying homage to an old neighborhood of wise guys and goodfellas, and Woody Allen offering the city as a home of urban aesthetes. Meanwhile, on television, crime shows (from The Streets of San Francisco to NYPD Blue, Cops, and all the CSI programs) have for decades rooted their separate identities in the crime-ridden city itself. Yesterday's foreign threat to the body politic is today's jaded suburbanite, and this work also considers the current development of the cyber-city where urban exiles use their computers to re-imagine the cities of their youth as safe, warm places where we never locked our doors. The City continues to thrill and repulse, and even the Internet once again reduces the mean streets to a titillating story arc.