Oral and Literate Culture in England, 1500-1700

Oral and Literate Culture in England, 1500-1700
Author: Adam Fox
Publisher: Clarendon Press
Total Pages: 526
Release: 2000-11-09
Genre: History
ISBN: 0191542296

This book explores the varied vernacular forms and rich oral traditions which were such a part of popular culture in early modern England. It focuses, in particular, upon dialect speech and proverbial wisdom, "old wives' tales" and children's lore, historical legends and local customs, scurrilous versifying and scandalous rumour-mongering. Adam Fox argues that while the spoken word provides the most vivid insight into the mental world of the majority in this semi-literate society, it was by no means untouched by written influences. Even at the beginning of the period, centuries of reciprocal infusion between complementary media had created a cultural repertoire which had long ceased to be purely oral. Thereafter, the expansion of literacy together with the proliferation of texts both in manuscript and print saw the rapid acceleration and elaboration of this process. By 1700 popular traditions and modes of expression were the product of a fundamentally literate environment to a much greater extent than has yet been appreciated.

Oral and Literate Culture in England, 1500-1700

Oral and Literate Culture in England, 1500-1700
Author: Adam Fox
Publisher:
Total Pages: 497
Release: 2000
Genre: England
ISBN: 9780191698019

This book explores the oral culture of early modern England. It focuses upon dialect speech and proverbial wisdom, old wives' tales and children's lore, historical legends and local customs scurrilous versifying and scandalous rumour-mongering.

Writing the Oral Tradition

Writing the Oral Tradition
Author: Mark Amodio
Publisher:
Total Pages: 330
Release: 2004
Genre: Language Arts & Disciplines
ISBN:

"This is a splendid, rewarding book destined to reshape critical thinking about medieval poetry in English. Amodio combines groundbreaking theory with a deep, wide-ranging command of relevant scholarship to offer a uniquely inclusive perspective on an enormous and disparate collection of Old and Middle English poetry." --John Miles Foley, University of Missouri, Columbia "This is a well-conceived, well-structured, and well-written book that fills a significant gap in current scholarly discourse. Amodio is extremely well-informed about current oral theory, and presents a beautifully integrated thesis. This clear-sighted and provocative book both promises and delivers much." --Andy Orchard, University of Toronto Mark Amodio's book focuses on the influence of the oral tradition on written vernacular verse produced in England from the fifth to the fifteenth century. His primary aim is to explore how a living tradition articulated only through the public, performance voices of pre-literate singers came to find expression through the pens of private, literate authors. Amodio argues that the expressive economy of oral poetics survives in written texts because, throughout the Middle Ages, literacy and orality were interdependent, not competing, cultural forces. After delving into the background of the medieval oral-literate matrix, Writing the Oral Tradition develops a model of non-performative oral poetics that is a central, perhaps defining, component of Old English vernacular verse. Following the Norman Conquest, oral poetics lost its central position and became one of many ways to articulate poetry. Contrary to many scholars, Amodio argues that oral poetics did not disappear but survived well into the post-Conquest period. It influenced the composition of Middle English verse texts produced from the twelfth to the fourteenth century because it offered poets an affectively powerful and economical way to articulate traditional meanings. Indeed, fragments of oral poetics are discoverable in contemporary prose, poetics, and film as they continue to faithfully emit their traditional meanings.

The Social Universe of the English Bible

The Social Universe of the English Bible
Author: Naomi Tadmor
Publisher: Cambridge University Press
Total Pages: 225
Release: 2010-10-28
Genre: History
ISBN: 052176971X

This book sheds light on the shaping of the English Bible and its impact on early modern English society and culture.

Interactions between Orality and Writing in Early Modern Italian Culture

Interactions between Orality and Writing in Early Modern Italian Culture
Author: Luca Degl’Innocenti
Publisher: Routledge
Total Pages: 270
Release: 2016-03-02
Genre: Literary Criticism
ISBN: 1317114760

Investigating the interrelationships between orality and writing in elite and popular textual culture in early modern Italy, this volume shows how the spoken or sung word on the one hand, and manuscript or print on the other hand, could have interdependent or complementary roles to play in the creation and circulation of texts. The first part of the book centres on performances, ranging from realizations of written texts to improvisations or semi-improvisations that might draw on written sources and might later be committed to paper. Case studies examine the poems sung in the piazza that narrated contemporary warfare, commedia dell'arte scenarios, and the performative representation of the diverse spoken languages of Italy. The second group of essays studies the influence of speech on the written word and reveals that, as fourteenth-century Tuscan became accepted as a literary standard, contemporary non-standard spoken languages were seen to possess an immediacy that made them an effective resource within certain kinds of written communication. The third part considers the roles of orality in the worlds of the learned and of learning. The book as a whole demonstrates that the borderline between orality and writing was highly permeable and that the culture of the period, with its continued reliance on orality alongside writing, was often hybrid in nature.

Literature and Popular Culture in Early Modern England

Literature and Popular Culture in Early Modern England
Author: Matthew Dimmock
Publisher: Ashgate Publishing, Ltd.
Total Pages: 246
Release: 2009
Genre: History
ISBN: 9780754665809

Now in its third edition, Peter Burke's 1978 book Popular Culture in Early Modern Europe has for thirty years set the benchmark for cultural historians with its wide ranging and imaginative exploration of early modern European popular culture. In order to celebrate this achievement, and to explore the ways in which perceptions of popular culture have changed in the intervening years a group of leading scholars are brought together in this new volume to examine Burke's thesis in relation to England. Adopting an appropriately interdisciplinary approach, the collection offers an unprecedented survey of the field of popular culture in early modern England as it currently stands, bringing together scholars at the forefront of developments in an expanding area. Concluded by an Afterword by Peter Burke, the volume provides a vivid sense of the range and significance of early modern popular culture and the difficulties involved in defining and studying it.

A Social History of England, 1500-1750

A Social History of England, 1500-1750
Author: Keith Wrightson
Publisher: Cambridge University Press
Total Pages: 435
Release: 2017-02-23
Genre: History
ISBN: 1107041791

The first overview of early modern English social history since the 1980s, bringing together the leading authorities in the field.

Medieval Oral Literature

Medieval Oral Literature
Author: Karl Reichl
Publisher: Walter de Gruyter
Total Pages: 768
Release: 2011-11-30
Genre: Literary Criticism
ISBN: 3110241129

Medieval literature is to a large degree shaped by orality, not only with regard to performance, but also to transmission and composition. Although problems of orality have been much discussed by medievalists, there is to date no comprehensive handbook on this topic. ‘Medieval Oral Literature’, a volume in the ‘De Gruyter Lexikon’ series, was written by an international team of twenty-five scholars and offers a thorough discussion of theoretical approaches as well as detailed presentations of individual traditions and genres. In addition to chapters on the oral-formulaic theory, on the interplay of orality and writing in the Early Middle Ages, on performance and performers, on oral poetics and on ritual aspects of orality, there are chapters on the Older Germanic, Romance, Middle High German, Middle English, Celtic, Greek-Byzantine, Russian, Hebrew, Arabic, Persian and Turkish traditions of oral literature. There is a special focus on epic and lyric, genres that are also discussed in separate chapters, with additional chapters on the ballad and on drama.

Literacy and Orality in Eighteenth-Century Irish Song

Literacy and Orality in Eighteenth-Century Irish Song
Author: Julie Henigan
Publisher: Routledge
Total Pages: 283
Release: 2015-10-06
Genre: History
ISBN: 1317320689

Focusing on several distinct genres of eighteenth-century Irish song, Henigan demonstrates in each case that the interaction between the elite and vernacular, the written and oral, is pervasive and characteristic of the Irish song tradition to the present day.

Voices and Books in the English Renaissance

Voices and Books in the English Renaissance
Author: Jennifer Richards
Publisher: Oxford University Press, USA
Total Pages: 348
Release: 2019
Genre: Literary Criticism
ISBN: 0198809069

"Two ideas lie at the heart of this study and its claim that we need a new history of reading: that voices in books can affect us deeply ; that printed books can be brought to life with the voice. Voices and Books offers a new history of reading focussed on the oral and voice-aware silent reader, rather than the historical reader we have privileged in the last few decades, who is invariably male, silent, and alone. It recovers the vocality of education for boys and girls in Renaissance England, and the importance of training in pronuntiatio (delivery) for oral-aural literary culture. It offers the first attempt to recover the voice-and tone-from textual sources. It explores what happens when we bring voice to text, how vocal tone realizes or changes textual meaning, and how the literary writers of the past tried to represent their own and others' voices, as well as manage and exploit the voices of their readers. It offers fresh readings of the key Tudor authors who anticipated oral readers: John Bale, Anne Askew, William Baldwin, Thomas Nashe. And it aims to rethink what a printed book can be, searching the printed page for vocal cues, and exploring the neglected role of the voice in the printing process"-- Provided by publisher.