Opus - Progression in Music 11-14
| Author | : Phillips Hiscock |
| Publisher | : Heinemann |
| Total Pages | : 160 |
| Release | : 2007-06-28 |
| Genre | : |
| ISBN | : 0435812335 |
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Opus Progression In Music 11 14
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Opus: Student Book 2
| Author | : Marie Cherry |
| Publisher | : Heinemann |
| Total Pages | : 66 |
| Release | : 2006-11 |
| Genre | : |
| ISBN | : 0435812300 |
The aim of the Opus scheme is to develop pupils confidence and enrich their learning with opportunities to explore rhythm, pitch, structure and texture of music through a variety of musical genres.
Opus: Student Book 3
| Author | : Rob Blythe |
| Publisher | : Heinemann |
| Total Pages | : 66 |
| Release | : 2006-12 |
| Genre | : Music theory |
| ISBN | : 0435812505 |
The aim of the Opus scheme is to develop pupils confidence and enrich their learning with opportunities to explore rhythm, pitch, structure and texture of music through a variety of musical genres.
British and International Music Yearbook
| Author | : |
| Publisher | : |
| Total Pages | : 764 |
| Release | : 2008 |
| Genre | : Music |
| ISBN | : |
The directory of the classical music industry.
CMJ New Music Report
| Author | : |
| Publisher | : |
| Total Pages | : 28 |
| Release | : 2004-02-23 |
| Genre | : |
| ISBN | : |
CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.
The Music of Alban Berg
| Author | : David John Headlam |
| Publisher | : Yale University Press |
| Total Pages | : 476 |
| Release | : 1996-01-01 |
| Genre | : Music |
| ISBN | : 9780300064001 |
Headlam closely analyzes Berg's compositional technique and the use of symmetry and cycles throughout his oeuvre. He brings into the discussion Berg's own writings, as well as those of composer and musicologist George Perle; the techniques of Schoenberg, Webern, and other serialists; and aspects of pitch-class set and twelve-tone theory.
The Music of Béla Bartók
| Author | : Elliott Antokoletz |
| Publisher | : Univ of California Press |
| Total Pages | : 380 |
| Release | : 1984 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780520067479 |
The basic principles of progression and the means by which tonality is established in Bartók's music remain problematical to many theorists. Elliott Antokoletz here demonstrates that the remarkable continuity of style in Bartók's evolution is founded upon an all-encompassing system of pitch relations in which one can draw together the diverse pitch formations in his music under one unified set of principles.
