Operational Images
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| Author | : Jussi Parikka |
| Publisher | : U of Minnesota Press |
| Total Pages | : 283 |
| Release | : 2023-05-23 |
| Genre | : Art |
| ISBN | : 145296968X |
An in-depth look into the transformation of visual culture and digital aesthetics First introduced by the German filmmaker Harun Farocki, the term operational images defines the expanding field of machine vision. In this study, media theorist Jussi Parikka develops Farocki’s initial concept by considering the extent to which operational images have pervaded today’s visual culture, outlining how data technologies continue to develop and disrupt our understanding of images beyond representation. Charting the ways that operational images have been employed throughout a variety of fields and historical epochs, Parikka details their many roles as technologies of analysis, capture, measurement, diagramming, laboring, (machine) learning, identification, tracking, and destruction. He demonstrates how, though inextricable from issues of power and control, operational images extend their reach far beyond militaristic and colonial violence and into the realms of artificial intelligence, data, and numerous aspects of art, media, and everyday visual culture. Serving as an extensive guide to a key concept in contemporary art, design, and media theory, Operational Images explores the implications of machine vision and the limits of human agency. Through a wealth of case studies highlighting the areas where imagery and data intersect, this book gives us unprecedented insight into the ever-evolving world of posthuman visuality. Cover alt text: Satellite photo on which white title words appear in yellow boxes. Yellow lines connect the boxes.
| Author | : Jens Eder |
| Publisher | : Manchester University Press |
| Total Pages | : 380 |
| Release | : 2016-12-14 |
| Genre | : Social Science |
| ISBN | : 1526108658 |
Still and moving images are crucial factors in contemporary political conflicts. They not only have representational, expressive or illustrative functions, but also augment and create significant events. Beyond altering states of mind, they affect bodies and often life or death is at stake. Various forms of image operations are currently performed in the contexts of war, insurgency and activism. Photographs, videos, interactive simulations and other kinds of images steer drones to their targets, train soldiers, terrorise the public, celebrate protest icons, uncover injustices, or call for help. They are often parts of complex agential networks and move across different media and cultural environments. This book is a pioneering interdisciplinary study of the role and function of images in political life. Balancing theoretical reflections with in-depth case studies, it brings together renowned scholars and activists from different fields to offer a multifaceted critical perspective on a crucial aspect of contemporary visual culture.
| Author | : Luisa Feiersinger |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 216 |
| Release | : 2018-10-08 |
| Genre | : Art |
| ISBN | : 3110464977 |
Screen-based media, such as touch-screens, navigation systems and virtual reality applications merge images and operations. They turn viewing first and foremost into using and reflect the turn towards an active role of the image in guiding a user’s action and perception. From professional environments to everyday life multiple configurations of screens organise working routines, structure interaction, and situate users in space both within and beyond the boundaries of the screen. This volume examines the linking of screen, space, and operation in fields such as remote navigation, architecture, medicine, interface design, and film production asking how the interaction with and through screens structures their users’ action and perception.
| Author | : Ryan Conrath |
| Publisher | : Oxford University Press |
| Total Pages | : 233 |
| Release | : 2023 |
| Genre | : Education |
| ISBN | : 0197612296 |
"Between Images proposes a unique theory of montage a technique of relation: a means of fundamentally rethinking and reshaping how humans relate-to ourselves and each other, to the material world, to the planet and its nonhuman inhabitants. Historically, film criticism has cast montage in one of several roles: as narrative's invisible executor of spatiotemporal continuity to maintain the viewer's investment in the story-world; as an agent of disorder that confounds conventions of storytelling and realism and prompts the viewer's intellectual engagement; and as an expressionistic device for augmenting the duration and combination of shots to affect viewers at a sensory level. While not exactly abandoning such accounts, this study tries to move closer to the heart of montage by distinguishing the space between images as itself a powerful source of ideas, feelings, and forms. Venturing into an "expanded field of montage" beyond the limited purview of a given film's "editing," Between Images traces the cut and the splice across photographic and cinematic media in a range of material, conceptual, and political contexts. In all of this, the space between images becomes a setting for navigating and renegotiating the terms of relation, of the "being-with" that connects all forms of life. Between Images brings together a diverse cast of experimental filmmakers, including Harun Farocki, Hito Steyerl, Steve McQueen, and Cauleen Smith, Daïchi Saito, and Ja'Tovia Gary, and in doing so, situates the cinematic"--
| Author | : Andreas Broeckmann |
| Publisher | : MIT Press |
| Total Pages | : 400 |
| Release | : 2016-12-16 |
| Genre | : Art |
| ISBN | : 0262336111 |
An investigation of artists' engagement with technical systems, tracing art historical lineages that connect works of different periods. “Machine art” is neither a movement nor a genre, but encompasses diverse ways in which artists engage with technical systems. In this book, Andreas Broeckmann examines a variety of twentieth- and early twenty-first-century artworks that articulate people's relationships with machines. In the course of his investigation, Broeckmann traces historical lineages that connect art of different periods, looking for continuities that link works from the end of the century to developments in the 1950s and 1960s and to works by avant-garde artists in the 1910s and 1920s. An art historical perspective, he argues, might change our views of recent works that seem to be driven by new media technologies but that in fact continue a century-old artistic exploration. Broeckmann investigates critical aspects of machine aesthetics that characterized machine art until the 1960s and then turns to specific domains of artistic engagement with technology: algorithms and machine autonomy, looking in particular at the work of the Canadian artist David Rokeby; vision and image, and the advent of technical imaging; and the human body, using the work of the Australian artist Stelarc as an entry point to art that couples the machine to the body, mechanically or cybernetically. Finally, Broeckmann argues that systems thinking and ecology have brought about a fundamental shift in the meaning of technology, which has brought with it a rethinking of human subjectivity. He examines a range of artworks, including those by the Japanese artist Seiko Mikami, whose work exemplifies the shift.
| Author | : Marc Böhlen |
| Publisher | : Taylor & Francis |
| Total Pages | : 196 |
| Release | : 2024-11-29 |
| Genre | : Social Science |
| ISBN | : 1040193846 |
A new breed of low Earth orbit satellites is making planetary-scale observation and analysis ubiquitous. This book explores how this condition feeds spatially explicit artificial intelligence, GeoAI, in redefining the study of landscapes, and how it impacts one particular land dispute in the Alas Mertajati in Central Bali, Indonesia. This book combines scholarship from the humanities and engineering to forge a novel way of presenting planetary computing in its GeoAI vernacular. From data collection to model evaluation, the book describes how multi-spectral, high-resolution satellite data and machine learning algorithms respond to uncommon land cover conditions, including sustainable land care practices such as agroforestry while contextualizing the operations within science and media studies. Together with the installation logics-of-geoai.org, this book offers full-spectrum immersion into the unstable nexus of geography and artificial intelligence. This book will be of interest to any experimental artist, social scientist, curious AI engineer, or a free-range scholar. It will likewise appeal to students and scholars of science technology studies, media studies, geography, and ethnography.
| Author | : Rita Matulionyte |
| Publisher | : |
| Total Pages | : 306 |
| Release | : 2024-03-12 |
| Genre | : Law |
| ISBN | : 100932117X |
In situations ranging from border control to policing and welfare, governments are using automated facial recognition technology (FRT) to collect taxes, prevent crime, police cities and control immigration. FRT involves the processing of a person's facial image, usually for identification, categorisation or counting. This ambitious handbook brings together a diverse group of legal, computer, communications, and social and political science scholars to shed light on how FRT has been developed, used by public authorities, and regulated in different jurisdictions across five continents. Informed by their experiences working on FRT across the globe, chapter authors analyse the increasing deployment of FRT in public and private life. The collection argues for the passage of new laws, rules, frameworks, and approaches to prevent harms of FRT in the modern state and advances the debate on scrutiny of power and accountability of public authorities which use FRT. This book is also available as Open Access on Cambridge Core.
| Author | : Sonia Fizek |
| Publisher | : MIT Press |
| Total Pages | : 186 |
| Release | : 2022-11-01 |
| Genre | : Social Science |
| ISBN | : 0262372185 |
An essential exploration of video game aesthetic that decenters the human player and challenges what it means to play. Do we play video games or do video games play us? Is nonhuman play a mere paradox or the future of gaming? And what do video games have to do with quantum theory? In Playing at a Distance, Sonia Fizek engages with these and many more daunting questions, forging new ways to think and talk about games and play that decenter the human player and explore a variety of play formats and practices that require surprisingly little human action. Idling in clicker games, wandering in walking simulators, automating gameplay with bots, or simply watching games rather than playing them—Fizek shows how these seemingly marginal cases are central to understanding how we play in the digital age. Introducing the concept of distance, Fizek reorients our view of computer-mediated play. To “play at a distance,” she says, is to delegate the immediate action to the machine and to become participants in an algorithmic spectacle. Distance as a media aesthetic framework enables the reader to come to terms with the ambiguity and aesthetic diversity of play. Drawing on concepts from philosophy, media theory, and posthumanism, as well as cultural and film studies, Playing at a Distance invites a wider understanding of what digital games and gaming are in all their diverse experiences and forms. In challenging the common perception of video games as inherently interactive, the book contributes to our understanding of the computer’s influence on practices of play—and prods us to think more broadly about what it means to play.
| Author | : Martin Blumenthal-Barby |
| Publisher | : Taylor & Francis |
| Total Pages | : 105 |
| Release | : 2024-06-03 |
| Genre | : Performing Arts |
| ISBN | : 1040111599 |
Cinema and Surveillance: The Asymmetric Gaze shows how key modern filmmakers challenge and disturb the relation between film and surveillance, medium and message. Assembling readings of films by Harun Farocki, Michael Haneke, and Fritz Lang, the book considers surveillance in such different domains as urban life, religious doctrine, and law enforcement. With surveillance present in the modern world as both a technological phenomenon and a social practice, the author shows how cinema, as a visual medium, presents highly sophisticated analyses of surveillance. He suggests that “surveillance” is less an issue to be tackled from a secure spectatorial position than an experience to be rendered, an event to be dealt with. Far from offering a general model of spectatorship, the book explores how narrative moments of surveillance are complicated by specific spectatorial responses. In its intersection of well-known figures and a highly topical issue, this book will have broad appeal, especially, but not exclusively, among students and scholars in film studies, media studies, German studies, European studies, art history, and political theory.
| Author | : Silvia Casini |
| Publisher | : MIT Press |
| Total Pages | : 321 |
| Release | : 2021-08-03 |
| Genre | : Technology & Engineering |
| ISBN | : 0262362201 |
An examination of the bodily, situated aspects of data-visualization work, looking at visualization practices around the development of MRI technology. Our bodies are scanned, probed, imaged, sampled, and transformed into data by clinicians and technologists. In this book, Silvia Casini reveals the affective relations and materiality that turn data into image--and in so doing, gives bodies back to data. Opening the black box of MRI technology, Casini examines the bodily, situated aspects of visualization practices around the development of this technology. Reframing existing narratives of biomedical innovation, she emphasizes the important but often overlooked roles played by aesthetics, affectivity, and craft practice in medical visualization. Combining history, theory, laboratory ethnography, archival research, and collaborative art-science, Casini retrieves the multiple presences and agencies of bodies in data visualization, mapping the traces of scientists' body work and embodied imagination. She presents an in-depth ethnographic study of MRI development at the University of Aberdeen's biomedical physics laboratory, from the construction of the first whole-body scanner for clinical purposes through the evolution of the FFC-MRI. Going beyond her original focus on MRI, she analyzes a selection of neuroscience- or biomedicine-inspired interventions by artists in media ranging from sculpture to virtual reality. Finally, she presents a methodology for designing and carrying out small-scale art-science projects, describing a collaboration that she herself arranged, highlighting the relational and aesthetic-laden character of data that are the product of craftsmanship and affective labor at the laboratory bench.
