Opera Indigene Re Presenting First Nations And Indigenous Cultures
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| Author | : Pamela Karantonis |
| Publisher | : Routledge |
| Total Pages | : 398 |
| Release | : 2016-05-13 |
| Genre | : Music |
| ISBN | : 1317085418 |
The representation of non-Western cultures in opera has long been a focus of critical inquiry. Within this field, the diverse relationships between opera and First Nations and Indigenous cultures, however, have received far less attention. Opera Indigene takes this subject as its focus, addressing the changing historical depictions of Indigenous cultures in opera and the more contemporary practices of Indigenous and First Nations artists. The use of 're/presenting' in the title signals an important distinction between how representations of Indigenous identity have been constructed in operatic history and how Indigenous artists have more recently utilized opera as an interface to present and develop their cultural practices. This volume explores how operas on Indigenous subjects reflect the evolving relationships between Indigenous peoples, the colonizing forces of imperial power, and forms of internal colonization in developing nation-states. Drawing upon postcolonial theory, ethnomusicology, cultural geography and critical discourses on nationalism and multiculturalism, the collection brings together experts on opera and music in Canada, the Americas and Australia in a stimulating comparative study of operatic re/presentation.
| Author | : Pamela Karantonis |
| Publisher | : Routledge |
| Total Pages | : 386 |
| Release | : 2016-05-13 |
| Genre | : Music |
| ISBN | : 1317085426 |
The representation of non-Western cultures in opera has long been a focus of critical inquiry. Within this field, the diverse relationships between opera and First Nations and Indigenous cultures, however, have received far less attention. Opera Indigene takes this subject as its focus, addressing the changing historical depictions of Indigenous cultures in opera and the more contemporary practices of Indigenous and First Nations artists. The use of 're/presenting' in the title signals an important distinction between how representations of Indigenous identity have been constructed in operatic history and how Indigenous artists have more recently utilized opera as an interface to present and develop their cultural practices. This volume explores how operas on Indigenous subjects reflect the evolving relationships between Indigenous peoples, the colonizing forces of imperial power, and forms of internal colonization in developing nation-states. Drawing upon postcolonial theory, ethnomusicology, cultural geography and critical discourses on nationalism and multiculturalism, the collection brings together experts on opera and music in Canada, the Americas and Australia in a stimulating comparative study of operatic re/presentation.
| Author | : Kene Igweonu |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 209 |
| Release | : 2014-01-14 |
| Genre | : Performing Arts |
| ISBN | : 1443855928 |
This book is part of a three-volume book-set published under the general title of Performative Inter-Actions in African Theatre. Each of the three books in the set has a unique subtitle that works to better focus its content, and differentiates it from the other two volumes. The contributors’ backgrounds and global spread adequately reflect the international focus of the three books that make up the collection. The contributions, in their various ways, demonstrate the many advances and ingenious solutions adopted by African theatre practitioners in tackling some of the challenges arising from the adverse colonial experience, as well as the “one-sided” advance of globalisation. The contributions attest to the thriving nature of African theatre and performance, which in the face of these challenges, has managed to retain its distinctiveness, while at the same time acknowledging, contesting, and appropriating influences from elsewhere into an aesthetic that is identifiably African. Consequently, the three books are presented as a comprehensive exploration of the current state of African theatre and performance, both on the continent and diaspora. Performative Inter-Actions in African Theatre 1: Diaspora Representations and the Interweaving of Cultures explores the idea that, in and from their various locations around the world, the plays of the African diaspora acknowledge and pay homage to the cultures of home, while simultaneously articulating a sense of their Africanness in their various inter-actions with their host cultures. Contributions in Diaspora Representations and the Interweaving of Cultures equally attest to the notion that the diaspora – as we see it – is not solely located outside of the African continent itself, but can be found in those performances in the continent that engage performatively with the West and other parts of the world in that process of articulating identity.
| Author | : Michael Halliwell |
| Publisher | : Routledge |
| Total Pages | : 276 |
| Release | : 2017-09-11 |
| Genre | : Music |
| ISBN | : 1317090810 |
Opera has been performed in Australia for more than two hundred years, yet none of the operas written before the Second World War have become part of the repertoire. It is only in the late 1970s and early 1980s that there is evidence of the successful systematic production of indigenous opera. The premiere of Voss by Richard Meale and David Malouf in 1986 was a watershed in the staging and reception of new opera, and there has been a diverse series of new works staged in the last thirty years, not only by the national company, but also by thriving regional institutions. The emergence of a thriving operatic tradition in contemporary Australia is inextricably enmeshed in Australian cultural consciousness and issues of national identity. In this study of eighteen representative contemporary operas, Michael Halliwell elucidates the ways in which the operas reflect and engage with the issues facing contemporary Australians. Stylistically these eighteen operas vary greatly. The musical idiom is diverse, ranging from works in a modernist idiom such as The Ghost Wife, Whitsunday, Fly Away Peter, Black River and Bride of Fortune, to Voss, Batavia, Bliss, Lindy, Midnight Son, The Riders, The Summer of the Seventeenth Doll and The Children’s Bach being works which straddle several musical styles. A number of operas draw strongly on musical theatre including The Eighth Wonder, Pecan Summer, The Rabbits and Cloudstreet, and Love in the Age of Therapy is couched in a predominantly jazz idiom. While some of them are overtly political, all, at least tangentially, deal with recent cultural politics in Australia and offer sharply differing perspectives.
| Author | : Finex Ndhlovu |
| Publisher | : Taylor & Francis |
| Total Pages | : 334 |
| Release | : 2024-07-23 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1040039685 |
Language and Decolonisation is the first collection to bring together views from across scholarly communities that are committed to the agenda of decolonising knowledge in language study. Edited by leading figures in the field, the chapters offer new insights on how ‘decolonising’ can be adopted as a methodology for charting the next steps in solving practical language-related problems in educational and related social policy areas. Divided into two sections, the book covers the coloniality of language, the materiality of culture and colonial scripts, the decolonisation imperative, multilingualism discourse and decolonisation, and decolonising languages in public discourse. With 20 chapters authored by experts from across the globe, this pioneering collection is an essential reference and resource for advanced students, scholars, and researchers of language and culture, sociolinguistics, decolonial studies, racial studies, and related areas.
| Author | : Jeffrey Sissons |
| Publisher | : Reaktion Books |
| Total Pages | : 184 |
| Release | : 2005-05-30 |
| Genre | : Social Science |
| ISBN | : 1861895623 |
It is widely assumed that indigenous cultures are under threat: they are rooted in landscapes that have undergone radical transformations, and the opposing forces of business corporations and ruling political powers only seem to grow stronger. Yet Jeff Sissons argues here in First Peoples that, far from collapsing in the face of global capitalism, indigenous cultures today are as diverse and alive as they ever were. First Peoples explores how, instead of being absorbed into a homogeneous modernity, indigenous cultures are actively shaping alternative futures for themselves and appropriating global resources for their own culturally specific needs. From the Inuit and Saami in the north to the Maori and Aboriginal Australians in the south to the American Indians in the west, Sissons shows that for indigenous peoples, culture is more than simply heritage-it is a continuous project of preservation and revival. Sissons argues that the cultural renaissances that occurred among indigenous peoples during the late twentieth century were not simply one-time occurrences; instead, they are crucial events that affirmed their cultures and re-established them as viable political entities posing unique challenges to states and their bureaucracies. He explores how indigenous peoples have also defined their identities through forged alliances such as the World Council of Indigenous Peoples and how these allied communities have created an alternative political order to the global organization of states. First Peoples is a groundbreaking volume that vigorously contends that indigenous peoples have begun a new movement to solve the economic and political issues facing their communities, and they are doing so in unique and innovative ways.
| Author | : Jaye T. Darby |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 281 |
| Release | : 2020-02-06 |
| Genre | : Performing Arts |
| ISBN | : 1350035068 |
This foundational study offers an accessible introduction to Native American and First Nations theatre by drawing on critical Indigenous and dramaturgical frameworks. It is the first major survey book to introduce Native artists, plays, and theatres within their cultural, aesthetic, spiritual, and socio-political contexts. Native American and First Nations theatre weaves the spiritual and aesthetic traditions of Native cultures into diverse, dynamic, contemporary plays that enact Indigenous human rights through the plays' visionary styles of dramaturgy and performance. The book begins by introducing readers to historical and cultural contexts helpful for reading Native American and First Nations drama, followed by an overview of Indigenous plays and theatre artists from across the century. Finally, it points forward to the ways in which Native American and First Nations theatre artists are continuing to create works that advocate for human rights through transformative Native performance practices. Addressing the complexities of this dynamic field, this volume offers critical grounding in the historical development of Indigenous theatre in North America, while analysing key Native plays and performance traditions from the mainland United States and Canada. In surveying Native theatre from the late 19th century until today, the authors explore the cultural, aesthetic, and spiritual concerns, as well as the political and revitalization efforts of Indigenous peoples. This book frames the major themes of the genre and identifies how such themes are present in the dramaturgy, rehearsal practices, and performance histories of key Native scripts.
| Author | : Lynda Gray |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2022 |
| Genre | : Indigenous peoples |
| ISBN | : 9780986964015 |
"Lynda Gray (Ts'msyen Nation) provides an accessible primer on Indigenous peoples' past and present geared towards both non-Indigenous and Indigenous readers. See the free resources page for downloadable resources. First Nations 101 provides a broad overview of the day-to-day lives of Indigenous people, traditional Indigenous communities, colonial interventions used in an attempt to assimilate Indigenous people into mainstream society, the impacts those interventions had on Indigenous families and communities, and how Indigenous people are working towards holistic health and wellness today. This 2nd edition has over 75 chapters, including 16 new ones. Gray's accessible writing style makes First Nations 101 the perfect primer. She notes that although governments may encourage and fund reconciliation activities, true reconciliation can only happen through the ongoing commitment and consistent actions of individuals, groups, organizations, and businesses"--firstnations101.com.
| Author | : Taiaiake Alfred |
| Publisher | : University of Toronto Press |
| Total Pages | : 264 |
| Release | : 2023-08-31 |
| Genre | : Social Science |
| ISBN | : 1487557752 |
Illuminating the First Nations struggles against the Canadian state, It’s All about the Land exposes how racism underpins and shapes Indigenous-settler relationships. Renowned Kahnawà:ke Mohawk activist and scholar Taiaiake Alfred explains how the Canadian government’s reconciliation agenda is a new form of colonization that is guaranteed to fail. Bringing together Alfred’s speeches and interviews from over the past two decades, the book shows that Indigenous peoples across the world face a stark choice: reconnect with their authentic cultures and values or continue following a slow road to annihilation. Rooted in ancestral spirit, knowledge, and law, It’s All about the Land presents a passionate argument for Indigenous Resurgence as the pathway toward justice for Indigenous peoples.
| Author | : Julian Kunnie |
| Publisher | : Routledge |
| Total Pages | : 504 |
| Release | : 2017-05-15 |
| Genre | : Religion |
| ISBN | : 1351927973 |
Capturing the narratives of indigenes, this book presents a unique anthology on global Indigenous peoples' wisdoms and ways of knowing. Covering issues of religion, cultural self-determination, philosophy, spirituality, sacred sites, oppression, gender and the suppressed voices of women, the diverse global contexts across Africa, Asia, the Middle East, North and South America, and Oceania are highlighted. The contributions represent heart-felt expressions of Indigenous peoples from various contexts - their triumphs and struggles, their gains and losses, their reflections on the past, present, and future - telling their accounts in their own voices. Opening new vistas for understanding historical ancient knowledge, preserved and practiced by Indigenous people for millennia, this innovative anthology illuminates areas of philosophy, science, medicine, health, architecture, and botany to reveal knowledge suppressed by Western academic studies.
