Opera Anecdotes

Opera Anecdotes
Author: Ethan Mordden
Publisher: Oxford University Press, USA
Total Pages: 284
Release: 1988
Genre: Music
ISBN: 9780195056617

From backstage squabbles and box-office chicanery to the gallantry and glory of creation, this book of stories unveils a delightful panorama of opera lore. "An opera lover's handbook that should always be near at hand".--Schuyler G. Chapin, Columbia University.

The New Book of Opera Anecdotes

The New Book of Opera Anecdotes
Author: Ethan Mordden
Publisher:
Total Pages: 325
Release: 2020
Genre: Music
ISBN: 0190877685

Building on the continued success of Ethan Mordden's Opera Anecdotes, The New Book of Opera Anecdotes continues where the original left off, bringing into conversation the new corps of major stars that has arisen since the original book's 1985 publication, presenting completely new, fresh stories that cover the aesthetic and stylistic shifts this latest period has ushered in.

Sing Me a Story

Sing Me a Story
Author: Jane Rosenberg
Publisher: Thames & Hudson
Total Pages: 160
Release: 1996-01
Genre: Fiction
ISBN: 9780500278734

An illustrated retelling of the plots of fifteen well-known operas.

A History of Opera

A History of Opera
Author: Carolyn Abbate
Publisher: W. W. Norton & Company
Total Pages: 648
Release: 2015-09-08
Genre: Music
ISBN: 0393089533

“The best single volume ever written on the subject, such is its range, authority, and readability.”—Times Literary Supplement Why has opera transfixed and fascinated audiences for centuries? Carolyn Abbate and Roger Parker answer this question in their “effervescent, witty” (Die Welt, Germany) retelling of the history of opera, examining its development, the musical and dramatic means by which it communicates, and its role in society. Now with an expanded examination of opera as an institution in the twenty-first century, this “lucid and sweeping” (Boston Globe) narrative explores the tensions that have sustained opera over four hundred years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre’s most popular and enduring works were almost all written in a distant European past, opera continues to change the viewer— physically, emotionally, intellectually—with its enduring power.

The Barefoot Book of Stories from the Opera

The Barefoot Book of Stories from the Opera
Author:
Publisher:
Total Pages: 0
Release: 1999
Genre: Juvenile Nonfiction
ISBN: 9781901223415

The author's rewriting of opera stories from seven different composers combined with illustrations and a select discography, introduces to children some of the great operatic themes of the last 200 years.

The Random House Book of Opera Stories

The Random House Book of Opera Stories
Author:
Publisher: Random House Books for Young Readers
Total Pages: 0
Release: 1998
Genre: Music
ISBN: 9780679893158

Capture the excitement of a night at the opera with this stunning collection of eight favorite opera stories, each illustrated by a different artist.The Magic FluteAidaCarmenThe Cunning Little VixenTurandotCinderellaHansel & GretelThe Love for Three Oranges

The New Book of Opera Anecdotes

The New Book of Opera Anecdotes
Author: Ethan Mordden
Publisher: Oxford University Press
Total Pages: 325
Release: 2020-08-04
Genre: Music
ISBN: 0190877707

Building on the long-established success of Ethan Mordden's Opera Anecdotes, The New Book Of Opera Anecdotes continues where the original left off, bringing into view the new corps of major singers that arose after the first book's publication in 1985 -- artists such as Renee Fleming, Roberto Alagna, Deborah Voigt, Jonas Kaufmann, Kathleen Battle, and Jane Eaglen (who tested her family with Turandot's three riddles and got a very original answer). There are also fresh adventures with opera's fabled great -- Rossini, Wagner, Toscanini (whose temper tantrums are always good for a story), Franco Corelli, Luciano Pavarotti, Leontyne Price (who, when the Met's Rudolf Bing offered her the voice-killing role of Abigaille in Verdi's Nabucco, said, "Man, are you crazy?"). Almost all the stories in The New Book Of Opera Anecdotes are completely new, whether from the present or the past, taking in many historical developments, from the rise of the conductor to the appearance of the gymmed-up "bari-hunk" who refuses to play any role in which he can't appear shirtless. While most of Mordden's anecdotes are humorous, some are emotionally touching, such as one recounting a Met production of Mozart's The Marriage Of Figaro in which Renee Fleming sang alongside her own six-year-old daughter. Other tales are suspenseful, as when Tito Gobbi shows off his ability to make anyone turn around simply by staring at his or her back. He tries it on Nazi monster Joseph Goebbels, who does turn around, and then starts to move toward Gobbi, seething with rage, step by step... Mordden recounts these stories in his own unique voice, amplifying events for reading pleasure and adding in background material so the opera newcomer can play on the same field as the aficionado. Witty, dramatoic, and at times a little shocking, The New Book Of Opera Anecdotes will be a welcome addition to any opera fan's library.

Storytelling in Opera and Musical Theater

Storytelling in Opera and Musical Theater
Author: Nina Penner
Publisher: Indiana University Press
Total Pages: 312
Release: 2020-10-06
Genre: Music
ISBN: 0253049989

Storytelling in Opera and Musical Theater is the first systematic exploration of how sung forms of drama tell stories. Through examples from opera's origins to contemporary musicals, Nina Penner examines the roles of character-narrators and how they differ from those in literary and cinematic works, how music can orient spectators to characters' points of view, how being privy to characters' inner thoughts and feelings may evoke feelings of sympathy or empathy, and how performers' choices affect not only who is telling the story but what story is being told. Unique about Penner's approach is her engagement with current work in analytic philosophy. Her study reveals not only the resources this philosophical tradition can bring to musicology but those which musicology can bring to philosophy, challenging and refining accounts of narrative, point of view, and the work-performance relationship within both disciplines. She also considers practical problems singers and directors confront on a daily basis, such as what to do about Wagner's Jewish caricatures and the racism of Orientalist operas. More generally, Penner reflects on how centuries-old works remain meaningful to contemporary audiences and have the power to attract new, more diverse audiences to opera and musical theater. By exploring how practitioners past and present have addressed these issues, Storytelling in Opera and Musical Theater offers suggestions for how opera and musical theater can continue to entertain and enrich the lives of 21st-century audiences.

Great Operatic Disasters

Great Operatic Disasters
Author: Hugh Vickers
Publisher: Macmillan
Total Pages: 112
Release: 1985-10-15
Genre: Music
ISBN: 9780312346348

To its devotees, opera is the most sublime of arts. It is also one of the most accident prone, and when things go wrong, they tend to do so on a grand scale. Great Operatic Disasters records some of the most memorable calamities from opera houses around the world. Most of them are true, some have been embroidered over the years, and a few, well, se non e vero, e ben trovato.

A Guide to Orchestral Music

A Guide to Orchestral Music
Author: Ethan Mordden
Publisher: Oxford University Press, USA
Total Pages: 588
Release: 1986
Genre: Music appreciation
ISBN: 0195040414

This authoritative guide gives the non-musician the fundamentals of orchestral music. It begins with a general introduction to the symphony and various musical styles and then describes, chronologically, over seven hundred pieces--from Vivaldi to twentieth-century composers. Mordden also includes a glossary of musical terms and other useful aids for the music lover.