One Southern Stevens Family
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Author | : |
Publisher | : University of Georgia Press |
Total Pages | : 260 |
Release | : 1993-02-01 |
Genre | : Art |
ISBN | : 9780820315355 |
A Southern Collection presents select masterworks from the permanent collection of the Morris Museum of Art on the occasion of the institution's inaugural exhibition. Drawn from a comprehensive survey collection of painting in the South from the late eighteenth century to the present day, the museum's opening exhibit explores an artistic terrain as rich and diverse as the South itself, arranged in categories that reflect critical chronological developments in the art world. A survey of painting activity in the South begins with the travels of itinerant portrait artists working prior to the Civil War. At the same time, landscape painting encompasses a sensitive response to the swamps, bayous and fertile fields of the South. Late in the nineteenth century strong and vivid genre painting competes with the nostalgic effects realized by Southern impressionists, whose shimmering, liquid images are invested with an elusive spirit of place. In this century, those strains of realism and naturalism that characterize the classic body of Southern writing appear in the representational art of painters who defied the modern abstract dictum. And finally, the exciting, compelling works of a current generation of both self-taught artists and sophisticated contemporary painters complete this fascinating, though sometimes neglected, chapter in American art history.
Author | : William Faulkner |
Publisher | : Vintage |
Total Pages | : 258 |
Release | : 2011-05-18 |
Genre | : Fiction |
ISBN | : 0307792188 |
A classic Faulkner novel which explores the lives of a family of characters in the South. An aging black who has long refused to adopt the black's traditionally servile attitude is wrongfully accused of murdering a white man.
Author | : Amanda Stevens |
Publisher | : MIRA |
Total Pages | : 183 |
Release | : 2016-09-27 |
Genre | : Fiction |
ISBN | : 146039593X |
The Graveyard Queen is on the hunt for a killer as supernatural forces invade her mind in this contemporary gothic thriller. I am a living ghost, a wanderer in search of my purpose and place. I’m a cemetery restorer by trade, but my calling has evolved from that of ghost seer to death walker to detective of lost souls. I solve the riddles of the dead so the dead will leave me alone. I’ve come to Seven Gates Cemetery nursing a broken heart, but peace is hard to come by . . . for the ghosts here and for me. When the body of a young woman is discovered in a caged grave, I know that I’ve been summoned for a reason. Only I can unmask her killer. I want to trust the detective assigned to the case, for he is a ghost seer like me. But how can I put my faith in anyone when supernatural forces are manipulating my every thought? When reality is ever-changing? And when the one person I thought I could trust above all others has turned into a diabolical stranger?
Author | : Amanda Stevens |
Publisher | : Harlequin |
Total Pages | : 226 |
Release | : 2021-12-28 |
Genre | : Fiction |
ISBN | : 0369709497 |
Nothing matters more to her when a child's life is at stake. Special agent Thea Lamb returns to her hometown to search for a child whose disappearance echoes a twenty-eight-year-old cold case—her twin sister's abduction. Working with her former partner, Jake Stillwell, Thea must overcome the pain, doubt and guilt that have tormented her for years and denied her a meaningful relationship. For both Thea and Jake, the job always came first…until now. From Harlequin Intrigue: Seek thrills. Solve crimes. Justice served. Discover more action-packed stories in the A Procedural Crime Story series. All books are stand-alone with uplifting endings but were published in the following order: Book 1: Little Girl Gone Book 2: John Doe Cold Case
Author | : Courtney C. Stevens |
Publisher | : Harper Collins |
Total Pages | : 277 |
Release | : 2014-02-25 |
Genre | : Young Adult Fiction |
ISBN | : 0062245406 |
An edgy, realistic debut novel praised by the New York Times bestselling author of Between Shades of Gray, Ruta Sepetys, as “a beautiful reminder that amid our broken pieces we can truly find ourselves.” Alexi Littrell hasn’t told anyone what happened to her over the summer by her backyard pool. Instead, she hides in her closet, counts the slats in the air vent, and compulsively scratches the back of her neck, trying to make the outside hurt more than the inside does—and deal with the trauma. When Bodee Lennox—“the Kool-Aid Kid”—moves in with the Littrells after a family tragedy, Alexi discovers an unlikely friend in this quiet, awkward boy who has secrets of his own. As their friendship grows, Alexi gives him the strength to deal with his past, and Bodee helps her summon the courage to find her voice and speak up about the rape that has changed the course of her life.
Author | : William Bacon Stevens |
Publisher | : |
Total Pages | : 574 |
Release | : 1847 |
Genre | : Georgia |
ISBN | : |
Author | : Yates Snowden |
Publisher | : |
Total Pages | : 700 |
Release | : 1920 |
Genre | : South Carolina |
ISBN | : |
Author | : Cuyler Reynolds |
Publisher | : |
Total Pages | : 684 |
Release | : 1914 |
Genre | : Hudson River Valley (N.Y. and N.J.) |
ISBN | : |
Author | : Kandy Noles Stevens |
Publisher | : WestBow Press |
Total Pages | : 317 |
Release | : 2016-09-29 |
Genre | : Religion |
ISBN | : 1512752819 |
Not your typical book about grief, the redbird sings the song of hope is the perfect telling of what grieving people wish others knew. Kandy Noles Stevens unapologetically explains what isn’t always helpful to the bereaved, but does so with grace and wit. Through her personal stories, she provides practical ideas of how to bring comfort to those who are hurting. In an engaging Southern style, Kandy writes about real people (including some pretty colorful ones) who have loved her family in their darkest days. Infused in every page are hope-filled words of God’s faithfulness, including the sending of one redbird when her family needed it the most.
Author | : Sarah Gordon |
Publisher | : The Institute for Southern Studies |
Total Pages | : 239 |
Release | : |
Genre | : History |
ISBN | : |
When Judge Ernest N. "Dutch" Modal was elected "the first black mayor" of this South Coast city November 13,1977, political observers all around the country sat up to take notice. New Orleans is the nation's fourth blackest city (relative to percent of total population), and the largest and most powerful city in the third blackest state in the country. When he took over the reins of the nation's second largest port — the Southern terminus of the mid continent grain export/oil import traffic carried by the Mississippi River — Dutch Morial became perhaps the country's most powerful elected black official. The true significance of Morial's November victory can really be understood only in the context of the history of Afro-American involvement in the city's political and cultural life. African slaves were first imported into the state of Louisiana, then a French colony, after Indian slavery was abolished in 1719. By 1724, colonial administrators had finished compiling the Code Noir, a document outlining the mutual rights and obligations of Louisiana's masters and slaves. By Bill Rushton's first book, on the French speaking Cajuns of South Louisiana, will be issued this fall by Farrar, Straus and Giroux. comparison to conditions in Anglo- American colonial areas, the results of the Code Noir were relatively progressive. All slaves were required to be baptized in the Catholic Church, establishing common cultural ties between blacks and whites in Louisiana that were closer than those anywhere else in the South — ties that were preserved through the Civil War until separate, black Catholic parishes began to be formed with the consent of the Archbishop of New Orleans in 1897. Colonial-era slaves were permitted to retain a good many of their own cultural traditions as well, and in New Orleans they were allowed Sunday afternoons off to gather in what was then called Congo Square to dance the bamboula to their own music, forming a unique milieu which helps explain why jazz originated here rather than in, say, Savannah or Charleston.