One Act Plays For Stage And Study Third Series
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Author | : Deb Bert |
Publisher | : Meriwether Publishing |
Total Pages | : 256 |
Release | : 2003 |
Genre | : Drama |
ISBN | : |
This latest volume in a series of short play anthologies compiled by Deb and Norman Bert provides roles for almost any mix of students in an acting class. The plays range in mood from serious and heavy to dark or satiric comedy to farce. The heart of the book includes fifteen scripts for two actors. Also included are five monologues and five three-character plays. The playwrights are icons of the American avante garde, writers who have contributed much to regional theatre over recent years. An excellent resource for classrooms and festival competition use.
Author | : |
Publisher | : |
Total Pages | : 394 |
Release | : 1928 |
Genre | : American drama |
ISBN | : |
Author | : |
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Total Pages | : 24 |
Release | : 1928 |
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Author | : Glyn Trefor-Jones |
Publisher | : |
Total Pages | : 0 |
Release | : 2015 |
Genre | : Drama |
ISBN | : 9781848422858 |
Packed full of drama games, ideas and suggestions, Drama Menu is a unique new resource for drama teachers.
Author | : |
Publisher | : |
Total Pages | : 448 |
Release | : 1932 |
Genre | : One-act plays |
ISBN | : |
Author | : Israel Horovitz |
Publisher | : Dramatists Play Service Inc |
Total Pages | : 52 |
Release | : 1968-10 |
Genre | : Drama |
ISBN | : 9780822205685 |
THE STORY: An East Indian gets lost on his first day in New York as two teenage punks find him waiting at a lonely bus stop. He cannot understand English, and the boys have some fun with him-at least it starts out as fun. But little by little, as the minutes go by and the bus doesn't come, they get bored; then annoyed; then vicious. It is the very pointlessness of their brutality that makes the play-with its awful final image of the Indian jabbering into a dead phone-so disturbing. We are convinced that this is exactly what would happen at this particular bus stop on this particular night; we see, again, that violence in the big city is as much a child of ennui as of anger. And, as the nightmare spell of the play takes hold, and the boys torture their victim with increasing relish, we are brought to a shocking awareness of how thin the veneer of civilization can be-of how close beneath the surface of all men lurks the primitive impulse to hurt and humiliate those whose very helplessness and inability to communicate can only frustrate and enrage.
Author | : Library of Congress. Copyright Office |
Publisher | : Copyright Office, Library of Congress |
Total Pages | : 844 |
Release | : 1955 |
Genre | : Copyright |
ISBN | : |
Includes Part 1, Number 2: Books and Pamphlets, Including Serials and Contributions to Periodicals (July - December)
Author | : Jason Pizzarello |
Publisher | : Stage Partners |
Total Pages | : 34 |
Release | : 2021-01-01 |
Genre | : Drama |
ISBN | : |
Ah, the cast list. Oh, the drama. The casting would be simple if it weren't for constant script cuts, actor trade agreements, backstabbing, helicopter parents, hysterical prima donnas, and the Assistant Director could figure out how to incorporate the songs of Grease into Romeo & Juliet without getting sued. This is a show for any student who has ever been cast or miscast in a school play or any teacher who has ever attempted to post a list without serious backlash. Comedy One-act. 30-35 minutes 10-30 actors, gender flexible
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Total Pages | : 684 |
Release | : 1917 |
Genre | : Popular culture |
ISBN | : |
Author | : Phyllis Cole Braunlich |
Publisher | : University of Oklahoma Press |
Total Pages | : 252 |
Release | : 2002-11-01 |
Genre | : Biography & Autobiography |
ISBN | : 9780806135106 |
Phyllis Cole Braunlich sketches the life story of Lynn Riggs (18991954), the playwright best known as the author of Green Grow the Lilacs, the play that formed the basis for the Rodgers and Hammerstein musical Oklahoma! Today Riggs is recognized as one of the twentieth century’s most innovative playwrights. Santa Fe, Hollywood, New York, and Chapel Hill: these were the cities that Lynn Riggs, “father of the folk play,” called home, along with eastern Oklahoma, the scene of his memorable re-creations of Oklahoma Territory before statehood. Riggs traveled widely to make his living and his fame, and along the way he earned the friendship of many avant-garde writers and successful theatre people of his time. This biography is also a chronicle of literary and café society on both coasts and in New Mexico during the 1920s, ‘30s, and ‘40s.