On the Laws of Japanese Painting
Author | : Henry P. Bowie |
Publisher | : |
Total Pages | : 264 |
Release | : 1911 |
Genre | : Painting, Japanese |
ISBN | : |
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Author | : Henry P. Bowie |
Publisher | : |
Total Pages | : 264 |
Release | : 1911 |
Genre | : Painting, Japanese |
ISBN | : |
Author | : Henry P. Bowie |
Publisher | : Read Books Ltd |
Total Pages | : 154 |
Release | : 2016-03-10 |
Genre | : History |
ISBN | : 1473381452 |
This vintage book contains a detailed introduction to Japanese art, with historical information, directions for using materials, details on influential artists and pieces, and much more. "On The Laws Of Japanese Painting" constitutes a must-read for those with a practical interest in Japanese art and would make for a fantastic addition to collections of allied literature. Contents include: "Personal Experiences", "Art in Japan", "Laws for the Use of Brush and Materials", "Laws Governing the Conception and Execution of a Painting", "Canons of the Aesthetics of Japanese Painting", "Subjects for Japanese Painting", "Signatures and Seals", "Explanation of Head-Bands", and "Plates Explanatory of the Forgoing Text on the Laws of Japanese Painting". Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in an affordable, modern edition complete with a specially commissioned new introduction. This book was first published in 1911.
Author | : Henry P. Bowie |
Publisher | : |
Total Pages | : 262 |
Release | : 1911 |
Genre | : Painting, Japanese |
ISBN | : |
Author | : William Marotti |
Publisher | : Duke University Press |
Total Pages | : 457 |
Release | : 2013-03-27 |
Genre | : Art |
ISBN | : 0822349809 |
During the 1960s a group of young artists in Japan challenged official forms of politics and daily life through interventionist art practices. William Marotti situates this phenomenon in the historical and political contexts of Japan after the Second World War and the international activism of the 1960s. The Japanese government renewed its Cold War partnership with the United States in 1960, defeating protests against a new security treaty through parliamentary action and the use of riot police. Afterward, the government promoted a depoliticized everyday world of high growth and consumption, creating a sanitized national image to present in the Tokyo Olympics of 1964. Artists were first to challenge this new political mythology. Marotti examines their political art, and the state's aggressive response to it. He reveals the challenge mounted in projects such as Akasegawa Genpei's 1,000-yen prints, a group performance on the busy Yamanote train line, and a plan for a giant guillotine in the Imperial Plaza. Focusing on the annual Yomiuri Indépendant exhibition, he demonstrates how artists came together in a playful but powerful critical art, triggering judicial and police response. Money, Trains, and Guillotines expands our understanding of the role of art in the international 1960s, and of the dynamics of art and policing in Japan.
Author | : Joan Kee |
Publisher | : University of California Press |
Total Pages | : 320 |
Release | : 2019-02-12 |
Genre | : Art |
ISBN | : 0520299388 |
Models of Integrity examines the relationship between contemporary art and the law through the lens of integrity. In the 1960s, artists began to engage conspicuously with legal ideas, rituals, and documents. The law—a primary institution subject to intense moral and political scrutiny—was a widely recognized source of authority to audiences inside the art world and out. Artists frequently engaged with the law in ways that signaled a recuperation of the integrity that they believed had been compromised by the very institutions entrusted with establishing standards of just conduct. These artists sought to convey the social purpose of an artwork without overstating its political impact and without losing sight of how aesthetic decisions compel audiences to see their everyday world differently. Addressing the role that law plays in enabling artworks to function as social and political forces, this important book fills a gap in the field of law and the humanities, and will serve as a practical “how-to” for contemporary artists.
Author | : dosankodebbie |
Publisher | : |
Total Pages | : |
Release | : 2014-06-22 |
Genre | : |
ISBN | : 9781320050043 |
This is a step-by-step guide to creating Etegami, a Japanese postcard art that combines simple hand-painted images with handwritten words on washi postcards. The book is divided into 22 brief chapters that lead the reader through the origins, the materials, the process, and the possibilities of the art of Etegami. It includes links to online suppliers of etegami materials and tools. Please take note of the dimensions and be warned that it is a very SMALL book (60 pages), but it is packed to the gills with content.
Author | : Victoria Weston |
Publisher | : U of M Center for Japanese Studies |
Total Pages | : 384 |
Release | : 2004 |
Genre | : Art |
ISBN | : |
This is the first monograph in English to address the art and philosophy of a group of painters regarded as seminal figures in the development of modern Japanese painting. Lead by the outspoken and widely published art critic Okakura Tenshin, a group of mostly Tokyo-based painters took on nothing less than the modernization of traditional Japanese painting. The painters who looked to Okakura Tenshin as their leader saw themselves not just as artists but as servants of the nation. Their task, they believed, was to give expression to the vitality of Meiji Japan while also helping to shape public opinion at home and abroad. Thus, they chose themes purposefully redolent with what they identified as Japanese cultural values; they experimented with painting techniques based on tradition yet revitalized through innovation. This book details how these artists came to this mission, as well as their training, their philosophical objectives, and their works.
Author | : Henry P Bowie |
Publisher | : Hassell Street Press |
Total Pages | : 292 |
Release | : 2021-09-09 |
Genre | : |
ISBN | : 9781014581921 |
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : David Pilling |
Publisher | : Penguin |
Total Pages | : 418 |
Release | : 2015-02-24 |
Genre | : History |
ISBN | : 0143126954 |
“[A]n excellent book...” —The Economist Financial Times Asia editor David Pilling presents a fresh vision of Japan, drawing on his own deep experience, as well as observations from a cross section of Japanese citizenry, including novelist Haruki Murakami, former prime minister Junichiro Koizumi, industrialists and bankers, activists and artists, teenagers and octogenarians. Through their voices, Pilling's Bending Adversity captures the dynamism and diversity of contemporary Japan. Pilling’s exploration begins with the 2011 triple disaster of earthquake, tsunami, and nuclear meltdown. His deep reporting reveals both Japan’s vulnerabilities and its resilience and pushes him to understand the country’s past through cycles of crisis and reconstruction. Japan’s survivalist mentality has carried it through tremendous hardship, but is also the source of great destruction: It was the nineteenth-century struggle to ward off colonial intent that resulted in Japan’s own imperial endeavor, culminating in the devastation of World War II. Even the postwar economic miracle—the manufacturing and commerce explosion that brought unprecedented economic growth and earned Japan international clout might have been a less pure victory than it seemed. In Bending Adversity Pilling questions what was lost in the country’s blind, aborted climb to #1. With the same rigor, he revisits 1990—the year the economic bubble burst, and the beginning of Japan’s “lost decades”—to ask if the turning point might be viewed differently. While financial struggle and national debt are a reality, post-growth Japan has also successfully maintained a stable standard of living and social cohesion. And while life has become less certain, opportunities—in particular for the young and for women—have diversified. Still, Japan is in many ways a country in recovery, working to find a way forward after the events of 2011 and decades of slow growth. Bending Adversity closes with a reflection on what the 2012 reelection of Prime Minister Shinzo Abe, and his radical antideflation policy, might mean for Japan and its future. Informed throughout by the insights shared by Pilling’s many interview subjects, Bending Adversity rigorously engages with the social, spiritual, financial, and political life of Japan to create a more nuanced representation of the oft-misunderstood island nation and its people. The Financial Times “David Pilling quotes a visiting MP from northern England, dazzled by Tokyo’s lights and awed by its bustling prosperity: ‘If this is a recession, I want one.’ Not the least of the merits of Pilling’s hugely enjoyable and perceptive book on Japan is that he places the denunciations of two allegedly “lost decades” in the context of what the country is really like and its actual achievements.” The Telegraph (UK) “Pilling, the Asia editor of the Financial Times, is perfectly placed to be our guide, and his insights are a real rarity when very few Western journalists communicate the essence of the world’s third-largest economy in anything but the most superficial ways. Here, there is a terrific selection of interview subjects mixed with great reportage and fact selection... he does get people to say wonderful things. The novelist Haruki Murakami tells him: “When we were rich, I hated this country”... well-written... valuable.” Publishers Weekly (starred): "A probing and insightful portrait of contemporary Japan."