On The Authorship Of The Sonnets Attributed To Shakespeare
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Author | : Robin Williams |
Publisher | : Peachpit Press |
Total Pages | : 587 |
Release | : 2006-03-15 |
Genre | : Literary Criticism |
ISBN | : 0132797771 |
It is long overdue that someone took a closer look at the brilliant Mary Sidney. I have a suspicion that Mary Sidney’s life, and especially her dedication to the English language after her brother’s death, may throw important light on the mysterious authorship of the Shakespeare plays and poems. —Mark Rylance Actor; Artistic Director of Shakespeare’s Globe Theatre, 1996–2006; Chairman of the Shakespearean Authorship Trust For more than two hundred years, a growing number of researchers have questioned whether the man named William Shakespeare actually wrote the works attributed to him. There is no paper trail for William Shakespeare—no record that he was ever paid for writing, nothing in his handwriting but a few signatures on legal documents, no evidence of his presence in the royal court except as an actor in his later years, no confirmation of his involvement in the literary circles of the time. With so little information about this man—and even less evidence connecting him to the plays and sonnets—what can and what can’t we assume about the author of the greatest works of the English language? For the first time, Robin P. Williams presents an in-depth inquiry into the possibility that Mary Sidney Herbert, the Countess of Pembroke, wrote the works attributed to the man named William Shakespeare. As well educated as Queen Elizabeth I, this woman was at the forefront of the literary movement in England, yet not allowed to write for the public stage. But that’s just the beginning . . . The first question I am asked by curious freshmen in my Shakespeare course is always, “Who wrote these plays anyway?” Now, because of Robin Williams’ rigorous scholarship and artful sleuthing, Mary Sidney Herbert will forever have to be mentioned as a possible author of the Shakespeare canon. Sweet Swan of Avon doesn’t pretend to put the matter to rest, but simply shows how completely reasonable the authorship controversy is, and how the idea of a female playwright surprisingly answers more Shakespearean conundrums than it creates... —Cynthia Lee Katona Professor of Shakespeare and Women’s Studies, Ohlone College; Author of Book Savvy
Author | : James Shapiro |
Publisher | : Simon and Schuster |
Total Pages | : 356 |
Release | : 2011-04-19 |
Genre | : Biography & Autobiography |
ISBN | : 1416541632 |
Shakespeare scholar James Shapiro explains when and why so many people began to question whether Shakespeare wrote his plays.
Author | : William Shakespeare |
Publisher | : |
Total Pages | : 396 |
Release | : 1800 |
Genre | : |
ISBN | : |
Author | : Hank Whittemore |
Publisher | : Martin and Lawrence Press |
Total Pages | : 0 |
Release | : 2010-10-30 |
Genre | : Sonets |
ISBN | : 9780982073216 |
A new view of Shakespeare's sonnets that brings them alive as a chronicle of political intrigue, passion, and betrayal.
Author | : William Shakespeare |
Publisher | : |
Total Pages | : 768 |
Release | : 2002 |
Genre | : Drama |
ISBN | : 9780198184317 |
'This Complete Sonnets and Poems is a distinguished addition to a distinguished series. It will repay continuing study, and act as a valuable point of reference for readers concerned more generally with Shakespeare's art and language. Colin Burrow's good sense, tact and balance as aneditor are deeply impressive.' -H. R. Woudhuysen, Times Literary SupplementThis is the only fully annotated and modernized edition to bring together Shakespeare's Sonnets as well as all his poems (including those attributed to him after his death). A full introduction discusses his development as a poet, and how the poems relate to his plays; detailed notes explain the language and allusions in clear modern English. While accessibly written, the edition takes account of the most recent scholarship and criticism.
Author | : J. Thomas Looney |
Publisher | : Veritas Publications |
Total Pages | : 516 |
Release | : 2019-02-07 |
Genre | : Literary Criticism |
ISBN | : 9781733589413 |
In 1920 J. Thomas Looney's "Shakespeare" Identified introduced the idea that Edward de Vere, 17th Earl of Oxford, was the man behind the pseudonym "William Shakespeare." This Centenary Edition-with the first new layout since the 1920 U.S. edition-is designed to enhance readers' enjoyment as they make their way through Looney's fascinating account of how he, shining light from a new perspective on facts already known to Shakespeare scholars of his day, uncovered the true story of who "Shakespeare" actually was and how he came to write his works. Even as the centenary of its publication approaches, "Shakespeare" Identified remains the most revolutionary book on Shakespeare ever written. Since its appearance several generations of scholars have deepened and extended Looney's original findings, further substantiating his claim that Edward de Vere was indeed the author of the dramatic and poetic works widely regarded as the greatest in the English language. Perhaps most importantly for scholars, this edition of Looney's classic text identifies the sources of more than 230 passages he quoted from other works, providing readers for the first time with accurate information on the books and papers he consulted in his research. A Bibliography at the end of the book supplements those notes for easy reference to Looney's sources. So if you're new to the Shakespeare authorship question, or even if you've read widely on the subject, get set to enjoy the book that novelist John Galsworthy called the best detective story he had ever read.
Author | : Helen Vendler |
Publisher | : Harvard University Press |
Total Pages | : 693 |
Release | : 1999-11 |
Genre | : Literary Criticism |
ISBN | : 0674637127 |
Analyzes all of Shakespeare's sonnets in terms of their poetic structure, semantics, and use of sounds and images.
Author | : Scott McCrea |
Publisher | : Praeger |
Total Pages | : 304 |
Release | : 2005-01-30 |
Genre | : Literary Criticism |
ISBN | : |
Demonstrates that William Shakespeare of Stratford-upon-Avon really did write the plays and poems attributed to him via a literary forensics case that puts all other authorship theories to rest.
Author | : William Shakespeare |
Publisher | : |
Total Pages | : 432 |
Release | : 1824 |
Genre | : |
ISBN | : |
Author | : Kenneth Farnol |
Publisher | : |
Total Pages | : 177 |
Release | : 2017-11-26 |
Genre | : |
ISBN | : 9781973394105 |
This long overdue investigation carefully questions the authorship of many of 'Shakespeare's' Sonnets. The Sonnets have to be seen as a collection of individual true-life accounts by different male and female writers to be properly understood. This is the key to the integrity of these literary masterpieces. When read in this light: a clear picture soon emerges. The simple logic of these findings certainly demands further academic and non-academic attention. Some of the more satirical sonnets were indeed by Shakespeare but most were probably by 'Rival Poet' members of the aristocratic Sidney family. Many were private and confidential and patently never approved for publication. This is an extremely important point. Sonnets are not about theatre they are about real life. Several sonnets show clearly feminine style and content. The natural beauty of those by the unmistakable Mary Sidney/Herbert, Lady Pembroke; Nos.1-17, at least, shines out from the best of them. Further sonnets by her son William Herbert, 3rd Earl of Pembroke and her niece Mary Sidney/Wroth are of considerable historical and romantic interest. The evidence is overwhelming. However, we must seriously challenge the overbearing weight of centuries of sexism, false premises and half-truths surrounding the Sonnets. Prevailing pseudo-homosexual 'Fair Youth' myths, for example, are deemed dubious, distracting and unconvincing. Shakespeare was evidently not comfortable with the sonnet format but the glory, authorship and integrity of his Plays remains unsurpassed. When reading the Sonnets we find further real-life male/female stories of adolescent infatuation, ambition, and scandal in the shadow of the early 17th C. Royal Court. Just read the Sonnets in this book and then judge for yourself!