On Musical Duodenes, Or the Theory of Constructing Instruments with Fixed Tones in Just Or Practically Just Intonation
Author | : Alexander John Ellis |
Publisher | : |
Total Pages | : 44 |
Release | : 1874 |
Genre | : Musical temperament |
ISBN | : |
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Author | : Alexander John Ellis |
Publisher | : |
Total Pages | : 44 |
Release | : 1874 |
Genre | : Musical temperament |
ISBN | : |
Author | : Charles Edward Cutts Birch Appleton |
Publisher | : |
Total Pages | : 848 |
Release | : 1877 |
Genre | : Literature |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 634 |
Release | : 1877 |
Genre | : |
ISBN | : |
The Poetical gazette; the official organ of the Poetry society and a review of poetical affairs, nos. 4-7 issued as supplements to the Academy, v. 79, Oct. 15, Nov. 5, Dec. 3 and 31, 1910
Author | : Alexander John Ellis |
Publisher | : |
Total Pages | : 40 |
Release | : 2015-02-12 |
Genre | : |
ISBN | : 9781293978306 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Alexander John Ellis |
Publisher | : Andesite Press |
Total Pages | : 40 |
Release | : 2015-08-08 |
Genre | : |
ISBN | : 9781297556302 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Ben Johnston |
Publisher | : University of Illinois Press |
Total Pages | : 327 |
Release | : 2010-10-01 |
Genre | : Biography & Autobiography |
ISBN | : 0252091574 |
Described by New York Times critic John Rockwell as "one of the best non-famous composers this country has to offer," Ben Johnston reconceives familiar idioms--ranging from neoclassicism and serialism to jazz and southern hymnody--using just intonation. Johnston studied with Darius Milhaud, Harry Partch, and John Cage, and is best known for his String Quartet No. 4, a complex series of variations on Amazing Grace. This collection spans forty years and brings together forty-one of Johnston's most important writings, including many rare and several previously unpublished selections. They include position papers, theoretical treatises, program notes, historical reflections, lectures, excerpts from interviews, and letters, and they cover a broad spectrum of concerns--from the technical exegesis of microtonality to the personal and the broadly humanistic. A discography of commercially available recordings of Johnston's music closes out the collection.