On Humour And The Comic In The Hebrew Bible
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| Author | : Athalya Brenner-Idan |
| Publisher | : A&C Black |
| Total Pages | : 329 |
| Release | : 1990-10-01 |
| Genre | : Religion |
| ISBN | : 0567202348 |
In comparison with other literary aspects of the Old Testament, humour has suffered much scholarly neglect. The present collection of essays (by the editors and ten other authors) argues that humour is plentiful in biblical literature and that many passages, indeed even whole books, can be properly understood only when the humorous intention of the author is acknowledged. This collection is a particularly interesting, innovative and provocative one.
| Author | : Yehuda ; Brenner Radday (Athalya) |
| Publisher | : |
| Total Pages | : |
| Release | : 1990 |
| Genre | : |
| ISBN | : |
| Author | : Melissa Jackson |
| Publisher | : Oxford University Press |
| Total Pages | : |
| Release | : 2012-07-26 |
| Genre | : Religion |
| ISBN | : 0191630764 |
Comedy is both relative, linked to a time and culture, and universal, found pervasively across time and culture. The Hebrew Bible contains comedy of this relative, yet universal nature. Melissa A. Jackson engages the Hebrew Bible via a comic reading and brings that reading into conversation with feminist-critical interpretation, in resistance to any lingering stereotype that comedy is fundamentally non-serious or that feminist critique is fundamentally unsmiling. Dividing comic elements into categories of literary devices, psychological/social features, and psychological/social function, Jackson examines the narratives of a number of biblical characters for evidence of these comic elements. The characters include the trickster matriarchs, the women involved in the infancy of Moses, Rahab, Deborah and Jael, Delilah, three of David's wives (Michal, Abigail, Bathsheba), Jezebel, Ruth, and Esther. Nine particularly instructive points of contact between comedy and feminist interpretation emerge: both (1) resist definition, (2) exist amidst a self/other, subject/object dichotomy, (3) emphasise and utilise context, (4) promote creativity, (5) acknowledge the concept of distancing, (6) work towards revelation, (7) are subversive, (8) are concerned with containment and control, and (9) enable survival. The use of comedy as an interpretive lens for the Hebrew Bible is not without difficulties for feminist interpretation. While maintaining an uncomfortable, even painful, awareness of the hold patriarchy retains on the Hebrew Bible, feminist critics can still choose to allow comedy's revelatory, subversive, survivalist nature to do its work revealing, subverting, and surviving.
| Author | : J. William Whedbee |
| Publisher | : Cambridge University Press |
| Total Pages | : 336 |
| Release | : 1998-05-28 |
| Genre | : Religion |
| ISBN | : 9780521495073 |
Apart from the occasional recognition of comic forms or motifs in biblical dress, the vast majority of interpreters have usually discounted or even disdained the possibility of the Bible having any significant place for the comic vision. This book attempts to make amends for this short-sighted, prejudicial perspective.
| Author | : Melissa Jackson |
| Publisher | : Oxford University Press |
| Total Pages | : 296 |
| Release | : 2012-07-26 |
| Genre | : Literary Criticism |
| ISBN | : 0199656770 |
This book explores the Hebrew Bible for evidence of comedy and further asks how reading the Hebrew Bible through a comic "lens" might positively inform feminist interpretation. The exploration is conducted with a number of Hebrew Bible narratives, all of which prominently involve female characters.
| Author | : Leonard J. Greenspoon |
| Publisher | : Purdue University Press |
| Total Pages | : 256 |
| Release | : 2011-10-01 |
| Genre | : Social Science |
| ISBN | : 1612491553 |
Jews and humor is, for most people, a natural and felicitous collocation. In spite of, or perhaps because of, a history of crises and living on the edge, Jews have often created or resorted to humor. But what is humor? And what makes certain types, instances, or performances of humor "Jewish"? These are among the myriad queries addressed by the fourteen authors whose essays are collected in this volume. And, thankfully, their observations, always apt and often witty, are expressed with a lightness of style and a depth of analysis that are appropriate to the many topics they cover. The scholars who contributed to this collection allow readers both to discern the common features that make up "Jewish humor" and to delight in the individualism and eccentricities of the many figures whose lives and accomplishments are narrated here. Because these essays are written in a clear, jargon-free style, they will appeal to everyone—even those who don't usually crack a smile!
| Author | : Hershey H. Friedman |
| Publisher | : Routledge |
| Total Pages | : 232 |
| Release | : 2017-09-08 |
| Genre | : Literary Criticism |
| ISBN | : 1351517171 |
Humor has had a profound effect on the way the Jewish people see the world, and has sustained them through millennia of hardships and suffering. God Laughed reviews, organizes, and categorizes the humor of the ancient Jewish texts-the Hebrew Bible, the Talmud, and Midrash-in a clear, readable, and accessible manner. These works have influenced the Jewish people in many ways, and all are replete with humor and wit. Inevitably, this oeuvre of Jewish humor has itself influenced generations of comics, as well as genres of humor. The authors use examples of Biblical humor from several broad categories, including irony, sarcasm, wordplay, humorous names, humorous imagery, and humorous situations. Because their primary purpose is not to entertain, but to teach humanity how to live the ideal life, much of the humor in the Talmud and the Midrash has a single purpose: to demonstrate that evil is wrong and even, at times, ludicrous. This may help explain why approximately 1,500 years after its closing, the Talmud is still such a fascinating work.
| Author | : Joseph Joseph Chotzner |
| Publisher | : CreateSpace |
| Total Pages | : 238 |
| Release | : 2015-06-09 |
| Genre | : |
| ISBN | : 9781514271513 |
The Hebrew Bible rightly deserves to be termed the Book of Books in the world of letters: it is distinguished from other literary productions by the richness of its sentences, its charm of style and diction, its pathos, and also by the flashes of genuine humour, which here and there illuminate its pages. Naturally its humour differs materially from the broad, rich humour of Sterne, Cervantes, Voltaire or Heine, but it has a stamp of its own, which is in some respects akin to that found in certain passages of the ancient classics. One or two examples will serve. In the first book of the Iliad, Homer describes a scene on Mount Olympus, in which the Greek gods and goddesses are represented as seated at a banquet, and waited upon by the lame Hephaestus. Observing his halting gait, they burst into peals of laughter. Comparable, perhaps, with this is the description of the well-known scene on Mount Carmel, when Elijah, the true prophet of God, gathered round him the false prophets of Baal. After they had leapt on the altar from morning unto even, crying incessantly, "Oh, Baal, hear us," Elijah stepped forth, and exclaimed mockingly, "Cry ye louder, for he is a god; perhaps he talketh or walketh, or is on a journey; or peradventure he sleepeth and must be awaked" (1 Kings xviii. 27).
| Author | : Athalya Brenner-Idan |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 170 |
| Release | : 2003-11-01 |
| Genre | : Religion |
| ISBN | : 0826426271 |
Biblical humor about women and gender remains elusive for many readers, for its recognition may imply the realization that it's a cruel and disrespectful humor, ridicule rather than good-natured fun. But viewing humor as social critique, as is largely done in the essays in this volume, with respect to both the texts read and their actual or implied author, may be fun as well as significant for understanding the biblical worlds. As most of the essays show, writing about women is writing about men as well. In other words, it is writing about gender roles. The critique of women, womanhood and femaleness implied by biblical and related texts serves, in equal measure, as a critique of men, manhood and maleness in the texts, of the texts authors, and of the texts' commentators and readers. Contributors include Scott Spencer, Mary Shields, Kathleen O'Connor, Toni Craven, Kathy Williams, Athalya Brenner, Gale Yee, Amy-Jill Levine, and Esther Fuchs.
| Author | : John Morreall |
| Publisher | : State University of New York Press |
| Total Pages | : 192 |
| Release | : 1999-05-27 |
| Genre | : Religion |
| ISBN | : 1438413629 |
CHOICE2000 Outstanding Academic Title Comedy, tragedy, and religion have been intertwined since ancient Greece, where comedy and tragedy arose as religious rituals. This groundbreaking book analyzes the worldviews of tragedy and comedy, and compares each with the world's major religions. Morreall contrasts the tragic and comic along twenty psychological and social dimensions and uses these to analyze both Eastern and Western traditions. Although no religion embodies a purely tragic or comic vision of life, some are mostly tragic and others mostly comic. In Eastern religions, Morreall finds no robust tragic vision but does find significant comic features, especially in Taoism and Zen Buddhism. In the Western monotheistic tradition, there are some comic features in the early Bible, but by the late Hebrew Bible, the tragic vision dominates. Two millennia have done little to reverse that tragic vision in Judaism. Christianity, on the other hand, has shown both tragic and comic features—Morreall writes of the Calvinist vision and the Franciscan vision—but in the contemporary era comic features have come to dominate. The author also explores Islam, and finds it has neither a comic nor a tragic vision. And, among new religions, those which emphasize the personal self come close to having an exclusively comic vision of life.
