On Commemoration
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Author | : David Gobel |
Publisher | : University of Virginia Press |
Total Pages | : 483 |
Release | : 2013-09-03 |
Genre | : Architecture |
ISBN | : 0813934338 |
Commemoration lies at the poetic, historiographic, and social heart of human community. It is how societies define themselves and is central to the institution of the city. Addressing the complex ways that monuments in the United States have been imagined, created, and perceived from the colonial period to the present, Commemoration in America is a wide-ranging volume that focuses on the role of remembrance and memorialization in American urban life. The volume’s contributors are drawn from a spectrum of disciplines—social and urban history, urban planning, architecture, art history, preservation, and architectural history—and take a broad view of commemoration. In addition to the making of traditional monuments, the essays explore such commemorative acts as building preservation, biography, portraiture, ritual performance, street naming, and the planting of trees. Providing an overview of American memorialization and the impulses behind it, Commemoration in America emphasizes a universal tendency for individuals and groups to use monuments to define their contemporary social identity and to construct historical narratives. The volume shows that while commemorative acts and objects affect the community in fundamental ways, their meaning is always multivalent and conflicted, attesting to both triumphs and tragedies. Constituting a vital part of both individual and national identity, commemoration’s contradictions strike at the core of American identity and speak to the importance of remembrance in the construction of our diverse national cultural landscape. Contributors: Jhennifer A. Amundson, Judson University * Catherine W. Bishir, North Carolina State University Libraries * Thomas J. Campanella, University of North Carolina at Chapel Hill * Glenn T. Eskew, Georgia State University * Glenn Forley, Parsons / The New School for Design * Sally Greene, University of North Carolina at Chapel Hill * Alison K. Hoagland, Michigan Technological University * Lynne Horiuchi, University of California, Berkeley * Ellen M. Litwicki, SUNY Fredonia * David Lowenthal, University College London * Mark A. Peterson, University of California, Berkeley * Richard M. Sommer, University of Toronto * Dell Upton, University of California, Los Angeles
Author | : Catherine Gilbert |
Publisher | : |
Total Pages | : |
Release | : 2020 |
Genre | : Collective memory |
ISBN | : 9781788749411 |
"War has been commemorated since ancient times. The recent First World War centenaries are proof that remembering conflict continues to produce strong feelings among people of all walks of life. But how, in the twenty-first century, can we do commemoration better? In particular, how can commemoration contribute to post-war reconciliation and reconstruction? In this book, a global roster of distinguished individuals - poets, an international human rights advocate, musicians, policy-makers, novelists, academics, a sculptor, a world-renowned architect, members of different faiths, composers, a Pulitzer prize-winning journalist and military veterans - debate these questions and ponder the future of commemoration. The book focuses on three modes of commemoration: Textual Commemoration - commemoration in writing and images; Monumental Commemoration - monuments, architecture, museums, sculptures, battlefields and sites of mourning; Aural Commemoration - music, sound and silence. Polemics and reflections together with poetry and creative prose movingly illuminate a subject that is sensitive and sobering but which also speaks to our common humanity"--
Author | : Annegret Fauser |
Publisher | : University of Michigan Press |
Total Pages | : 309 |
Release | : 2020-10-07 |
Genre | : Music |
ISBN | : 047205466X |
Public commemorations of various kinds are an important part of how groups large and small acknowledge and process injustices and tragic events. Performing Commemoration: Musical Reenactment and the Politics of Trauma looks at the roles music can play in public commemorations of traumatic events that range from the Armenian genocide and World War I to contemporary violence in the Democratic Republic of the Congo and the #sayhername protests. Whose version of a traumatic historical event gets told is always a complicated question, and music adds further layers to this complexity, particularly music without words. The three sections of this collection look at different facets of musical commemorations and reenactments, focusing on how music can mediate, but also intensify responses to social injustice; how reenactments and their use of music are shifting (and not always toward greater social effectiveness); and how claims for musical authenticity are politicized in various ways. By engaging with critical theory around memory studies and performance studies, the contributors to this volume explore social justice, in, and through music.
Author | : Eray Çayli |
Publisher | : Syracuse University Press |
Total Pages | : 247 |
Release | : 2022-08-03 |
Genre | : Social Science |
ISBN | : 0815655460 |
"Confronting the past" has become a byword for democratization. How societies and governments commemorate their violent pasts is often appraised as a litmus test of their democratization claims. Regardless of how critical such appraisals may be, they tend to share a fundamental assumption: commemoration, as a symbol of democratization, is ontologically distinct from violence. The pitfalls of this assumption have been nowhere more evident than in Turkey whose mainstream image on the world stage has rapidly descended from a regional beacon of democracy to a hotbed of violence within the space of a few recent years. In Victims of Commemoration, Eray Çayli draws upon extensive fieldwork he conducted in the prelude to the mid-2010s when Turkey’s global image fell from grace. This ethnography—the first of its kind—explores both activist and official commemorations at sites of state-endorsed violence in Turkey that have become the subject of campaigns for memorial museums. Reversing the methodological trajectory of existing accounts, Çayli works from the politics of urban and architectural space to grasp ethnic, religious, and ideological marginalization. Victims of Commemoration reveals that, whether campaigns for memorial museums bear fruit or not, architecture helps communities concentrate their political work against systemic problems. Sites significant to Kurdish, Alevi, and revolutionary-leftist struggles for memory and justice prompt activists to file petitions and lawsuits, organize protests, and build new political communities. In doing so, activists not only uphold the legacy of victims but also reject the identity of a passive victimhood being imposed on them. They challenge not only the ways specific violent pasts and their victims are represented, but also the structural violence which underpins deep-seated approaches to nationhood, publicness and truth, and which itself is a source of victimhood. Victims of Commemoration complicates our tendency to presume that violence ends where commemoration begins and that architecture’s role in both is reducible to a question of symbolism.
Author | : Titus Ensink |
Publisher | : John Benjamins Publishing |
Total Pages | : 268 |
Release | : 2003-01-01 |
Genre | : Language Arts & Disciplines |
ISBN | : 9789027226976 |
The Art of Commemoration focuses on a particular historical event that illustrates how nations define their own identities and establish mutual relations in their discourse: the Warsaw Uprising of August 1944 and its Commemoration in 1994. This Commemoration was an innovative and unique form of transnational communication because it brought together representative speakers from all parties involved. They considered the commemorated event from different perspectives: the victim (Poland), the former enemy (Germany) and the former allies (England, USA, France and other countries, as well as Russia which liberated Poland but had not supported the Uprising). A letter from the Pope added a Catholic perspective. The 'art of commemoration' consists in invoking the past events from one's own perspective while simultaneously considering the other perspectives, as well as in making sense of the past and present at the same time. This volume analyses the artful way in which the speakers coped with these complexities in a full discourse analytic reconstruction of each address.
Author | : Robert Cook |
Publisher | : LSU Press |
Total Pages | : 317 |
Release | : 2007-06 |
Genre | : History |
ISBN | : 0807137006 |
In Troubled Commemoration, Robert J. Cook recounts the planning, organization, and ultimate failure of United States Civil War Centennial and reveals how the broad-based public history extravaganza was derailed by its appearance during the decisive phase of the civil rights movement.
Author | : Lyn Spillman |
Publisher | : Cambridge University Press |
Total Pages | : 270 |
Release | : 1997-01-28 |
Genre | : History |
ISBN | : 9780521574327 |
What do people think when they imagine themselves as part of a nation? Nation and Commemoration answers this question in an exploration of the creation and recreation of national identities through commemorative activities. Extending recent work in cultural sociology and history, Lyn Spillman compares centennial and bicentennial celebrations in the United States and Australia to show how national identities can emerge from processes of 'cultural production'. She systematically analyses the symbols and meanings of national identity in these two 'new nations', identifying changes and continuities, similarities and differences in how visions of history, place in the world, politics, land, and diversity have been used to express nationhood. The result is a deeper understanding, not only of American and Australian national identities, but also of the global process of nation-formation.
Author | : P.J. Rhodes |
Publisher | : OUP/British Academy |
Total Pages | : 0 |
Release | : 2012-05-10 |
Genre | : History |
ISBN | : 9780197264669 |
This volume presents studies of military commemorative practices in Western culture, from 5th-century BC Greece, through two World Wars, to the Vietnam Veterans Memorial. This new comparative approach reveals that the distant past has had a lasting influence on commemorative practice in modern times.
Author | : Maureen Carroll |
Publisher | : Studies in Funerary Archaeolog |
Total Pages | : 0 |
Release | : 2011 |
Genre | : History |
ISBN | : 9781842173763 |
This volume investigates the archaeology of death and commemoration through thematically linked case studies drawn from the Classical world. These investigations stress the processes of burial and commemoration as inherently social and designed for an audience, and they explore the meaning and importance attached to preserving memory. While previous investigations of Greek and Roman death and burial have tended to concentrate on period- or regionally-specific sets of data, this volume instead focuses on a series of topical connections that highlight important facets of death and commemoration significant to the larger Classical world. Living through the dead investigates the subject of death and commemoration from a diverse set of archaeologically informed approaches, including visual reception, detailed analysis of excavated remains, landscape, and post-classical reflections and draws on artefactual, documentary and pictorial evidence. The nine papers present recent research by some of the leading voices on the subject, as well as some fresh perspectives. Case studies come from Thermopylae, the Bosporan kingdom, Athens, Republican Rome, Pompeii and Egypt. As a collected volume, they provide thematically linked investigations of key issues in ritual, memory and (self)presentation associated with death and burial in the Classical period. As such, this volume will be of particular interest to postgraduate students and academics with specialist interests in the archaeology of the Classical world and also more broadly, as a source of comparative material, to people working on issues related to the archaeology of death and commemoration.
Author | : New York (N.Y.). Common Council |
Publisher | : |
Total Pages | : 300 |
Release | : 1863 |
Genre | : Transatlantic cables |
ISBN | : |