Okike The Mystic
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Author | : Emeka K. Duru |
Publisher | : Xlibris Corporation |
Total Pages | : 90 |
Release | : 2010-12-10 |
Genre | : Fiction |
ISBN | : 1456830112 |
The bridge over the Udemba river which connected the two towns of Umuizu and Amankpa,had shown some signs of weakness at two points, which one of the women pointed out,on their way to Umuizu; fresh omu fronds had been tied at the rail-like ropes lining the side. Now as Mgbechi got into her elements, she was singing and urging a follow on from her backers, when she stepped on the weak plank, which gave way under her. Ebele the ogene woman was about to call out for her to be careful, when Mgbechi went down. Her right foot had broken the plank and she had slid under the rail like rope into the river, in a split second. Shock and wailing accosted the early evening sun. Some of the women could only open their mouth dumbfounded, unable to make head or tail of what has just happened, peering down into the Udemba River, bent over with their hands clutching their throats in a manner designed to stop them from retching. But the women from Umuizu gave out the alarm; running back to the town in search of men to the rescue.Ebele sent some women of Amankpa to go back with the children of the deceased to inform their kinsmen of what has happened. But the Udemba River has a history of never letting go of an unfortunate victim, whose turn, either by fate or providence; it was to be sacrificed to satisfy the gods of the river.Mgbechis slip in to the river was an accident that lived a tragedy. When the men came, from both towns, the fit and unfit, the swimmer and the non swimmer, they chased the evening into the night to no avail. Not even the morning could yield an answer to the lingering question, what happened to Mgbechi? The river was deep but not swift. If she drowned we are supposed to see the body sail said a young boy of about ten years who had come from the immediate kindred in Umuizu yes my boy that is what one hoped for, but not with the Udemba River, when you drown in this river, you disappear entirely. There are no tell-tale signs. Since we built this bridge, it has curtailed the sudden disappearances associated with this river. Even as it is very welcoming to the good swimmer, it hides the bad ones in its entrails responded an elderly man sitting at his side by the bank of the river. Chike was yet to recover from the loss of his mother, when Okories trip to Afor Ogwe, 16 market days from that incident, met with the inexplicable. He had gone to sell one of his he-goats. He did sell it as confirmed by one of the people who saw him leaving the market with some fish he had bought Asa. I am going to prepare ji mmiri oku he had said and the woman selling vegetables teased him okopkoro , you wont go and marry. Your mates have two children now, and you are still cooking for youself.You dont want a woman to look after you. You are handsome, hardworking and kind-hearted; whoever did this to you is evil. she spat out as she clapped her hands, by her side. Okorie laughed at her and quipped its you I wanted to marry but unfortunately you were gone before I could announce my intentions its not nwa Udo that you were hoping to marry, when did this one begin? Please go and collect your towel where you left it. Even if, are there no more women in the whole of Igbo land?She queried. Try as hard as the community could, these were the last known conversation he had with anybody that day.Okorie never came back from that trip to the market and remained at large. Even the harvest was poor that year. The late crops were not growing well. Though they now were supposed to inherit Mgbechi and okorie, there was no immediate agenda to do so. They still hoped for their return as the eji-asikwa syndrome paralysed them into allowing members of their extended family plunder Mgbechi and Okories goods. The child came into the world laughing. He did not cry like other children do. He was bedecked with amulets and charms adorning his neck, wrist, ankle and his torso. It was hideously beautiful to behold. Astounding in its uniqueness; border
Author | : |
Publisher | : |
Total Pages | : 542 |
Release | : 1988 |
Genre | : Nigerian literature (English) |
ISBN | : |
Author | : Rose A. Sackeyfio |
Publisher | : Rowman & Littlefield |
Total Pages | : 147 |
Release | : 2021-04-26 |
Genre | : Literary Criticism |
ISBN | : 1793642443 |
African Women Writing Diaspora: Transnational Perspectives in the Twenty-First Century examines contemporary fiction by African women authors to resonate diaspora perspectives on what it means to be African within transnational spaces. Through a critical lens, the collection interrogates the ways in which women construct new ways of telling the African story in the global age of social, economic, and political transformation. African Women Writing Diaspora illustrates that for African women, life in the diaspora is an uncharted journey across new landscapes of identity beyond Africa’s borders as a unifying theme. The fictional works analyzed represent the leading women writers who dominate the African literary canon, and the contributors explore diverse themes of immigrant life, racialized identities, and otherness within transnational spaces of the west.
Author | : Margaret Seyford Hrezo |
Publisher | : Rowman & Littlefield |
Total Pages | : 171 |
Release | : 2019-10-23 |
Genre | : Business & Economics |
ISBN | : 1498598838 |
This book links the questions people ask about why things exist, why the world is the way it is, and whether and how it is possible to change their society or world with the societal myths they develop and teach to answer those questions and organize and bring order to their communal lives. It also is about the need for change in western societies’ current organizing concept, classical (Lockean) liberalism. Despite the attempts of numerous insightful political thinkers, the myth of classical liberalism has developed so many cracks that it cannot be put back together again. If not entirely failed, it is at this point unsalvageable in its present form. Never the thought of just one person, the liberal model of individual religious, political, and economic freedom developed over hundreds of years starting with Martin Luther’s dictum that every man should be his own priest. Although, classical liberalism means different things to different people, at its most basic level, this model sees human beings as individuals who exist prior to government and have rights over government and the social good. That is, the individual right always trumps the moral and social good and individuals have few obligations to one another unless they actively choose to undertake them. Possibility’s Parents argues that Lockean liberalism has reached the end of its logic in ways that make it unable to handle the western world’s most pressing problems and that novelists whose writing includes the form and texture of myth have important insights to offer on the way forward.
Author | : Nnedi Okorafor |
Publisher | : Penguin |
Total Pages | : 434 |
Release | : 2014-02-04 |
Genre | : Fiction |
ISBN | : 0756407281 |
An award-winning literary author ("The Shadow Speaker") presents her first foray into supernatural fantasy with a novel of post-apocalyptic Africa.
Author | : LaToya Jefferson-James |
Publisher | : Rowman & Littlefield |
Total Pages | : 343 |
Release | : 2022-03-03 |
Genre | : Literary Criticism |
ISBN | : 1793606714 |
New Criticism and Pedagogical Directions for Contemporary Black Women Writers is a collection of critical and pedagogical essays that shed new light on the creative depths of Black women writers. On the one hand, some Black women writers have been heavily anthologized, they have more often than not been restricted by critical metanarratives. Some of their works have been lionized while others remain neglected. On the other hand, some Black women writers have been ignored and understudied. This collection corrects the gaps in our critical thinking about Black women writers by introducing them to a new generation of undergraduate and graduate students, and by presenting pedagogical essays to our colleagues currently working in the field.
Author | : Sandra J. Lindow |
Publisher | : McFarland |
Total Pages | : 249 |
Release | : 2023-01-29 |
Genre | : Literary Criticism |
ISBN | : 1476683328 |
This work is the first book-length scholarly treatment of Nnedi Okorafor's critically acclaimed fiction. Written for an audience that includes serious fans as well as scholars, it is an introduction to Okorafor's work and major influences. The scope of the text is ambitious, featuring detailed analyses of her novels, short story collection, memoir, comics and graphic novel. Particular emphasis is given to Okorafor's most enduring themes, which include healthy young adult development and decision making, the interweaving of fantasy and science fiction, flight as a unifying force and the use of innovative biotechnology in ecological utopian communities. Influences examined include feminism, Afrofuturist and Africanfuturist movements and African mythology. Chapters also detail Okorafor's examinations of colonialism and corporate neocolonialism in Africa and Africa's potential to become a major world power.
Author | : Peter J. Kalliney |
Publisher | : Oxford University Press |
Total Pages | : 333 |
Release | : 2013-07-26 |
Genre | : Literary Criticism |
ISBN | : 0199977984 |
Commonwealth of Letters examines midcentury literary institutions integral to modernism and postcolonial writing. Several organizations central to interwar modernism, such as the BBC, influential publishers, and university English departments, became important sites in the emergence of postcolonial literature after the war. How did some of modernism's leading figures of the 1930s-such as T.S. Eliot, Louis MacNeice, and Stephen Spender-come to admire late colonial and early postcolonial literature in the 1950s? Similarly, why did late colonial and early postcolonial writers-including Chinua Achebe, Kamau Brathwaite, Claude McKay, and Ngugi wa Thiong'o-actively seek alliances with metropolitan intellectuals? Peter Kalliney's original and extensive archival work on modernist cultural institutions demonstrates that this disparate group of intellectuals had strong professional incentives to treat one another more as fellow literary professionals, and less as political or cultural antagonists. Surprisingly, metropolitan intellectuals and their late colonial counterparts leaned heavily on modernist theories of aesthetic autonomy to facilitate their collaborative ventures. For white, metropolitan writers, T.S. Eliot's notion of impersonality could help recruit new audiences and conspirators from colonized regions of the world. For black, colonial writers, aesthetic autonomy could be used to imagine a literary sphere uniquely resistant to the forms of racial prejudice endemic to the colonial system. This strategic collaboration did not last forever, but as Commonwealth of Letters shows, it left a lasting imprint on the ultimate disposition of modernism and the evolution of postcolonial literature.
Author | : Bruce King |
Publisher | : Columbia University Press |
Total Pages | : 645 |
Release | : 2016-07-05 |
Genre | : Literary Criticism |
ISBN | : 3838268563 |
From New National to World English Literature offers a personal perspective on the evolution of a major cultural movement that began with decolonization, continued with the assertion of African, West Indian, Commonwealth, and other literatures, and has evolved through postcolonial to world or international English literature. Bruce King, one of the pioneers in the study of the new national literatures and still an active literary critic, discusses the personalities, writers, issues, and contexts of what he considers the most important change in culture since modernism. In this selection of forty-five essays and reviews, King discusses issues such as the emergence and aesthetics of African literature, the question of the existence of a “Nigerian literature”, the place of the new universities in decolonizing culture, the contrasting models of American and Irish literatures, and the changing nature of exile and diasporas. He emphasizes themes such as traditionalism versus modernism, the dangers of cultural assertion, and the relationships between nationalism and internationalism. Special attention is given to Nigerian, West Indian, Australian, Indian, and Pakistani literature.
Author | : Nze Chukwukadibia E. Nwafor |
Publisher | : Lulu.com |
Total Pages | : 210 |
Release | : 2014-05 |
Genre | : |
ISBN | : 9781312165144 |
The Igbo people and their unique culture represents a mercurial bridge of time, with potentials of linking the contemporary mind to the mystic realms from whence original knowledge can be profoundly grasped and brought down to earth for practical applications of many vital interests. In this work, Nwafor, a reincarnated Eze Dibia of Ururo-Umunze descent, distills the knowledge, wisdom and experiences of nine life-times of intense spiritual work, culminating in a unique exegesis of Igbo reality and cultural phenomenon.