Oil And American Identity
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| Author | : Sebastian Herbstreuth |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 281 |
| Release | : 2014-09-10 |
| Genre | : Political Science |
| ISBN | : 1786739917 |
American dependence on foreign oil has long been described as a serious threat to U.S. national security, and continues to be a political flashpoint even as domestic fracking eases the US' reliance on imported energy. Oil and American Identity offers a fresh perspective on the subject by reframing 'energy dependency' as a cultural discourse with intimate connections to American views on independence, freedom, consumption, abundance, progress and American exceptionalism. Through a detailed reading of primary literature, Sebastian Herbstreuth also shows how the dangers of foreign oil are linked to American descriptions of foreign oil producers as culturally different und thus 'undependable'. Herbstreuth shows how even reliable imports from the Middle East are portrayed as dangerous and undesirable because this region is particularly 'foreign' from an American point of view, while oil from friendly countries like Canada is cast as a benign form of energy trade. Oil and American Identity rewrites the history of U.S. foreign oil dependence as a cultural history of the United States in the 20th century.
| Author | : Sebastian Herbstreuth |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 345 |
| Release | : 2014-09-10 |
| Genre | : Political Science |
| ISBN | : 0857738380 |
American dependence on foreign oil has long been described as a serious threat to U.S. national security, and continues to be a political flashpoint even as domestic fracking eases the US' reliance on imported energy. Oil and American Identity offers a fresh perspective on the subject by reframing 'energy dependency' as a cultural discourse with intimate connections to American views on independence, freedom, consumption, abundance, progress and American exceptionalism. Through a detailed reading of primary literature, Sebastian Herbstreuth also shows how the dangers of foreign oil are linked to American descriptions of foreign oil producers as culturally different und thus 'undependable'. Herbstreuth shows how even reliable imports from the Middle East are portrayed as dangerous and undesirable because this region is particularly 'foreign' from an American point of view, while oil from friendly countries like Canada is cast as a benign form of energy trade. Oil and American Identity rewrites the history of U.S. foreign oil dependence as a cultural history of the United States in the 20th century.
| Author | : Shigeru Akita |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 270 |
| Release | : 2023-12-14 |
| Genre | : History |
| ISBN | : 1350413828 |
The 1970s are widely seen as a turning point for the world economy and a transformative decade for the international order. This volume explores the role played by the oil crises in this transformation, focusing particularly on their impact in previously little-studied regions such as Asia and Africa. Examining the intersection between the oil crises and the Third World project, their impact on Asian economic development and the contrasting responses of two African countries, this collection covers new ground on the global and regional effects of the crises, and ties them into the key transformations of the international economy and the Cold War order. Arguing that they were instrumental in reshaping the Asian economies, helping to instigate the boom known as the 'East Asian Miracle', it also demonstrates how the individual responses of countries reflected their own specific circumstances. With chapters from leading scholars such as David Painter and Dane Kennedy, this book shows how the origins, course and consequences of the oil crises of the 1970s are crucial to understanding the transformation of the international order in the late twentieth century.
| Author | : S. Tenneriello |
| Publisher | : Springer |
| Total Pages | : 324 |
| Release | : 2013-12-18 |
| Genre | : Performing Arts |
| ISBN | : 1137360623 |
Scenic spectacles collapse the borders of graphic and visual arts, multimedia technology, spectatorship and architecture. Drawing upon various systems of commercial, institutional and public spectacle that intersect with scenic stages of the national landscape, Tenneriello examines how spectacle is entrenched in the formation of national identity.
| Author | : Duccio Basosi |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 404 |
| Release | : 2018-04-30 |
| Genre | : Business & Economics |
| ISBN | : 1838608257 |
The oil price collapse of 1985-6 had momentous global consequences: non-fossil energy sources quickly became uncompetitive, the previous talk of an OPEC 'imperium' was turned upside-down, the Soviet Union lost a large portion of its external revenues, and many Third World producers saw their foreign debts peak. Compared to the much-debated 1973 `oil shock', the `countershock' has not received the same degree of attention, even though its legacy has shaped the present-day energy scenario. This volume is the first to put the oil `counter-shock' of the mid-1980s into historical perspective. Featuring some of the most knowledgeable experts in the field, Counter-Shock offers a balanced approach between the global picture and local study cases. In particular, it highlights the crucial interaction between the oil counter-shock and the political `counterrevolution' against state intervention in economic management, put forward by Ronald Reagan and Margaret Thatcher in the same period.
| Author | : Darren Dochuk |
| Publisher | : Basic Books |
| Total Pages | : 492 |
| Release | : 2019-06-04 |
| Genre | : History |
| ISBN | : 1541673948 |
A groundbreaking new history of the United States, showing how Christian faith and the pursuit of petroleum fueled America's rise to global power and shaped today's political clashes Anointed with Oil places religion and oil at the center of American history. As prize-winning historian Darren Dochuk reveals, from the earliest discovery of oil in America during the Civil War, citizens saw oil as the nation's special blessing and its peculiar burden, the source of its prophetic mission in the world. Over the century that followed and down to the present day, the oil industry's leaders and its ordinary workers together fundamentally transformed American religion, business, and politics -- boosting America's ascent as the preeminent global power, giving shape to modern evangelical Christianity, fueling the rise of the Republican Right, and setting the terms for today's political and environmental debates. Ranging from the Civil War to the present, from West Texas to Saudi Arabia to the Alberta Tar Sands, and from oil-patch boomtowns to the White House, this is a sweeping, magisterial book that transforms how we understand our nation's history.
| Author | : Andrew Apter |
| Publisher | : University of Chicago Press |
| Total Pages | : 345 |
| Release | : 2008-10-01 |
| Genre | : Social Science |
| ISBN | : 0226023567 |
When Nigeria hosted the Second World Black and African Festival of Arts and Culture (FESTAC) in 1977, it celebrated a global vision of black nationhood and citizenship animated by the exuberance of its recent oil boom. Andrew Apter's The Pan-African Nation tells the full story of this cultural extravaganza, from Nigeria's spectacular rebirth as a rapidly developing petro-state to its dramatic demise when the boom went bust. According to Apter, FESTAC expanded the horizons of blackness in Nigeria to mirror the global circuits of its economy. By showcasing masks, dances, images, and souvenirs from its many diverse ethnic groups, Nigeria forged a new national culture. In the grandeur of this oil-fed confidence, the nation subsumed all black and African cultures within its empire of cultural signs and erased its colonial legacies from collective memory. As the oil economy collapsed, however, cultural signs became unstable, contributing to rampant violence and dissimulation. The Pan-African Nation unpacks FESTAC as a historically situated mirror of production in Nigeria. More broadly, it points towards a critique of the political economy of the sign in postcolonial Africa.
| Author | : Ross Barrett |
| Publisher | : U of Minnesota Press |
| Total Pages | : 519 |
| Release | : 2014-10-15 |
| Genre | : Nature |
| ISBN | : 1452943958 |
In the 150 years since the birth of the petroleum industry oil has saturated our culture, fueling our cars and wars, our economy and policies. But just as thoroughly, culture saturates oil. So what exactly is “oil culture”? This book pursues an answer through petrocapitalism’s history in literature, film, fine art, wartime propaganda, and museum displays. Investigating cultural discourses that have taken shape around oil, these essays compose the first sustained attempt to understand how petroleum has suffused the Western imagination. The contributors to this volume examine the oil culture nexus, beginning with the whale oil culture it replaced and analyzing literature and films such as Giant, Sundown, Bernardo Bertolucci’s La Via del Petrolio, and Ben Okri’s “What the Tapster Saw”; corporate art, museum installations, and contemporary photography; and in apocalyptic visions of environmental disaster and science fiction. By considering oil as both a natural resource and a trope, the authors show how oil’s dominance is part of culture rather than an economic or physical necessity. Oil Culture sees beyond oil capitalism to alternative modes of energy production and consumption. Contributors: Georgiana Banita, U of Bamberg; Frederick Buell, Queens College; Gerry Canavan, Marquette U; Melanie Doherty, Wesleyan College; Sarah Frohardt-Lane, Ripon College, Matthew T. Huber, Syracuse U; Dolly Jørgensen, Umeå U; Stephanie LeMenager, U of Oregon; Hanna Musiol, Northeastern U; Chad H. Parker, U of Louisiana at Lafayette; Ruth Salvaggio, U of North Carolina, Chapel Hill; Heidi Scott, Florida International U; Imre Szeman, U of Alberta; Michael Watts, U of California, Berkeley; Jennifer Wenzel, Columbia University; Sheena Wilson, U of Alberta; Rochelle Raineri Zuck, U of Minnesota Duluth; Catherine Zuromskis, U of New Mexico.
| Author | : Dawn Keetley |
| Publisher | : McFarland |
| Total Pages | : 255 |
| Release | : 2014-02-12 |
| Genre | : Performing Arts |
| ISBN | : 0786476281 |
This edited collection brings together an introduction and 13 original scholarly essays on AMC's The Walking Dead. The essays in the first section address the pervasive bloodletting of the series: What are the consequences of the series' unremitting violence? Essays explore violence committed in self-defense, racist violence, mass lawlessness, the violence of law enforcement, the violence of mourning, and the violence of history. The essays in the second section explore an equally urgent question: What does it mean to be human? Several argue that notions of the human must acknowledge the centrality of the body--the fact that we share a "blind corporeality" with the zombie. Others address how the human is closely aligned with language and time, the disappearance of which are represented by the aphasic, timeless zombie. Underlying each essay are the game-changing words of The Walking Dead's protagonist Rick Grimes to the other survivors: "We're all infected." The violence of the zombie is also our violence; their blind drives are also ours. The human characters of The Walking Dead may try to define themselves against the zombies but in the end their bodies harbor the zombie virus: they are the walking dead. Instructors considering this book for use in a course may request an examination copy here.
| Author | : |
| Publisher | : Cambria Press |
| Total Pages | : 238 |
| Release | : |
| Genre | : |
| ISBN | : 1621969754 |
