Oeuvres De Froissart
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Livre de Chevalerie
Author | : Richard W. Kaeuper |
Publisher | : University of Pennsylvania Press |
Total Pages | : 248 |
Release | : 1996-11 |
Genre | : History |
ISBN | : 0812215796 |
Charny was a knight who lived the chivalric life for nearly two decades in a manner thought ideal by his contemporaries, dying appropriately in battle at Poitiers in 1356. He was also the first documented owner of the Shroud of Turin. This volume establishes the cultural context in which Charny lived in the first section and sets forth in the second the French text of Charny's fascinating work alongside an English translation, with full critical apparatus. Paper edition (unseen), $17.95. Annotation copyrighted by Book News, Inc., Portland, OR
Froissart's Chronicles
Author | : John Jolliffe |
Publisher | : Faber & Faber |
Total Pages | : 311 |
Release | : 2012-03-13 |
Genre | : History |
ISBN | : 057129023X |
The Chronicles of Jean Froissart (1337-1410) are universally acknowledged as the most vivid and faithful account of 14th century events and ideas. This medieval collector of intelligence travelled widely from Scotland and Wales to France, Italy and the Netherlands, conversing with gentlemen of rank everywhere and developing a tremendous skill for persuading those about him to divulge their secrets. These Chronicles offer an unrivalled picture of the age of chivalry, drawn by a contemporary, with a verve that recalls Chaucer. Fresh, vivid, immediate and laced with a certain disrespect for the Establishment, they tell of acts of gallantry, tournaments, feasts and wars that make for fascinating reading, abetted by John Jolliffe's translation that renders Froissart into highly accessible modem English.
The Performance of Self
Author | : Susan Crane |
Publisher | : University of Pennsylvania Press |
Total Pages | : 285 |
Release | : 2012-10-09 |
Genre | : Literary Criticism |
ISBN | : 0812201701 |
Medieval courtiers defined themselves in ceremonies and rituals. Tournaments, Maying, interludes, charivaris, and masking invited the English and French nobility to assert their identities in gesture and costume as well as in speech. These events presumed that performance makes a self, in contrast to the modern belief that identity precedes social performance and, indeed, that performance falsifies the true, inner self. Susan Crane resists the longstanding convictions that medieval rituals were trivial affairs, and that personal identity remained unarticulated until a later period. Focusing on England and France during the Hundred Years War, Crane draws on wardrobe accounts, manuscript illuminations, chronicles, archaeological evidence, and literature to recover the material as well as the verbal constructions of identity. She seeks intersections between theories of practice and performance that explain how appearances and language connect when courtiers dress as wild men to interrupt a wedding feast, when knights choose crests and badges to supplement their coats of arms, and when Joan of Arc cross-dresses for the court of inquisition after her capture.
The Short Lyric Poems of Jean Froissart
Author | : Kristen Mossler Figg |
Publisher | : Routledge |
Total Pages | : 338 |
Release | : 2019-06-26 |
Genre | : Literary Collections |
ISBN | : 0429589433 |
Originally published in 1994, The Short Lyric Poems of Jean Froissart is a meticulous reading of the important but generally neglected short lyric poems of Jean Froissart. The book situates Froissart within the cultural and literary context of fourteenth-century Europe and examines a representative number of his lyric forms (pastourelles, chansons royales, ballades, virelais, and rondeaux) demonstrating their richness of theme and poetic virtuosity. The book provides a readable and reliable English translation, making it possible for English scholars unfamiliar with the original Middle French forms to understand and appreciate the influence Froissart had on Chaucer and other authors of the age. The book focuses on themes, techniques, meters, and rhythms that Froissart employed in his poetry, on how his poetry fits poetic tradition, and on the place of Froissart in literary history.
The Carole: A Study of a Medieval Dance
Author | : Robert Mullally |
Publisher | : Routledge |
Total Pages | : 173 |
Release | : 2017-07-05 |
Genre | : Music |
ISBN | : 1351545779 |
The carole was the principal social dance in France and England from c. 1100 to c. 1400 and was frequently mentioned in French and English medieval literature. However, it has been widely misunderstood by contributors in recent citations in dictionaries and reference books, both linguistic and musical. The carole was performed by all classes of society - kings and nobles, shepherds and servant girls. It is described as taking place both indoors and outdoors. Its central position in the life of the people is underlined by references not only in what we might call fictional texts, but also in historical (or quasi-historical) writings, in moral treatises and even in a work on astronomy. Dr Robert Mullally's focus is very much on details relevant to the history, choreography and performance of the dance as revealed in the primary sources. This methodology involves attempting to isolate the term carole from other dance terms not only in French, but also in other languages. Mullally's groundbreaking study establishes all the characteristics of this dance: etymological, choreographical, lyrical, musical and iconographical.